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JAKOBUS See also: born at See also: Arnhem in See also: September 1837, started See also: life as a painter, but soon exchanged the See also: brush for the See also: pen
.
The See also: great success of his first novelettes (Betuwsche Novellen and Overbetuwsche Novellen), published about 1855—reprinted many times since, and translated into See also: German and French—showed See also: Cremer the wisdom of his new departure
.
These See also: short stories of Dutch provincial life are written in the quaint dialect of the Betuwe, the large flat Gelderland See also: island, formed by the Rhine, the name recalling the presumed earliest inhabitants, the Batavi
.
Cremer is strongest in his delineation of character
.
His picturesque See also: humour, coming out, perhaps, most forcibly in his numerous readings of the Betuwe novelettes, soon procured him the name of the " Dutch Fritz Reuter." In his later novels Cremer abandons both the lahguage and the slight love-stories of the Betuwe, depicting the Dutch life of other centres in the See also: national See also: tongue
.
The See also: principal are: Anna Rooze (1867), Dokter See also: Helmond en zijn Vrouw (187o), See also: Hanna de Freule (1873), Daniel Sils, &c
.
Cremer was less successful as a playwright, and his two comedies, Peasant and Nobleman and Emma Bertholt, did not enhance his fame; nor did a See also: volume of poems, published in 1873
.
He died at the Hague in See also: June 1880
.
His collected novels have appeared at See also: Leiden
.
An See also: English novel, founded by See also: Albert Vandam upon Anna Rooze, considered by many his best See also: work, was published in See also: London (1877, 3 vols.) under the title of An Everyday Heroine
.
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