See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• JOHN CRUNDEN (d. 1828)

CRUNDEN (d. 1828)  , See also:

• ENGLISH

English architectural and mobiliary designer . Most of his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• INSPIRATION (Lat. inspirare, breathe upon or into)

inspiration was See also:

• DRAWN

drawn from See also:

• CHIPPENDALE, THOMAS (d. 1979)

Chippendale and his school, but he See also:

• FELL
• FELL, JOHN (1625-1686)

fell later under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of a See also:

• BASTARD (O. Fr. bastard, mod. bdtard = fits de bast, "pack-saddle child," from bast, saddle)

bastard classicism . He produced a very large number of designs which were published in numerous volumes; among the most ambitious were ornamental centres for ceilings in which he introduced cupids with bows and arrows, Fame See also:

• SOUNDING (for derivation see SOUND above)

sounding her See also:

• TRUMPET (Fr. trompette, clairon; Ger. ,Trompete, Klarino, Trummet; Ital. tromba, trombetta, clarino)
• TRUMPET, SPEAKING AND HEARING

trumpet, and such like motives . See also:

• SPORT (a contracted or shortened form of "disport," to amuse, divert oneself, O. Fr. se dis porter or deporter, to leave off work, hence to play, Lat. dis-, away, and portare, to carry; the origin of the meaning lies in the notion of turning away from ser

Sport and natural See also:

• HISTORY

history supplied him with many other themes, and one of his ceilings is a See also:

• HUNTING (the verbal substantive from " hunt "; O. Eng. huntian, hunta; apparently connected with O. Eng. hentan, Gothic hinpan, to capture, O.H.G. hunda,booty)

hunting See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene representing a " kill." His See also:

• PRINCIPAL

principal See also:

• WORKS

works were Designs for Ceilings; Convenient and Ornamental See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

Architecture; The See also:

• CARPENTER, LANT (1780-1840)
• CARPENTER, MIRY (1807-1877)
• CARPENTER, WILLIAM BENJAMIN (1813-1885)

Carpenter's See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

Companion for See also:

• CHINESE, JAPANESE AND

Chinese Railings, See also:

• GATES, HORATIO (1728-1806)

Gates, &c . (1770); The Joiner and See also:

• CABINET

Cabinet-maker's See also:

• DARLING
• DARLING, GRACE HORSLEY (1815-1842)

Darling, or Sixty Designs for See also:

• GOTHIC

Gothic, Chinese, See also:

• MOSAIC (corresponding to Lat. opus musivum, from Gr. µovoeiov, an artificial grotto often decorated with mosaics; the word is only found in the sense of mosaic in late Greek, which generally uses k oXI yrlµa)

Mosaic and Ornamental Frets (1765); and The See also:

• CHIMNEY (through the Fr. cheminee, from caminata, sc. camera, a Lat. derivative of caminus, an oven or furnace)

Chimney Piece Maker's Daily Assistant (1776) . Much of his See also:

• WORK

work was either absurd or valueless .