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See also: English architectural and mobiliary designer
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Most of his early inspiration was See also: drawn from See also: Chippendale and his school, but he See also: fell later under the influence of a See also: bastard classicism
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He produced a very large number of designs which were published in numerous volumes; among the most ambitious were ornamental centres for ceilings in which he introduced cupids with bows and arrows, Fame sounding her See also: trumpet, and such like motives
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Sport and natural See also: history supplied him with many other themes, and one of his ceilings is a hunting scene representing a " kill." His See also: principal See also: works were Designs for Ceilings; Convenient and Ornamental Architecture; The See also: Carpenter's Companion for See also: Chinese Railings, See also: Gates, &c
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(1770); The Joiner and See also: Cabinet-maker's Darling, or Sixty Designs for See also: Gothic, Chinese, Mosaic and Ornamental Frets (1765); and The Chimney Piece Maker's Daily Assistant (1776)
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Much of his See also: work was either absurd or valueless
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