See also:RICHARD See also:CUMBERLAND (1732-1811)
, See also:English dramatist, was See also:born in the See also:master's See also:lodge of Trinity See also:College, See also:Cambridge, on the 19th of See also:February 1732
.
He was the See also:great-See also:grandson of the See also:bishop of See also:Peterborough; and his See also:father, Dr See also:Denison Cumber-See also:land, became successively bishop of Clonfert and of Kilmore
.
His See also:mother was See also:Joanna, the youngest daughter of the great See also:scholar See also:Richard See also:Bentley, and the heroine of See also:John See also:Byrom's once popular little See also:eclogue, See also:Colin and See also:Phoebe
.
Of the great master of Trinity his grandson has See also:left a kindly See also:account; he afterwards collected all the See also:pamphlets bearing on the Letters of See also:Phalaris controversy, and piously defended the reputation of his ancestor in his See also:Letter to Bishop See also:Lowth, who had called Bentley See also:aut caprimulgus aut fossor." See also:Cumberland was in his seventh See also:year sent to the See also:grammar-school at See also:Bury St See also:Edmunds, and he relates how, on the See also:head-master See also:Arthur Kinsman undertaking, in conversation with Bentley, to make the grandson as See also:good a scholar as the grandfather himself, the latter retorted: " Pshaw, Arthur, how can that be, when I have forgot more than See also:thou ever knewest?" Bentley died during his grandson's Bury school-days; and in 1744 the boy, who, while rising to the head of his school, had already begun to " try his strength in several slight attempts towards the See also:drama," was removed to See also:Westminster, then at the height of its reputation under Dr Nicholls
.
Among his schoolfellows here were See also:Warren See also:Hastings, See also:George See also:Colman (the See also:elder), See also:Lloyd, and (though he does not mention them as such) See also:Churchill and See also:Cowper
.
From Westminster Cumberland passed, in his fourteenth year, to Trinity College, Cambridge, where in 1750 he took his degree as tenth wrangler
.
His account of his degree examination, as well as that for a fellowship at his college, See also:part of which he underwent in the " See also:judges' chamber," where he was born, is curious; he was by virtue of an alteration in the statutes elected to his fellowship in the second year of his degree
.
Meanwhile his projects of See also:work as a classical scholar had been interspersed with attempts at imitating See also:Spenser—whom, by his mother's See also:advice, he " laid upon the shelf "—and a dramatic effort (unprinted) on the See also:model of See also:- MASON, FRANCIS (1799—1874)
- MASON, GEORGE (1725—1792)
- MASON, GEORGE HEMMING (1818–1872)
- MASON, JAMES MURRAY (1798-1871)
- MASON, JOHN (1586-1635)
- MASON, JOHN YOUNG (1799-1859)
- MASON, LOWELL (1792—1872)
- MASON, SIR JOHN (1503–1566)
- MASON, SIR JOSIAH (1795-1881)
- MASON, WILLIAM (1725—1797)
Mason's Elfrida, called See also:Caractacus
.
He had just begun to read for his fellowship, when he was offered the See also:post of private secretary by the See also:earl of See also:Halifax, first See also:lord of See also:trade and plantations in the See also:duke of See also:Newcastle's See also:ministry
.
His See also:family persuaded him to accept the See also:- OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")
office, to which he returned after his See also:election as See also:fellow
.
It left him abundant leisure for See also:literary pursuits, which included: the See also:design of a poem in See also:blank See also:verse on See also:India
.
He resigned his Trinity fellowship on his See also:marriage—in 1759—to his See also:cousin See also:Elizabeth See also:Ridge, to whom he had paid his addresses on receiving through Lord Halifax " a small See also:establishment as See also:crown-See also:agent for Nova See also:Scotia." In 1761 he accompanied his See also:patron (who had been appointed lord-See also:lieutenant) to See also:Ireland as See also:Ulster secretary; and in See also:acknowledgment of his services was afterwards offered a baronetcy
.
By declining this he thinks he gave offence; at all events,, when in 1762 Halifax became secretary of See also:state, Cumber-land in vain applied for the post of under-secretary, and could only obtain the clerkship of reports at the See also:Board of Trade under Lord Hillsborough
.
While he takes some See also:credit to himself for his incorruptibility when in Ireland, he showed zeal for his friend and secured a bishopric for his father
.
On the See also:accession to office of Lord George Germaine (See also:Sackville) in 1775, Cumberland was appointed secretary to the Board of Trade and Plantations, which post he held, till the abolition of that board in 1782 by See also:Burke's economical reform
.
Before this event he had, in 178o, been sent on a confidential See also:mission to See also:Spain, to negotiate aseparate treaty of See also:peace with that See also:power; but though he was well received by See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King See also:Charles III. and his See also:minister See also:Floridablanca, the question of See also:Gibraltar proved a stumbling-See also:block, and the See also:Gordon riots at See also:home a most untoward occurrence
.
He was recalled in 1781, and was refused repayment of the expenses he had incurred, towards which only £r000 had been advanced to him
.
He thus found himself 4500 out of See also:pocket: in vain, he says, " I wearied the See also:door of Lord See also:North till his very servants drove me from it "; his memorial remained unread or unnoticed either by the See also:prime minister or by secretary See also:- ROBINSON, EDWARD (1794–1863)
- ROBINSON, HENRY CRABB (1777–1867)
- ROBINSON, JOHN (1575–1625)
- ROBINSON, JOHN (1650-1723)
- ROBINSON, JOHN THOMAS ROMNEY (1792–1882)
- ROBINSON, MARY [" Perdita "] (1758–1800)
- ROBINSON, SIR JOHN BEVERLEY, BART
- ROBINSON, SIR JOSEPH BENJAMIN (1845– )
- ROBINSON, THEODORE (1852-1896)
Robinson, through whom the See also:original promise had been made
.
Soon after this experience he lost his office, and had to retire on a See also:compensation See also:allowance of less than See also:half-pay
.
He now took up his See also:residence at Tunbridge See also:Wells; but during his last years he mostly lived in See also:London, where he died on the 7th of May 1811
.
He was buried in Westminster See also:Abbey, a See also:short oration being pronounced on this occasion by his friend See also:Dean See also:Vincent
.
Cumberland's numerous literary productions are spread over the whole of his See also:long See also:life; but it is only by his contributions to the drama, and perhaps by his See also:Memoirs, that he is likely to be remembered
.
The collection of essays and other pieces entitled The Observer (1785), afterwards republished together with a See also:translation of The Clouds, found a See also:place among The See also:British Essayists
.
For the accounts given in The Observer of the See also:Greek writers, especially the comic poets, Cumberland availed himself of Bentley's See also:MSS. and annotated books in his See also:possession; his See also:translations from the Greek fragments, which are not in-elegant but lack closeness, are republished in See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James See also:Bailey's Comicorum Graecorum (part i., 1840) and Hermesianactis, Archilochi, et Pratinae fragmenta
.
Cumberland further produced Anecdotes of Eminent Painters i"n Spain (1782 and 1787); a See also:Catalogue of the King of Spain's Paintings (1787); two novels—See also:Arundel (1789), a See also:story in letters, and See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry (1795), a " diluted See also:comedy" on the construction and polishing of which he seems to have expended great care; a religious epic, See also:Calvary, or the See also:Death of See also:Christ (1792); his last publication was a poem entitled Retrospection
.
He is also supposed to have joined See also:Sir James Bland See also:Burges in an epic, the Exodiad (1807), and in John de See also:Lancaster, a novel
.
Besides these he wrote the Letter to the Bishop of O[xfor]d in vindication of Bentley (1767); another to the Bishop of See also:Llandaff (Richard See also:Watson) on his proposal for equalizing the revenues of the Established See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church (1783); a See also:Character of the See also:late Lord Sackville (1785), whom in his Memoirs he vindicates from the stigma of cowardice; and an See also:anonymous pamphlet, See also:Curtius rescued from the Gulf, against the redoubtable Dr See also:Parr
.
He was also the author of a version of fifty of the See also:Psalms of See also:David; of a See also:tract on the evidences of See also:Christianity; and of other religious exercises in See also:prose and verse, the former including " as many sermons as would make a large See also:volume, some of which have been delivered from the pulpits." Lastly, he edited, in 1809, a short-lived See also:critical See also:journal called The London See also:Review, intended to be a See also:rival to the Quarterly, with signed articles
.
Cumberland's Memoirs, which he began at the See also:close of 1804, and concluded in See also:September 18o5, were published in 18o6, and a supplement was added in 1807
.
This narrative, which includes a long account of his See also:Spanish mission, contains some interesting reminiscences of several persons of See also:note—more especially Bubb Dodington, Single-Speech See also:- HAMILTON
- HAMILTON (GRAND or ASHUANIPI)
- HAMILTON, ALEXANDER (1757-1804)
- HAMILTON, ANTHONY, or ANTOINE (1646-1720)
- HAMILTON, ELIZABETH (1758–1816)
- HAMILTON, EMMA, LADY (c. 1765-1815)
- HAMILTON, JAMES (1769-1831)
- HAMILTON, JAMES HAMILTON, 1ST DUKE OF (1606-1649)
- HAMILTON, JOHN (c. 1511–1571)
- HAMILTON, MARQUESSES AND DUKES OF
- HAMILTON, PATRICK (1504-1528)
- HAMILTON, ROBERT (1743-1829)
- HAMILTON, SIR WILLIAM
- HAMILTON, SIR WILLIAM (1730-1803)
- HAMILTON, SIR WILLIAM ROWAN (1805-1865)
- HAMILTON, THOMAS (1789-1842)
- HAMILTON, WILLIAM (1704-1754)
- HAMILTON, WILLIAM GERARD (1729-1796)
Hamilton, and Lord George Sackville among politicians, and of See also:Garrick, See also:Foote and See also:Goldsmith; but the accuracy of some of the anecdotes concerning the last-named is not beyond suspicion
.
The See also:book exhibits its author as an amiable egotist, careful of his own reputation, given to prolixity and undistinguished by wit, but a good observer of men and See also:manners
.
The uneasy self-absorption which See also:Sheridan immortalized in the character of Sir Fretful Plagiary in The Critic is apparent enough in this autobiography, but presents itself there in no offensive See also:form
.
The incidental criticisms of actors have been justly praised
.
Cumberland was hardly warranted in the conjecture that no English author had yet equalled his See also:list of dramas in point of number; but his plays, published and unpublished, have been
computed to amount to fifty-four
.
About 35 of these are See also:regular plays, to which have been added 4 operas and a See also:farce; and about half of the whole list are comedies
.
' The best known of them belong to what he was pleased to See also:term " legitimate comedy," and to that See also:species of it known as sentimental." The essential characteristic of these plays is the See also:combination of plots of domestic See also:interest with the rhetorical enforcement of moral precepts, and with such small comic See also:humour as the author possesses
.
These comedies are primarily, to See also:borrow Cumber-land's own phraseology, designed as " attempts upon the See also:heart." He takes great credit to himself for See also:weaving his plays out of
homely stuff, right British drugget,'' and for eschewing " the vile refuse4f the Gallic See also:stage "; on the other See also:hand, he borrowed from the sentimental fiction of his own See also:country, including See also:Richardson, See also:Fielding and See also:Sterne
.
The favourite theme of his plays is virtue in See also:distress or danger, but safe of its See also:reward in the fifth See also:act; their most See also:constant characters are men of feeling and See also:young ladies who are either prudes or coquettes
.
Cumber-land's comic power—such as it was—See also:lay in the invention of comic characters taken from the " outskirts of the See also:empire," and professedly intended to vindicate from English See also:prejudice the good elements in the Scotch, the Irish and the colonial character
.
For the See also:rest, patriotic sentiment liberally asserts itself by the See also:side of See also:general morality
.
If Cumberland's See also:dialogue lacks brilliance and his characters reality, the construction of the plots is as a See also:rule, skilful, and the situations are contrived with what Cumberland indisputably possessed—a thorough insight into the secrets of theatrical effect
.
It should be added that, though Cumberland's sentimentality is often wearisome, his morality is generally See also:sound; that if he was without the See also:genius requisite for elevating the See also:national drama, he did his best to keep it pure and sweet; and that if he borrowed much, as he undoubtedly did, it was not the vicious attractions of other dramatists of which he was the plagiary
.
His debut as a dramatic author was made with a tragedy, The Banishment of See also:Cicero, published in 1761 after its rejection by Garrick; this was followed in 1765 by a musical drama, The Summer's See also:Tale, subsequently compressed into an afterpiece Amelia (1768)
.
Cumberland first essayed sentimental comedy in The See also:Brothers (1769)
.
The theme of this comedy is inspired by Fielding's Tom See also:- JONES
- JONES, ALFRED GILPIN (1824-1906)
- JONES, EBENEZER (182o-186o)
- JONES, ERNEST CHARLES (1819-1869)
- JONES, HENRY (1831-1899)
- JONES, HENRY ARTHUR (1851- )
- JONES, INIGO (1573-1651)
- JONES, JOHN (c. 1800-1882)
- JONES, MICHAEL (d. 1649)
- JONES, OWEN (1741-1814)
- JONES, OWEN (1809-1874)
- JONES, RICHARD (179o-1855)
- JONES, SIR ALFRED LEWIS (1845-1909)
- JONES, SIR WILLIAM (1746-1794)
- JONES, THOMAS RUPERT (1819– )
- JONES, WILLIAM (1726-1800)
Jones; its comic characters are the See also:jolly old See also:tar See also:Captain See also:Ironsides, and the henpecked See also:husband Sir See also:Benjamin See also:Dove, whose progress to self-assertion is genuinely comic, though not altogether original
.
See also:Horace See also:Walpole said that it acted well, but read See also:ill, though he could distinguish in it " strokes of Mr Bentley." The See also:epilogue paid a compliment to Garrick, who helped the See also:production of Cumberland's second comedy The See also:West-See also:Indian (1771)
.
The See also:hero of this comedy, which probably owes much to the See also:suggestion of Garrick, is a young scapegrace fresh from the tropics, " with See also:rum and See also:sugar enough belonging to him to make all the See also:water in the See also:Thames into See also:punch,"—a libertine with generous instincts, which in the end prevail
.
This See also:early example of the See also:modern drame was received with the utmost favour; it was afterwards translated into See also:German by Boden, and See also:Goethe acted in it at the See also:Weimar See also:court
.
The Fashionable See also:Lover (1772) is a sentimental comedy of the most pronounced type
.
The Choleric See also:Man (1774), founded on the Adelphi of See also:Terence, is of a similar type, the comic See also:element rather predominating, but philanthropy being duly represented by a virtuous lawyer called Manlove
.
Among his later comedies may be mentioned The Natural Son (1785), in which See also:Major O'Flaherty who had already figured in The West-Indian, makes his reappearance; The Impostors (1789), a comedy of intrigue; The See also:Box See also:Lobby See also:Challenge (1794), a protracted farce; The See also:Jew (1794), a serious See also:play, highly effective when the character of Sheva was played by the great German actor Theodor D8ring; The See also:Wheel of See also:Fortune (1795), in which John See also:Kemble found a celebrated part in the misanthropist Penruddock, who cannot forget but learns to forgive (a character declared by See also:Kotzebue to have been stolen from his Menschenhass and Reue), while the lawyer See also:Timothy See also:Weasel was made comic by Richard Suett; First Love (1795); The Last of the Family (1795); False
Impressions (1797) ; The Sailor's Daughter (1804); and -a Hint to Husbands (1806), which, unlike the, rest, is in blank verse
.
The other See also:works printed during his lifetime include The Note of Hand (1774), a farce; the songs of his musical comedy, The Widow of See also:Delphi (1780); his tragedies of The See also:Battle of Hastings (1778); and The Carmelite (1784), a romantic domestic drama in blank verse, in the See also:style of Home's See also:Douglas, furnishing some effective scenes for Mrs See also:Siddons and John Kemble as mother and son; and the domestic drama (in prose) of The Mysterious Husband (1783)
.
His posthumously printed plays (published in 2 vols. in 1813) include the comedies of The See also:Walloons (acted in 1782); The Passive Husband (acted as A Word for Nature, 1798); The See also:Eccentric Lover (acted 1798); and Lovers' Resolutions (once acted in 1802); the serious quasi-historic drama See also:Confession; the drama See also:Don Pedro (acted 1796); and the tragedies of Alcanor (acted as The Arab, 1785); Torrendal; The Sibyl, or The Elder See also:Brutus (afterwards amalgamated with other plays on the subject into a very successful tragedy for See also:Edmund See also:Kean by See also:Payne); Tiberius in Capreae; and The False See also:Demetrius (on a theme which attracted See also:Schiller)
.
Cumberland translated the Clouds of See also:Aristophanes (1797), and altered for the stage See also:Shakespeare's See also:Timon of See also:Athens (1771), See also:Massinger's The Bondman and The Duke of See also:Milan (both 1779)
.
In 1806–1807 appeared Memoirs of R
.
Cumberland, written by himself
.
Cumberland's novel, Henry, was printed in Ballantyne's Novelists' Library (1821), with a prefatory See also:notice of the author by Sir See also:Walter See also:Scott
.
A so-called Critical Examination of Cumberland's works and a memoir of the author based on his autobiography, with the addition of some more or less feeble criticisms, by See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William Madford, appeared in 1812, An excellent account of Cumberland is included in " George Paston's " Little Memoirs of the Eighteenth See also:Century (1901)
.
' See also:Hettner well characterizes Cumberland's position in the See also:history of the English drama in Litteraturgesch. d
.
18
.
Jahr hunderts (2nded., 1865), i
.
52o
.
Cumberland's portrait by See also:Romney (whose See also:- TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental
talent he was one of the first to encourage) is in the Nationale
.
Portrait See also:Gallery
.
(A
.
W
.
End of Article: