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CURTEA DE ARGESH (Rumanian, Curtea de Arges; also written Curtea d'Argesh, Curtea d'Ardges, Argish and Ardjish) , the capital of the department of Argesh, Rumania; situated on the rightSee also: bank of the See also: river Argesh, where it flows through a valley of the See also: lower Carpathians; and on the railway from See also: Pitesci to the Rothenthurm Pass
.
Pop
.
(1900) 4210
.
The city is one of the See also: oldest in Rumania
.
According to tradition it was founded early in the 14th century by See also: Prince Radu Negru, succeeding Campulung as capital of See also: Walachia
.
Hence its name Curtea, " the See also: court." It contains a few See also: antique churches, and was created a bishopric at the close of the 18th century
.
The See also: cathedral of Curtea de Argesh, by far the most famous See also: building in Rumania, stands in the grounds of a monastery, 12 m
.
N. of the city
.
It resembles a very large and elaborate See also: mausoleum, built in See also: Byzantine See also: style, with Moorish arabesques
.
In shape it is oblong, with a many-sided annexe at the back
.
In the centre rises a dome, fronted by two smaller cupolas; while a secondary dome, broader and loftier than the central one, springs from the annexe
.
Each See also: summit is crowned by an inverted See also: pear-shaped See also: stone, bearing a triple
See also: cross, emblematic of the Trinity
.
The windows are See also: mere slits; those of the tambours, or cylinders, on which the cupolas rest, are curved, and slant at an angle of 70°, as though the tambours were leaning to one See also: side
.
Between the pediment and the cornice a thick corded moulding is carried round the See also: main building
.
Above this comes a See also: row of circular See also: shields, adorned with intricate arabesques, while bands and wreaths of lilies are everywhere scupltured on the windows, balconies, tambours and cornices, adding lightness to the fabric
.
The whole is raised on a platform 7 ft. high, and encircled by a stone See also: balustrade
.
Facing the main entrance is a small open shrine, consisting of a cornice and dome upheld by four pillars
.
The cathedral is faced with pale See also: grey See also: limestone, easily chiselled, but hardening on exposure
.
The interior is of brick, plastered and decorated with frescoes
.
Close by stands a large royal palace, Moorish in style
.
The archives of the cathedral were plundered by See also: Magyars and Moslems, but several inscriptions, See also: Greek, Slav and Ruman, are See also: left
.
One tablet records that the founder was Prince Neagoe See also: Bassarab (1512-1521); another that Prince See also: John Radu
completed the
See also: work in 1526
.
A third describes the repairs executed in 1681 by Prince Sherban See also: Cantacuzino; a See also: fourth, the restoration, in 1804, by See also: Joseph, the first See also: bishop
.
Between 1875 and 1885 the cathedral was reconstructed; and in 1886 it was re-consecrated
.
Its legends have inspired many Rumanian poets, among them the celebrated V . Alexandri (1821-1890) . One tradition describes how Neagoe Bassarab, while a hostage in Constantinople, designed a splendid mosque for the sultan, returning to build the cathedral out of the surplus materials . Another version makes him employ one Manole or Manoli as architect . Manolet being unable to finish the walls, the prince threatened him and his assistant withSee also: death
.
At last Manole suggested that they should follow the See also: ancient See also: custom of building a living woman into the See also: foundations; and that she who first appeared on the following See also: morning should be the victim
.
The other masons warned their families, and Manole was forced to sacrifice his own wife
.
Thus the cathedral was built except the roof
.
So arrogant, however, did the masons become, that the prince bade remove the scaffolding, and all, save Manole, perished of See also: hunger
.
He See also: fell to the ground, and a spring of clear See also: water, which issued from the spot, is still called after him
.
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