CX1  . 26 in date from 177o to 1788, in the See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style . Many of See also:

• FLAX

Flax-See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man's designs were produced in See also:

• PLATE

plate, among the most important being the " See also:

• SHIELD (0. Eng. scild, cf. Du. and Ger. Schild, Dan. Skjold; the origin is doubtful, but may be referred to the root seen in " shell " or " scale "; another suggestion connects it with Icel. skjalla, to clash, rattle; it is not connected with the Indo-Ger
• SHIELD, WILLIAM (1748—1829)

Shield of See also:

• ACHILLES
• ACHILLES (Gr. 'AxtXXeus)

Achilles," in See also:

• SILVER

silver-gilt, at See also:

• WINDSOR
• WINDSOR (properly NEw WINDSOR)

Windsor See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

Castle . See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• STOTHARD, CHARLES ALFRED (1786—1821)
• STOTHARD, THOMAS (1755—1834)

Stothard, the painter, executed several designs for See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold-See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

smith's See also:

• WORK

work for Rundell and See also:

• BRIDGE

Bridge . The Assay of Gold and Silver Plate.—The See also:

• PRIMITIVE

primitive method of testing the purity of the See also:

• METAL
• METAL (through Fr. from Lat. metallum, mine, quarry, adapted from Gr. µATaXAov, in the same sense, probably connected with ,ueraAAdv, to search after, explore, µeTa, after, aAAos, other)

metal was by marking a streak with it on the touchstone, and comparing the See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour of the See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

mark with that made by various pieces of gold or silver of known degrees of purity . Assay by cupellation is now employed for silver: a piece of the silver to be tested is melted with some See also:

• LEAD
• LEAD (pronounced iced)

lead in a cupel or See also:

• BONE (a word common in various forms to Teutonic languages, in many of which it is confined to the shank of the leg, as in the German Bein)
• BONE, HENRY (1755-1834)

bone-ash crucible; the lead is oxidized, and rapidly sinks into the bone-ash, carrying with it any other impurities which are See also:

• PRESENT

present . The See also:

• RESIDUE (through the French, from the Lat. residuum, a remainder, from residere, to remain)

residue of pure silver is then weighed, and by its loss shows how much alloy it contained . Gold is now tested by an elaborate chemical See also:

• PROCESS

process by which the trial See also:

• BIT (from the verb " to bite," either in the sense of a piece bitten off, or an act of biting, or a thing that bites or is bitten)

bit is dissolved in See also:

• ACID (from the Lat. root ac-, sharp; acere, to be sour)

acid, and then thrown down in the See also:

• FORM (Lat. forma)

form of precipitate, v.'hich can be examined by a careful quantitative See also:

• ANALYSIS (Gr. avci and Meta, to break up into parts)

analysis (see See also:

• ASSAYING

ASSAYING) . The See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard of purity required in the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of See also:

• EDWARD

Edward I. was, for gold, that it should be of the " See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch," i.e . 19J carats out of 24 . Before then 22 carats was the standard . Silver was to be " of the See also:

• STERLING
• STERLING, ANTOINETTE (d. 1904)
• STERLING, JOHN (1806-1844)

sterling alloy," viz .

11 oz . 2 dwt. to the See also:

• POUND
• POUND (2)—(a)

pound . Except for a time during the 16th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century this standard of silver has been kept up, and is still required by See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law . See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall-marks on Silver.—In the 13th century the See also:

• ENGLISH

English Gild of Gold- and Silver-smiths had grown into See also:

• GREAT

great importance, and had acquired monopolies and many See also:

• SPECIAL

special privileges . In See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to keep the standard up to the required purity the See also:

• SYSTEM

system of requiring each See also:

• ARTICLE (from Lat. articulus, a joint)

article to be stamped with certain marks was introduced by royal command . The first of these was the II See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king's mark—a See also:

• LEOPARD

leopard's or See also:

• LION
• LION (Lat, leo, leonis; Gr. Mew)

lion's See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head crowned . This was introduced in 1300 by Edward I . (29 Edw . I. stat . 3, c . 30) . The second, the maker's mark, was instituted in 1363 (37 Edw .

III. c . 7) . This might be any badge or initial chosen by the See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master silversmith himself . The third was the See also:

• YEAR

Year See also:

• LETTER (through Fr. lettre from Lat. littera or litera, letter of the alphabet; the origin of the Latin word is obscure; it has probably no connexion with the root of linere, to smear, i.e. with wax, for an inscription with a stilus)

letter or assayer's mark; this was an See also:

• ALPHABET (see also WRITING)

alphabet, one letter being used for a year, counting from the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day of the See also:

• ANNUAL

annual See also:

• ELECTION
• ELECTION (from Lat. eligere, to pick out)

election of the See also:

• WARDEN

warden of the Goldsmiths' See also:

• COMPANY

Company . When one alphabet was exhausted another with differently shaped letters was begun . The earliest existing piece of plate which has the three marks is the See also:

• CHALICE (through a central O. Fr. form of the Lat. calix, calicis, cup)

chalice (with See also:

• PATEN (through the Fr. from Lat. patina or paten, Gr. aaravq, a flat dish)

paten, 1479-1480), at Nettlecombe, See also:

• SOMERSET, EARLS AND DUKES OF
• SOMERSET, EDMUND BEAUFORT, DUKE OF (c. 1404–1455)
• SOMERSET, EDWARD SEYMOUR, DUKE OF (c. 1506–1552)
• SOMERSET, LORD ROBERT EDWARD HENRY (1776-1842)
• SOMERSET, ROBERT CARR (or KER), EARL OF (e. 1590-1645)

Somerset . Other marks, subsequently introduced, were the lion passant, first used in 1544; the lion's head erased; and a full-length figure of Britannia, used only between 1697 and 1719-1720; and, lastly, the portrait of the reigning See also:

• SOVEREIGN

sovereign, which was used from 1784 to 189o, when the See also:

• DUTY (from " due," that which is owing, O. Fr. deu, dil, past participle of devoir; Lat. debere, debitum; cf. " debt ")

duty on gold and silver plate ceased . In addition to these See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general hall-marks, the plate made in various provincial towns had certain special assay and hall-marks . The best work on hall-marked plate and the marks themselves, with the See also:

• HISTORY

history of the Goldsmiths' Company, is C . J . See also:

• JACKSON
• JACKSON, ANDREW (1767-1845)
• JACKSON, CYRIL (1746-1819)
• JACKSON, FREDERICK GEORGE (186o– )
• JACKSON, HELEN MARIA (1831–1885)
• JACKSON, MASON (c. 1820-1903)
• JACKSON, THOMAS (1579-1640)
• JACKSON, THOMAS JONATHAN (1824-1863)
• JACKSON, WILLIAM (1730-1803)

Jackson's English Goldsmiths and their Marks (1905), where will be found illustrations of the marks found on plate wrought in See also:

• SCOTLAND
• SCOTLAND, CHURCH OF
• SCOTLAND, EPISCOPAL CHURCH OF

Scotland and See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland, and at English provincial See also:

• GILDS, or GUILDS

gilds—See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, See also:

• NORWICH
• NORWICH, GEORGE GORING, EARL OF (1583?-1663)

Norwich, See also:

• EXETER
• EXETER, EARL, MARQUESS AND DUKE OF

Exeter, See also:

• CHESTER
• CHESTER, EARLS OF

Chester, See also:

• LINCOLN
• LINCOLN, ABRAHAM (1809-1865)
• LINCOLN, EARLS OF

Lincoln, See also:

• NEWCASTLE
• NEWCASTLE, DUKES OF

Newcastle, See also:

• BIRMINGHAM

Birmingham, See also:

• SHEFFIELD
• SHEFFIELD, JOHN BAKER HOLROYD, 1ST EARL

Sheffield and other places . E .

See also:

• ALFRED

Alfred See also:

• JONES
• JONES, ALFRED GILPIN (1824-1906)
• JONES, EBENEZER (182o-186o)
• JONES, ERNEST CHARLES (1819-1869)
• JONES, HENRY (1831-1899)
• JONES, HENRY ARTHUR (1851- )
• JONES, INIGO (1573-1651)
• JONES, JOHN (c. 1800-1882)
• JONES, MICHAEL (d. 1649)
• JONES, OWEN (1741-1814)
• JONES, OWEN (1809-1874)
• JONES, RICHARD (179o-1855)
• JONES, SIR ALFRED LEWIS (1845-1909)
• JONES, SIR WILLIAM (1746-1794)
• JONES, THOMAS RUPERT (1819– )
• JONES, WILLIAM (1726-1800)

Jones's See also:

• BOOK

book, Old English Gold Plate (1907), illustrates and describes gold plate only . See also:

• MODERN

Modern Plate in the See also:

• EAST
• EAST, ALFRED (1849- )

East.—Though little plate of real See also:

• ARTISTIC

artistic merit is now made in See also:

• EUROPE

Europe, in the East among the Moslem and See also:

• HINDU

Hindu races there still survive some real See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste in See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design and skill in See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution . See also:

• DELHI, DEHLI

Delhi, See also:

• BENARES

Benares, See also:

• LUCKNOW

Lucknow, See also:

• CUTCH, GULF OF
• CUTCH, or KACH
• CUTCH, RUNN OF, or RANN OF KACH

Cutch and other places in See also:

• INDIA
• INDIA, FRENCH

India and See also:

• KASHMIR, or CASHMERE

Kashmir still produce a quantity of beautiful silver and gold work—chiefly ewers, basins, See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

rose-See also:

• WATER

water sprinklers, salvers, See also:

• COFFEE (Fr: cafe, Ger. Kaffee)

coffee-pots and the like . These are of graceful form, covered with See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich repousse work, or more often with very delicate chased patterns . Their style in the See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main is Moslem, but some combine an Arab form with native See also:

• INDIAN

Indian See also:

• SURFACE

surface decoration . This class of work is not a revival, but has been practised and handed down by unbroken tradition, and with little or no See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change in style from the 16th century or even earlier.' The silversmiths of See also:

• PERSIA

Persia, See also:

• DAMASCUS

Damascus and other Eastern places are still skilful, and retain some See also:

• GOOD, JOHN MASON (1764-1827)

good tradition in their designs . They are, however, more occupied in the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of See also:

• PERSONAL

personal ornaments than in making larger See also:

• WORKS

works of silver or gold . AUTaoRITIES.—Scandinavian and See also:

• CELTIC

Celtic Plate.—Worsaae, Primeval Antiquities of See also:

• DENMARK
• DENMARK (Danmark)

Denmark (1849); Afbildninger fra de Kongelige Museum (1854) ; " See also:

• INDUSTRIAL

Industrial Arts of Denmark," S.K.M . See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

Hand-book (1882) ; See also:

• ATLAS

Atlas de l'archeologie du word (1857) ; See also:

• ANDERSON
• ANDERSON, ADAM (1692—1765)
• ANDERSON, ALEXANDER (c. 1582-1620?)
• ANDERSON, ELIZABETH GARRETT (1836— )
• ANDERSON, JAMES (1662—1728)
• ANDERSON, JAMES (1739-1808)
• ANDERSON, JOHN (1726-1796)
• ANDERSON, MARY (1859– )
• ANDERSON, RICHARD HENRY (1821–1879)
• ANDERSON, ROBERT (1750–1830)
• ANDERSON, SIR EDMUND (1530-1605)

Anderson, Mindelblade fra de danske kongers Samling (1867) ; Danmarks, Norges, og Sverigs historie (1867); Madsen, Afbildninger of danske Oldsager 1868-1876) ; Montelius, Antiquites suedoises (1873-1875) ; See also:

• STRALSUND

Stralsund, Der Goldschmuck von Hiddensoe (1881) ; See also:

• HILDEBRAND, LAY OF (Deis Hildebrandslied)

Hildebrand, " Industrial Arts of Scandinavia," S.K.M . (1882); See also:

• REEVES, JOHN SIMS (1818-1900)

Reeves, See also:

• SHRINE (Lat. scrinium, a case or chest for books, hence a casket; from scribere, to write, Fr. ecrin, Ital. scrigno)

Shrine of St See also:

• PATRICK, SIMON (1626–1707)
• PATRICK, ST

Patrick's See also:

• BELL
• BELL, ALEXANDER MELVILLE (1819—1905)
• BELL, ANDREW (1753—1832)
• BELL, GEORGE JOSEPH (1770-1843)
• BELL, HENRY (1767-1830)
• BELL, HENRY GLASSFORD (1803-1874)
• BELL, JACOB (1810-1859)
• BELL, JOHN (1691-178o)
• BELL, JOHN (1763-1820)
• BELL, JOHN (1797-1869)
• BELL, ROBERT (1800-1867)
• BELL, SIR CHARLES (1774—1842)

Bell (185o) ; See also:

• WILDE, OSCAR

Wilde, See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

Catalogue of Antiquities of Gold, Royal Irish See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy (1862); See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret See also:

• STOKES, SIR G
• STOKES, SIR GEORGE GABRIEL, BART
• STOKES, WHITLEY (1830-1909)

Stokes, See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

Early See also:

• CHRISTIAN
• CHRISTIAN, WILLIAM (1608-1663)

Christian See also:

• ART

Art in Ireland (1875); J . See also:

• ROMILLY, JOHN ROMILLY, 1ST BARON (1802-1874)
• ROMILLY, SIR SAMUEL (1757-1818)

Romilly See also:

• ALLEN, BOG OF
• ALLEN, ETHAN (1739–1789)
• ALLEN, GRANT CHARLES GRANT BLAIRFINDIEI, (1848–1899)
• ALLEN, JAMES LANE (1850– )
• ALLEN, JOHN (1476–1534)
• ALLEN, or ALLEYN, THOMAS (1542-1632)
• ALLEN, WILLIAM (1532-1594)
• ALLEN, WILLIAM FRANCIS (183o-1889)

Allen, Celtic Art in See also:

• PAGAN
• PAGAN (Lat. paganus, of or belonging to a pagus, a canton, county district, village, commune)

Pagan and Christian Times (1904) . Danish.—C .

Nyrop, Meddelelser and dansk Guldesmedekunst (1884); Bernhard Olsen, De kjobenhavnske Guldsmedes Marker fra Tiden for Aaret, z800 (1892) . See also:

• ITALIAN

Italian.—L . Caglieri, Compendio delle vite dei santi orefici ed argentieri (1727); Il Sanluario delle retiquie ossia it tesoro della See also:

• BASILICA

basilica di S . See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio di Padova (1851) ; " Stanziamenti e contratti per opere di oreficeria (XIV.-XV. cent.)," See also:

• PERUGIA (anc. Perusia)

Perugia: R.Commissione Giornale, i . 333, iii . 206, 225 (1872-1874); See also:

• FILANGIERI, CARLO (1784–1867)
• FILANGIERI, GAETANO (1752—1788)

Filangieri, Documenti per la storia, le arte e le industrie delle provincie napoletane (1883-1891); Antonio Pasini, Il Tesoro di See also:

• SAN

San Marco, Venezia (2 vols., 1885-1886) ; " Orfevres et l'orfevrerie en See also:

• SAVOIE

Savoie," See also:

• CHAMBERY

Chambery: See also:

• SOC

Soc. savoisienne memoires, See also:

• XXIV

xxiv . 329 (1886); A . Guarneri, Esposizione di See also:

• PALERMO (Greek, Havopuos; Latin, Panhormus, Panormus)

Palermo . Catalogo See also:

• DELTA (from the shape of the Gr. letter A, delta, originally used of the mouth of the Nile)

delta collezione di antica oreficeria ed argenteria (1891); L . Fumi, Il Sanluario del SS . Corporate See also:

• NET

net duomo di See also:

• ORVIETO (anc. Volsinii (q.v.)

Orvieto (1896) ; Congresso eucaristico ed esposizione di arte sacra antica in Orvieto (1897); Congresso eucaristico di Venezia (1898); A . Cocchi, See also:

• LES

Les Anciens reliquaires de See also:

• SANTA

Santa Maria del Fiore et de San Giovanni de See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence (1903) ; O .

H . Giglioli, See also:

• PISTOIA
• PISTOIA, SYNOD OF

Pistoia, nelle See also:

• SUE, EUGENE [JosEPH MARIE] (1804—1857)

sue opere d'arte (1904); Catalogo generate delta mostra d'arte antica abruzzese in See also:

• CHIETI

Chieti (1905); E . Manceri, Notizie di Sicilia, arte viii . 388 (1905); P . Piccirilli, Oreficeria medievale aquilana: due cimeli net See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Museum di Londra (1905) ; F . See also:

• FERRARI, GAUDENZIO (1484-1549)
• FERRARI, GIUSEPPE (1812–1876)
• FERRARI, PAOLO (1822–1889)

Ferrari, L'Oreficeria in See also:

• AQUILA
• AQUILA ('AxdXas), (1)
• AQUILA, CASPAR [KASPAR ADLER] (1488-1560)
• AQUILA, SERAFINO

Aquila 1 See See also:

• BIRDWOOD, SIR GEORGE CHRISTOPHER MOLESWORTH (1832– )

Birdwood, Industrial Arts of India (188o), p . 144 . (1906); S . J . A . See also:

• CHURCHILL (MISSINNIPPI or ENGLISH)
• CHURCHILL, CHARLES (1731-1764)
• CHURCHILL, LORD RANDOLPH HENRY SPENCER (1849-1895)

Churchill, " The Goldsmiths of See also:

• ROME
• ROME (Roma)

Rome under the Papal Authority," with valuable bibliography, Papers of See also:

• BRITISH

British School at Rome, vol. iv . (1907); Catalogo delta mostra d'antica arte See also:

• UMBRA (Lat. for shade or shadow)

Umbra (Perugia, 1907) ; Corrado See also:

• RICCI, MATTEO (1552-1610)

Ricci, Il Palazzo pubblico di See also:

• SIENA

Siena e la mostra d' antica arte senese .

See also:

• RUSSIAN

Russian, &c.—A . P . Sonzoff, an illustrated book on some Russian plate (1857-1858); A . Maskell, Russian Art and Art See also:

• OBJECTS

Objects in See also:

• RUSSIA
• RUSSIA (Rossiya)

Russia (1884); C. de Linas, Les Origines de l'orfevrerie cloisonne; See also:

• VIOLLET, PAUL MARIE (184o- )

Viollet-le-Due, Art russe; Antiquities of the Russian See also:

• EMPIRE

Empire . See also:

• AUSTRIAN

Austrian and Hungarian.—B . Czobor and I . See also:

• SZALAY, LADISLAS (1813-1864)

Szalay, See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die historischen Denkmaler Ungarns (1897-1901); E . Radisics and J . Szendrei, Treasure of Hungarian Art (Hung.) (See also:

• BUDAPEST

Budapest, 1897-1901); J . Mihalik, "History of Goldsmiths' work at Kassa " (Hung.), in vol. xxi. of Archaeological Proceedings of Hungarian Academy (1899); " Zur Geschichte der Wiener Gold- and Silberschmiedekunst," by E . Leisching, in Kunst and Kunsthandwerk, vii . 343 (1904) ; " Alt Troppauer Goldschmiedekunst," by E .

W . Braun, in Zeitschrift fiir Geschichte ... oesterreichisch Schlesiens, i . 24 (1905); J . Hampel, Aiterthumer See also:

• DES

des friihen Mittelalters in Ungarn (See also:

• BRUNSWICK
• BRUNSWICK (Ger. Braunschweig)
• BRUNSWICK, KARL WILHELM FERDINAND, DUKE OF (1735-18o6)

Brunswick, 1907) ; Katalog der Ausstellung von alt,-oesterreichischen Goldschmiedearbeiten (Kaiser See also:

• FRANZ, ROBERT (1815-1892)

Franz Josef Museum in See also:

• TROPPAU (Polish, Oppava; Czech, Opava)
• TROPPAU, CONGRESS OF

Troppau); A . Ilg, Wiener Schmiedewerk . See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German, &c.—See also:

• MANUSCRIPTS

Manuscripts (W . Jamnitzer), "Ein gar kunstlicher and wolgetzicrter Schreibtisch sampt allerhant kunstlichen silbern and vergulten newerfunden Instrumenten " (1585), See also:

• COL
• COL (Fr. for " neck," Lat. collum)

col. drawings; Sibmacher, Entwurfe See also:

• FUR (connected with O. Fr. forre, a sheath or case; so " an outer covering ")

fur Goldschmiede (1879); R . Bergau, . Wentzel Jamnitzer (188o) ; Erzeugnisse der Silber-Schmiede Kunst aus dem 16 bis i8 Jahrh . (1883) ; Luthmer, Der Schatz des Freiherrn K. von See also:

• ROTHSCHILD

Rothschild (2 vols., 1883-1885) ; Luthmer and Schuermann, Grossherzoglich-hessische Silberkammer (1884); C . A. von Drach, See also:

• ALIEN (Lat. alienus)

Alien Silberarbeiten in den kgl . Sammlungen zu See also:

• CASSEL
• CASSEL, or KASSEL

Cassel (1888); Marc Rosenberg, Der Goldschmiede Merkzeichen (189o); J .

H . Hefner-Alteneck, Deutsche Goldschmiede-werke des 16 . Jahrh . (189o); Marc Rosenberg, 17 Blatt aus dem grossherzoglich sdchsischen Silberschatz See also:

• IM(K2+a2+h2—2 ah cos 0)

im Schlosse zu See also:

• WEIMAR

Weimar (1891); Die Kunstkammer im grossherzoglichen Residenzschtosse zu See also:

• KARLSRUHE, or CARLSRUHE

Karlsruhe (1892); Siebzehn Blatt aus dem herzoglich Anhaltischen Silberschatz im Schlosse zit See also:

• DESSAU

Dessau (1895); F . Sarre, Die berliner Goldschmiede Zunft (1895); P . Seidel, " Deux oeuvres de See also:

• WENZEL, KARL FRIEDRICH (1740-1793)

Wenzel Jamnitzer," Der Silber- and Goldschatz der See also:

• HOHENZOLLERN

Hohenzollern im kgl . Schlosse zu See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin (1895); Gaz. des See also:

• BEAUX, CECILIA (1863– )

beaux arts, 3 S. xx . 221 (1898); Eugen von Nottbeck and W . See also:

• NEUMANN, FRANZ ERNST (1798-1895)
• NEUMANN, KARL FRIEDRICH (1793-1870)

Neumann, Geschichte u . Kunstdenkmaler der Stadt Revel (1899) ; Bernhard Olsen, De hamburgske Guldsmede See also:

• JAKOB, LUDWIG HEINRICH VON (1759—1827)

Jakob Mores d. oeldres og d. yngres Arbejder for de danske Konger Frederik II. og Christian IV . (1903), (Die Arbeiten der hamburgischen Goldschmiede See also:

• JACOB
• JACOB, JOHN (1812-1858)

Jacob Mores, Vater and Sohn, fur die deinischen Konige See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

Frederick II. and Christian IV.); J . Sembritzki, Verzeichniss in See also:

• MEMEL
• MEMEL, or N1EMEN

Memel vorhandener, alterer Erzeugnisse der Edelschmiedekunst (1904); H .

P . See also:

• MITCHELL
• MITCHELL, DONALD GRANT (1822—1908)
• MITCHELL, MARIA (1818—1889)
• MITCHELL, SILAS WEIR (1830-)
• MITCHELL, SIR THOMAS LIVINGSTONE (1792-1855)

Mitchell, " Two works by Wentzel Jamnitzer," Art See also:

• JOURNAL
• JOURNAL (through Fr. from late Lat. diurnalis, daily)

Journal, p . 105 (1905); W . Neumann, Verzeichnis baltischer Goldschmiede, ihrer Merkzeichen and Werke (1905); E . Hintze, Die breslauer Goldschmiede (1906); E . Alfred Jones, " The gold and silver plate of W . D. von Raitenau, See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince-See also:

• ARCHBISHOP (Lat. archiepiscopus, from Gr. apxceatorcoros)

archbishop of See also:

• SALZBURG

Salzburg, in the Pitti See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace," Connoisseur, xviii . 20 (1907) ; " The Plate of the See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

Emperor of See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany," Connoisseur, nos . 51 and 54; Illustrated Catalogue of Early German Art (See also:

• BURLINGTON

Burlington See also:

• FINE

Fine Arts See also:

• CLUB (connected with " clump ")

Club, 19o8); See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard Graul, Leipziger Gold- and Silberschmiedearbeiten des Mittelalters (1908); A . See also:

• WEISS, BERNHARD (1827– . )

Weiss, Des Handwerk der Goldschmiede zu See also:

• AUGSBURG
• AUGSBURG, CONFESSION OF
• AUGSBURG, WAR OF THE LEAGUE OF

Augsburg bis 2681; E. von Schauss, Die Schatzkammer des bayerischen Konigshauses; " See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke of See also:

• PORTLAND
• PORTLAND, EARL OF
• PORTLAND, ISLE OF
• PORTLAND, WILLIAM BENTINCK, EARL
• PORTLAND, WILLIAM HENRY CAVENDISH BENTINCK

Portland's Gold See also:

• CUP (in O.E. cuppe; generally taken to be from Late Lat. cuppa, a variant of Lat. cupa, a cask, cf. Gr. KuaeXXov)

Cup," Archeologia, lix . 233 . See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French, Burgundian, &c.—J .

C . Delafosse, Nouvelle iconologie historique, fol . (1771); E . Aubert, Tresor de l'abbaye de See also:

• SAINT (lat. sanctus, " holy ")

Saint-See also:

• MAURICE (1521–1553)
• MAURICE (MAURICIUS FLAVIUS TIBERIUS) (c. 539–602)
• MAURICE [or MAURITIUS], ST (d. c. 286)
• MAURICE, JOHN FREDERICK DENISON (1805-1872)

Maurice d'Agaune (1872); Mely, Le Tresor de See also:

• CHARTRES

Chartres (1886); L . Palustre et X . See also:

• BARBIER, ANTOINE ALEXANDRE (1765–1825)
• BARBIER, HENRI AUGUSTE (1805-1882)
• BARBIER, LOUIS

Barbier de Montault, Le Tresor de Treves (1886); J . D'Arbaumont et L . Marchant, Le Tresor de la Sainte-Chapelle de See also:

• DIJON

Dijon d'apres ses anciens inventaires (1887); C . G . Bapst, Etudes sur l'orfevrerie francaise au XVIIIe siecle, le Germain, orfevressculpteurs du See also:

• ROY, WILLIAM (1726-1790)

Roy (1887) ; See also:

• ALBUM (Lat. albus, white)

Album de l'exposition de l'art ancien au pays de See also:

• LIEGE
• LIEGE (Walloon, Lige, Flemish, Luik, Ger. Lilltich)

Liege: orfevrerie religieuse (1888); Catalogue raisonne des pieces d'orfevrerie francaise composant la collection du See also:

• MARQUIS

marquis da Foz (a Lisbonne) (1889); L'Orfevrerie francaise a la tour de See also:

• PORTUGAL

Portugal au XVIII'. siecle (1892) ; E . Miintz, Histoire de l'art See also:

• PENDANT (through Fr. from Lat. pendere, to hang)

pendant la See also:

• RENAISSANCE, THE

Renaissance (1891); W . Cripps, Old French Plate (1893); H .

Havard, Histoire de l'orfevrerie francaise (1896); Inventaire de l'orfevrerie et des joyaux de See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis I . (1903) ; E . See also:

• MOLINIER, AUGUSTE (1851-1904)

Molinier, Un See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

Monument d'orfevrerie francaise du XIII', siecle, Soc. des anciq. de See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, p . 477 (1904) ; F . See also:

• PASQUIER, ETIENNE (1529-1615)
• PASQUIER, ETIENNE DENIS

Pasquier, " Objets precieux de la maison de See also:

• FOIX

Foix au quinzieme siecle," Societes des beaux arts, Memoires (19o4); L. de Farcy, " Croix de la See also:

• ROCHE, SIR BOYLE, BART

Roche-Foulques," Revue de l'art chretien, p . 337 (1905) ; J . J . Marquet de Vasselot, Catalogue raisonne de la collection See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin Le Roy (1906); Histoire de See also:

• PART

Part, ii . 988-999 (with bibliography), edited by See also:

• ANDRE, JOHN (1751-178o)

Andre See also:

• MICHEL
• MICHEL, CLAUDE
• MICHEL, FRANCISQUE XAVIER (1809-1887)

Michel (1907), &C.; A . Lefranc, 5o planches d'ancienne orfevrerie empire . See also:

• LOW, SETH (1850- )
• LOW, WILL HICOK (1853- )

Low Countries.—See also:

• VAN

Van Loon, Histoire metallique des Pays-Bas (See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague, 1732-1737) ; Schaepkens, Tresor de l'art ancien en Belgique (1846); Tentoonstellung See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam (illustrations), (1877); for marks on Dutch plate, see Nederlandsche Kunstbode (1879); Exposition retrospective d'objets d'art en or et en argent, Amsterdam (188o); Roddaz, L'Art ancien dl'exposition nationale belge (1882) ; Leewarden-Provincial Friesch Genootschap (1902); Catalogue of the See also:

• EXHIBITION

Exhibition at See also:

• BRUGES (Flemish Brugge, a name signifying the bridge or place of bridges)

Bruges (1903); Catalogue of the Exhibition at Liege (1905); J . Helbig, L'Art Mosan .

See also:

• SPANISH

Spanish.—Riano, Industrial Arts in See also:

• SPAIN
• SPAIN (Espana)

Spain (1879) ; Davillier, L'Orfevrerie en Espagne (1879); Museo espan"ol de antiguedades (1879); Jose Villaamil y See also:

• CASTRO, INEZ DE (d. 1355)
• CASTRO, JOAO DE (1500-1548)

Castro (on Spanish chalices), Boletin de la sociedad espan"ola de excursiones (See also:

• APRIL

April, 1893) ; El Tesoro de la catedral de See also:

• SANTIAGO, or SANTIAGO DE CHILE

Santiago; H . P . Mitchell, Catalogue of the Silversmiths' Work in the .See also:

• WYNDHAM, SIR CHARLES (1837— )
• WYNDHAM, SIR WILLIAM, BART

Wyndham See also:

• COOK
• COOK, ALBERT STANBURROUGH (1853– )
• COOK, EDWARD DUTTON (1829–1883)
• COOK, ELIZA (1818–1889)
• COOK, JAMES (1728-1779)
• COOK, THOMAS (1808-1892)

Cook Art Collection (1905); L . See also:

• WILLIAMS
• WILLIAMS, JOHN (1582-1650)
• WILLIAMS, JOHN (1796-1839)
• WILLIAMS, ROGER (c. 1604–1684)
• WILLIAMS, ROWLAND (1817-1870)
• WILLIAMS, SIR WILLIAM FENWICK

Williams, Arts and Crafts of Older Spain (1907); See also:

• DON
• DON (anc. Tanais)

Don Enrique de Leguina See also:

• BARON
• BARON (1835-1895)
• BARON, MICHEL (1653—1729)

Baron de la See also:

• VEGA, GARCILASO DE LA
• VEGA, GARCILASO DE LA (1503-1536)

Vega de Hoz, La See also:

• PLATA, RIO DE LA, or RIVER PLATE

Plata espanola; Gestoso, Diccionario de artifices sevillanos . See also:

• AMERICAN

American.— J . H . See also:

• BUCK
• BUCK, CARL DARLING (1866– )
• BUCK, DUDLEY (1839-1909)

Buck, Old Plate (1903); American Silver (See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston, 1906); Colonial Silverware of the 17th and 28th centuries (1907); E . Alfred Jones, " Old American Silver Plate," Connoisseur (See also:

• DECEMBER (Lat. decent, ten)

December, 1908) . English.—H . See also:

• SHAW, GEORGE BERNARD (1856– )
• SHAW, HENRY WHEELER (1818–1885)
• SHAW, LEMUEL (1781–1861)
• SHAW, RICHARD NORMAN (1831– )

Shaw, Dresses and Decorations of the See also:

• MIDDLE

Middle Ages (1843); Decorative Arts of the Middle Ages (1851); See also:

• BRAY
• BRAY, SIR REGINALD (d. 1503)
• BRAY, THOMAS (1656-1730)

Bray, See also:

• LIFE

Life of Stothard (1851); Catalogue of the Antiquities and Works of Art exhibited at Ironmongers' Hall (1861); Catalogue of the Exhibition of Objects of Art, See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• KENSINGTON

Kensington (1862) ; W . Cripps, See also:

• COLLEGE (Collegium)

College and See also:

• CORPORATION (from Lat. corporare, to form into a body, corpus, corporis)

Corporation Plate (1881) ; Old English Plate (9th ed., 1906) ; R . S .

See also:

• FERGUSON, ADAM (1723-1816)
• FERGUSON, JAMES (1710-1776)
• FERGUSON, ROBERT (c. 1637-1714)
• FERGUSON, SIR SAMUEL (1810-1886)

Ferguson, The Old See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church Plate of the See also:

• DIOCESE (formed on Fr. diocese, in place of the Eng. form diocess—current until the 19th century—from Lat. dioecesis, med. Lat. variant diocesis, from Gr. Swucio•tc, " house-keeping," " administration," &miceas, " to keep house," " to govern ")

Diocese of See also:

• CARLISLE
• CARLISLE, EARLS OF

Carlisle (1882) ; See also:

• ATKINSON, EDWARD (1827—1905)
• ATKINSON, SIR HARRY ALBERT (1831—1892)

Atkinson and See also:

• FOSTER, GEORGE EULAS (1847– )
• FOSTER, JOHN (177o-1843)
• FOSTER, MYLES BIRKET (1825-1899)
• FOSTER, SIR CLEMENT LE NEVE (1841-1904)
• FOSTER, SIR MICHAEL (1836-r9o7)
• FOSTER, STEPHEN COLLINS (1826-1864)

Foster, Old See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge Plate (1883) ; W . A . See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott See also:

• ROBERTSON, FREDERICK WILLIAM (1816-1853)
• ROBERTSON, GEORGE CROOM (1842-1892)
• ROBERTSON, JOSEPH (1810-1866)
• ROBERTSON, THOMAS WILLIAM (1829-1871)
• ROBERTSON, WILLIAM BRUCE (182o-1886)

Robertson, Church Plate in See also:

• KENT
• KENT, EARLS AND DUKES OF
• KENT, JAMES (1763-1847)
• KENT, WILLIAM (1685-1748)

Kent (1886); R . C . See also:

• HOPE, ANTHONY
• HOPE, THOMAS (c. 1770-1831)

Hope, Church Plate in See also:

• RUTLAND
• RUTLAND, EARLS AND DUKES OF
• RUTLAND, JOHN JAMES ROBERT MANNERS, 7TH DUKE OF (1818-1906)

Rutland (1887); J . E . See also:

• NIGHTINGALE (O. Eng. Nihtegale, literally " singer of the night ")
• NIGHTINGALE, FLORENCE (1820–191o)

Nightingale, The Church Plate of See also:

• DORSET, EARLS, MARQUESSES AND DUKES OF

Dorset (1889); The Church Plate of Wilts (1891); A See also:

• TROLLOPE, ANTHONY (181 1882)

Trollope, The Church Plate of See also:

• LEICESTERSHIRE

Leicestershire (189o); F . G . See also:

• HILTON, JOHN (1804–1878)
• HILTON, WILLIAM (1786-1839)

Hilton See also:

• PRICE
• PRICE, BARTHOLOMEW (1818–1898)
• PRICE, BONAMY (1807-1888)
• PRICE, RICHARD (1723-1791)

Price, Handbook of See also:

• LONDON

London Bankers, with some See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the Early Goldsmiths (1890–1891); H . D . See also:

• ELLIS (originally SHARPE), ALEXANDER JOHN (1814-189o)
• ELLIS, GEORGE (1753-1815)
• ELLIS, ROBINSON (1834- )
• ELLIS, SIR HENRY (1777-1869)
• ELLIS, WILLIAM (1794 – 1872)

Ellis, The Silver Plate of the Armourers' Company (1892) ; The Silver Plate of the See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

Merchant Taylors' Company (1892) ; ' The Plate of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ's See also:

• HOSPITAL (Lat. haspitalis, the adjective of hospes, host or guest)

Hospital," Trans. of the London and See also:

• MIDDLESEX
• MIDDLESEX, LIONEL CRANFIELD, 1ST EARL OF (1575-1645)

Middlesex See also:

• ARCH
• ARCH, JOSEPH (1826– )

Arch . Soc .

(1902, new See also:

• SERIES (a Latin word from serere, to join)

series, vol. i., pt . 4); See also:

• SIR

Sir J . Watney, The Plate of the Mercers' Company (1892) ; Rev . T . See also:

• BURNS, JOHN (1858– )
• BURNS, ROBERT (1759-1796)
• BURNS, SIR GEORGE

Burns, Old Scottish Communion Plate (1892); J . Starkie See also:

• GARDNER
• GARDNER, PERCY (1846– )

Gardner, English Enamels (1894); Old Silver Work, chiefly English, 15th to 28th centuries (1902); " See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL