DAEDALUS  , a mythical See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek architect and sculptor, who figures largely in the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early legends of See also:

• CRETE (Gr. Kp;rrrr; Turk. Kirid, Ital. Candia)

Crete and of See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens . He was said to have built the See also:

• LABYRINTH (Gr. Xa(3vpcvOos, Lat. labyrinthus)

labyrinth for See also:

• MINOS

Minos, to have made a wooden cow for Pasiphae and to have fashioned a See also:

• BRONZE

bronze See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man who repelled the See also:

• ARGONAUTS ('Apyovavrat, the sailors of the "Argo ")

Argonauts . Falling under the displeasure of Minos, he fashioned wings for himself and his son Icarus, and escaped to See also:

• SICILY (Ital. Sicilia)

Sicily . These legends seem primarily to belong to Crete; and the Athenian See also:

• ELEMENT (Lat. elementum)

element in them which connected Daedalus with the royal See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house of See also:

• ERECHTHEUS

Erechtheus is a later fabrication . To Daedalus the Greeks of the historic See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age were in the See also:

• HABIT (through the French from Lat. habitus, from habere, to have, hold, or, in a reflective sense, to be in a certain condition; in many of the English senses the French use habitude, not habit)

habit of attributing buildings, and statues the origin of which was lost in the past, and which had no inscription belonging to them . In a later See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse in the Iliad (date, 7th or 6th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century), Daedalus is mentioned as the maker of a dancing-See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place for See also:

• ARIADNE (in Greek mythology)

Ariadne in Crete; and such a dancing-place has been discovered by A . J . See also:

• EVANS, CHRISTMAS (1766-1838)
• EVANS, EVAN HERBER (1836-1896)
• EVANS, OLIVER (1755–1819)
• EVANS, SIR GEORGE DE LACY (1787–1870)
• EVANS, SIR JOHN (1823-1908)

Evans, in the Minoan See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace of See also:

• CNOSSUS

Cnossus . Diodorus Siculus says that he executed various See also:

• WORKS

works in Sicily for See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King Cocalus . In many cities of See also:

• GREECE

Greece there were See also:

• RUDE, FRANCOIS (1784–1855)

rude wooden statues,said to be by him . Later critics, judging from their own notions of the natural course of development in See also:

• ART

art, ascribed to Daedalus such improvements as separating the legs of statues and opening their eyes . In fact the name Daedalus is a See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere See also:

• SYMBOL (Gr. o-uµ(3oXov, a sign)

symbol, See also:

• STANDING

standing for a particular phase of early Greek art, when See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood was the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief material, and other substances were let into it for variety .

This Daedalus must not be confused with Daedalus of See also:

• SICYON, or SECYON (the latter being the older form used by the natives)

Sicyon, a See also:

• GREAT

great sculptor of the early See also:

• PART

part of the 4th century si.C., none of whose works is extant . (P .