See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

FRANCIS See also:

• FRANCIS DANBY (1793-1861)

DANBY (1793-1861)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in the See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

south of See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland on the 16th of See also:

• NOVEMBER (Lat. novem, nine)

November 1793 . His See also:

• FATHER

father farmed a small See also:

• PROPERTY

property he owned near See also:

• WEXFORD

Wexford, but his See also:

• DEATH

death caused the See also:

• FAMILY

family to remove to See also:

• DUBLIN

Dublin, while See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis was still a schoolboy . He began to practice See also:

• DRAWING

drawing at the Royal Dublin Society's See also:

• SCHOOLS

schools; and under an erratic See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young artist named O'See also:

• CONNOR (or O'CONNOR), BERNARD (1666-1698)

Connor he began See also:

• PAINTING

painting landscape . See also:

• DANBY, FRANCIS (1793-1861)

Danby also made acquaintance with See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• PETRIE, GEORGE (179o-1866)
• PETRIE, WILLIAM MATTHEW FLINDERS (1853– )

Petrie, and all three See also:

• LEFT

left for See also:

• LONDON

London together in 1813 . This expedition, undertaken with very in-adequate funds, quickly came to an end, and they had to get See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home again by walking . At See also:

• BRISTOL
• BRISTOL, EARLS AND MARQUESSES OF
• BRISTOL, GEORGE DIGBY, 2ND EARL OF1 (1612-1677)
• BRISTOL, JOHN DIGBY, 1ST EARL OF 6 (1580-1653)

Bristol they made a pause, and Danby, finding he could get trifling sums for See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour drawings, remained there working diligently and sending to the London exhibitions pictures of importance . There his large pictures in oil quickly attracted See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention . " The See also:

• UPAS

Upas See also:

• TREE (0. Eng. treo, treow, cf. Dan. tree, Swed. Odd, tree, trd, timber; allied forms are found in Russ. drevo, Gr. opus, oak, and 36pv, spear, Welsh derw, Irish darog, oak, and Skr. dare, wood)
• TREE, SIR HERBERT BEERBOHM (1853- )

Tree " (1820) and " The Delivery of the Israelites " (1825) brought him his See also:

• ELECTION
• ELECTION (from Lat. eligere, to pick out)

election as an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . He left Bristol for London, and in 1828 exhibited his " Opening of the See also:

• SIXTH

Sixth See also:

• SEAL
• SEAL, FUR
• SEAL, HAIR

Seal " at the See also:

• BRITISH

British Institution, receiving from that See also:

• BODY

body a See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize of 200 guineas; and this picture was followed by two others from the See also:

• APOCALYPSE
• APOCALYPSE (Gr. aaoKaXvti/hr, disclosure)
• APOCALYPSE, KNIGHTS OF THE

Apocalypse . He suddenly left London, declaring that he would never live there again, and that the Academy, instead of aiding him, had, somehow or other, used him badly . Some insurmountable domestic difficulty overtook him also, and for eleven or twelve years he lived on the See also:

• LAKE
• LAKE, GERARD LAKE, 1ST VISCOUNT (1744-1808)

Lake of See also:

• GENEVA
• GENEVA (Fr. Geneve, Ger. Genf, Ital. Ginevra, Late Lat. Gebenna, though Genava in good Latin)
• GENEVA, LAKE OF

Geneva, a Bohemian with See also:

• BOAT (0. Eng. bdt; the true etymological connexion with Dutch and Ger. boot, Fr. bateau, Ital. battello presents great difficulties; Celtic forms are from O. Eng.)

boat-See also:

• BUILDING

building fancies, painting only now and then . He returned to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England in 1841, when his sons, See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James and See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas, both artists, were growing up .

Other pictures by him were " The See also:

• GOLDEN

Golden See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

Age " and " The Evening See also:

• GUN

Gun," the first begun before he left England, the second painted after his return; he had taken up his See also:

• ABODE (from " abide," to dwell, properly " to wait for ," to bide)

abode at See also:

• EXMOUTH
• EXMOUTH, EDWARD PELLEW, 1ST VISCOUNT (1757-1833)

Exmouth, where he died on the 9th of See also:

• FEBRUARY

February 1861 .