DANCE  , the name of an See also:

• ENGLISH

English See also:

• FAMILY

family distinguished in See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture, See also:

• ART

art and the See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama . See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE DANCE, the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder (1700-1768), obtained the See also:

• APPOINTMENT, POWER OF

appointment of architect to the See also:

• CITY (through Fr. cite, from Lat. civitas)

city of See also:

• LONDON

London, and designed the See also:

• MANSION (through O. Fr. mansion, mod. maison, from Lat. mansio, dwelling-place, stage on a journey; manere, to remain)

Mansion See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House (1739) ; the churches of St Botolph, Aldgate (1741), St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke's, Old See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street; St Leonard, See also:

• SHOREDITCH

Shoreditch; the old See also:

• EXCISE (derived through the Dutch, excijs or accijs, possibly from Late Lat. accensare,—ad, to, and census, tax; the word owes something to a confusion with excisum, cut out)

excise See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office; Broad Street; and other public See also:

• WORKS

works of importance . He died on the 8th of See also:

• FEBRUARY

February 1768 . His eldest son, See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

JAMES DANCE (1722-1744), was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 17th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1722, and educated at the See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

Merchant Taylors' School and St See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John's See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, which he See also:

• LEFT

left before graduating . He took the name of Love, and became an actor and playwright of no See also:

• GREAT

great merit . In the former capacity he was for twelve years connected with See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre . He wrote " an heroic poem " on See also:

• CRICKET
• CRICKET (Gryllidae)

Cricket, about 1740, and a See also:

• VOLUME

volume of Poems on Several Occasions (1754), and a number of comedies —the earliest Pamela (1742) . George Dance's third son, See also:

• SIR

Sir NATHANIEL DANCE-See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

HOLLAND, See also:

• BART, JEAN (1651-1702)

Bart . (1735-1811), was born on the 18th of May 1735, and studied art under See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis Hayman, and in See also:

• ITALY
• ITALY (Italia)

Italy, where he met See also:

• ANGELICA

Angelica See also:

• KAUFFMANN, IMARIA

Kauffmann, to whom he was devotedly and hopelessly attached . From See also:

• ROME
• ROME (Roma)

Rome he sent See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home " See also:

• DIDO, or ELISSA

Dido and See also:

• AENEAS

Aeneas " (1763), and he continued to paint occasional See also:

• HISTORICAL

historical pictures of the same quasi-classic See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind throughout his career . On his return to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England he took up portrait-See also:

• PAINTING

painting with great success, and contributed to the first See also:

• EXHIBITION

exhibition of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, of which he was a See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

foundation member, full-length portraits of George III. and his See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

queen . These, and his portraits of See also:

• CAPTAIN (derived from Lat. ca put, head, through the Low Lat. capitanus)

Captain See also:

• COOK
• COOK, ALBERT STANBURROUGH (1853– )
• COOK, EDWARD DUTTON (1829–1883)
• COOK, ELIZA (1818–1889)
• COOK, JAMES (1728-1779)
• COOK, THOMAS (1808-1892)

Cook and of See also:

• GARRICK, DAVID (1717-1779)

Garrick as See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard III., engraved by See also:

• DIXON
• DIXON, GEORGE (1755 ?–1800)
• DIXON, HENRY HALL (1822-1870)
• DIXON, RICHARD WATSON (1833-1900)
• DIXON, WILLIAM HEPWORTH (1821-1879)

Dixon, are his best-known works .

Himself a See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man, in 1790 he married a widow with £15,000 a See also:

• YEAR

year, dropped his profession, and became M.P. for See also:

• EAST
• EAST, ALFRED (1849- )

East Grinstead, taking the additional name of Holland . He was made a See also:

• BARONET

baronet in 1800 . He died on the 15th of See also:

• OCTOBER

October 1811, leaving a See also:

• FORTUNE, ROBERT (1813-188o)

fortune of £200,000 . George Dance's fifth and youngest son, GEORGE DANCE, the younger (1741-1825), succeeded his See also:

• FATHER

father as city surveyor and architect in 1768 . He was then only twenty-seven, had spent several years abroad, chiefly in Italy with his See also:

• BROTHER

brother Nathaniel, and had already distinguished himself by designs for Blackfriars See also:

• BRIDGE

Bridge sent to the 1761 exhibition of the Incorporated Society of Artists . His first important public See also:

• WORK

work was the rebuilding of Newgate See also:

• PRISON (derived through the Fr. from the Lat. prehensio, seizure)

prison in 1770 . The front of the See also:

• GUILDHALL

Guildhall was also his . He, too, was a foundation member of the Royal Academy, and for a number of years the last survivor of the See also:

• FORTY

forty See also:

• ORIGINAL

original academicians . His last years were devoted to art rather than to architecture, and after 1798 his Academy contributions consisted solely of See also:

• CHALK

chalk portraits of his See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends, seventy-two of which were engraved and published (1808-1814) . He resigned his office in 1815, and after many years of illness died on the 14th of See also:

• JANUARY

January 1825, and was buried in St See also:

• PAUL
• PAUL (PAULUS)

Paul's . His son, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES DANCE (1794-1863), was for See also:

• THIRTY

thirty years registrar, taxing officer and See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief clerk of the insolvent debtors' See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court, retiring, when it was abolished, on an See also:

• ALLOWANCE (from "allow,' derived through 0. Fr. alouer from the two Lat. origins adlaudare, to praise, and allocare, to assign a place; so that the English word combined the general idea of "assigning with approval")

allowance . In collaboration with J .

R . See also:

• PLANCHE, JEAN BAPTISTE GUSTAVE (1808–1857)

Planche and others, or alone, he wrote a great number of extravaganzas, farces and comediettas . He was one of the first, if not the first, of the See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque writers, and was the author of those produced so successfully by Madame See also:

• VESTRIS, GAETANO APPOLINO BALDASSARE (1729-18o8)
• VESTRIS, LUCIA ELIZABETH (1797—1856)

Vestris for years at the Olympic . Of his farces, Delicate Ground, Who Speaks First?, A See also:

• MORNING

Morning See also:

• CALL (from Anglo-Saxon ceallian, a common Teutonic word, cf. Dutch kallen, to talk or chatter)

Call and others are still occasionally revived . He died on the 6th of January 1863 .