See also:

• GABRIEL (Heb. SKns, man of God)

GABRIEL See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• GABRIEL DANIEL (1649-1728)

DANIEL (1649-1728)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French Jesuit historian, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ROUEN

Rouen on the 8th of See also:

• FEBRUARY

February 1649 . He was educated by the See also:

• JESUITS

Jesuits, entered the See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of eighteen, andbecame See also:

• SUPERIOR

superior at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . He is best known by his Histoire de See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France depuis l'etablissement de la monarchie francaise (first See also:

• COMPLETE

complete edition, 1713), which was republished in 1720, 1721, 1725, 1742, and (the last edition, with notes by See also:

• FATHER

Father Griffet) 1755-1760 . See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

Daniel published an abridgment in 1724 (See also:

• ENGLISH

English trans., 1726), and another abridgment was published by Dorival in 1751 . Though full of prejudices which affect his accuracy, Daniel had the See also:

• ADVANTAGE

advantage of consulting valuable See also:

• ORIGINAL

original See also:

• SOURCES

sources . His Histoire de la milice francaise, &c . (1721) is superior to his Histoire de France, and may still be consulted with advantage . Daniel also wrote a by no means successful reply to See also:

• PASCAL, BLAISE (1623-1662)
• PASCAL, JACQUELINE (1625-T661)

Pascal's Provincial Letters, entitled Entretiens de Cleanthe et d'Eudoxe sur See also:

• LES

les lettres provinciales (1694); two See also:

• TREATISES

treatises on the Cartesian theory as to the intelligence of the See also:

• LOWER

lower animals, and other See also:

• WORKS

works . See Sommervogel, Bibliotheque de la Compagnie de Jesus, t. ii . DANIEL, See also:

• SAMUEL

SAMUEL (1562-1619), English poet and historian, was the son of a See also:

• MUSIC

music-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master, and was born near See also:

• TAUNTON
• TAUNTON, HENRY LABOUCHERE, BARON (1798–1869)

Taunton, in See also:

• SOMERSETSHIRE

Somersetshire, in 1562 . Another son, See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John Daniel, was a musician, who held some offices at See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court, and was the author of Songs for the See also:

• LUTE (Arabic al'ud, " the wood "; Fr. luth; Ital. liuto; Span. laud; Ger. Laute; Dut. luit)

Lute, See also:

• VIOL

Viol and See also:

• VOICE (Fr. voix, from Lat. vox)

Voice (16o6) . In 1579 Samuel was admitted a commoner of Magdalen See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, where he remained for about three years, and then gave himself up to the unrestrained study of See also:

• POETRY

poetry and See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy .

The name of Samuel Daniel is given as the servant of See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• STAFFORD
• STAFFORD, EARLS AND MARQUESSES OF

Stafford, See also:

• AMBASSADOR (also EMBASSADOR, the form sometimes still used in America; from the Fr. ambassadeur, with which compare Ital. ambasciatore and Span. embajador, all variants of the Med. Lat. ambassiator, ambassiator, ambasator, &c., derived from Med. Lat. amba

ambassador in France, in 1586, and probably refers to the poet . He was first encouraged and, if we may believe him, taught in See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, by the famous countess of See also:

• PEMBROKE
• PEMBROKE (Penfro)
• PEMBROKE, EARLS OF

Pembroke, whose See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour he was never weary of proclaiming . He had entered her See also:

• HOUSEHOLD, ROYAL

household as See also:

• TUTOR (Lat. tutor, guardian, tueri, to watch over, protect)

tutor to her son, See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• HERBERT (FAMILY)
• HERBERT, GEORGE (1593-1633)
• HERBERT, HENRY WILLIAM
• HERBERT, SIR THOMAS (1606-1682)

Herbert . His first known See also:

• WORK

work, a See also:

• TRANSLATION

translation of See also:

• PAULUS
• PAULUS (older form PAur.Lus), LUCIUS AEMILIUS
• PAULUS, HEINRICH

Paulus See also:

• JOVIUS, PAULUS

Jovius, to which some original See also:

• MATTER

matter is appended, was printed in 1585 . His first known See also:

• VOLUME

volume of verse is dated 1592; it contains the See also:

• CYCLE
• CYCLE (Gr. KUK)^os, a circle)

cycle of sonnets to See also:

• DELIA

Delia and the See also:

• ROMANCE

romance called The Complaint of See also:

• ROSAMOND

Rosamond . Twenty-seven of the sonnets had already been printed at the end of See also:

• SIR

Sir See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip See also:

• SIDNEY
• SIDNEY (or SYDNEY), ALGERNON (1622-1683)
• SIDNEY, SIR HENRY (1529-1586)
• SIDNEY, SIR PHILIP (1554-1586)

Sidney's Astrophel and Stella without the author's consent . Several See also:

• EDITIONS

editions of Delia appeared in 1592, and they were very frequently reprinted during Daniel's lifetime . We learn by See also:

• INTERNAL

internal See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence that Delia lived on the See also:

• BANKS, GEORGE LINNAEUS (1821-1881)
• BANKS, NATHANIEL PRENTISS (1816–1894)
• BANKS, SIR JOSEPH
• BANKS, THOMAS (1735-1805)

banks of See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare's See also:

• RIVER

river, the See also:

• AVON

Avon, and that the sonnets to her were inspired by her memory when the poet was in See also:

• ITALY
• ITALY (Italia)

Italy . To an edition of Delia and Rosamond, in 1594, was added the tragedy of See also:

• CLEOPATRA

Cleopatra, a severe study in the manner of the ancients, in alternately rhyming heroic verse, diversified by stiff choral interludes . The First Four Books of the See also:

• CIVIL

Civil See also:

• WARS

Wars, an See also:

• HISTORICAL

historical poem in ottava rima, appeared in 1595 . The bibliography of Daniel's works is attended with See also:

• GREAT

great difficulty, but as far as is known it was not until 1599 that there was published a volume entitled Poetical Essays, which contained, besides the " Civil Wars," " Musophilus, " and " A See also:

• LETTER (through Fr. lettre from Lat. littera or litera, letter of the alphabet; the origin of the Latin word is obscure; it has probably no connexion with the root of linere, to smear, i.e. with wax, for an inscription with a stilus)

letter from See also:

• OCTAVIA

Octavia to See also:

• MARCUS

Marcus See also:

• ANTONIUS

Antonius," poems in Daniel's finest and most mature manner . About this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he became tutor to See also:

• ANNE (1665-1714)
• ANNE (1693-1740)

Anne See also:

• CLIFFORD
• CLIFFORD, JOHN (1836- )
• CLIFFORD, WILLIAM KINGDON (1845-1879)

Clifford, daughter of the countess of See also:

• CUMBERLAND
• CUMBERLAND, DUKES AND EARLS OF
• CUMBERLAND, RICHARD (1632-1718)
• CUMBERLAND, RICHARD (1732-1811)
• CUMBERLAND, WILLIAM AUGUSTUS

Cumberland, On the See also:

• DEATH

death of See also:

• SPENSER, EDMUND (c. 1552-1599)
• SPENSER, JOHN (1559-1614)

Spenser, in the same See also:

• YEAR

year, Daniel received the somewhat vague See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office of poet-See also:

• LAUREATE (Lat. laureatus, from laurea, the laurel tree)

laureate, which he seems, however to have shortly resigned in favour of See also:

• BEN (from Old Eng. bennan, within)

Ben See also:

• JONSON

Jonson .

Whether it was on this occasion is not known, but about this time, and at the recommendation of his See also:

• BROTHER

brother-in-See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law, Giovanni See also:

• FLORIO, GIOVANNI (1553?-1625)

Florio, he was taken into favour at court, and wrote a See also:

• PANEGYRIC

Panegyric Congratulatorie offered to the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King at Burleigh See also:

• HARRINGTON
• HARRINGTON, EARLS OF
• HARRINGTON, or HARINGTON, JAMES (16'1-'677)

Harrington in Rutlandshire, in ottava rima . In 1603 this poem was published, and in many cases copies contained in addition his Poetical Epistles to his patrons and an elegant See also:

• PROSE

prose See also:

• ESSAY, ESSAYIST (Fr. essai, Late Lat. exagium, a weighing or balance; exigere, to examine; the term in general meaning any trial or effort)

essay called A See also:

• DEFENCE
• DEFENCE (Lat. defendere, to defend)

Defence of Rime (originally printed in 16o2) in See also:

• ANSWER (derived from and, against, and the same root as swear)

answer to See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• CAMPION, EDMUND (154o-I581)
• CAMPION, THOMAS (1567-1620)

Campion's Observations on the See also:

• ART

Art of English Poesie, in which it was contended that See also:

• RHYME

rhyme was unsuited to the See also:

• GENIUS (from Lat. genere, gignere)

genius of the English See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language . In 1603, moreover, Daniel was appointed master of the See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

queen's See also:

• REVELS, MASTER OF THE

revels . In this capacity he brought out a See also:

• SERIES (a Latin word from serere, to join)

series of masques and See also:

• PASTORAL (from Lat. pastor, a shepherd)

pastoral tragi-comedies,—of which were printed A See also:

• VISION (from Lat. videre, to see), or SIGHT

Vision of the Twelve Goddesses, in 1604; The Queen's See also:

• ARCADIA

Arcadia, an See also:

• ADAPTATION (from Lat. adaptare. to fit to)

adaptation of See also:

• GUARINI
• GUARINI, GIOVANNI BATTISTA (1537-1612)

Guarini's Pastor Fido, in 16o6; Tethys Festival or the Queenes See also:

• WAKE (A.S. wacan, to " wake " or " watch ")
• WAKE, THOMAS (1297-1349)
• WAKE, WILLIAM (1657-1737)

Wake, written on the occasion of See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry's becoming a See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

Knight of the See also:

• BATH
• BATH, THOMAS THYNNE
• BATH, WILLIAM

Bath, in 161o; and See also:

• HYMEN, or HYMENAEUS

Hymen's See also:

• TRIUMPH (triumphus)

Triumph, in honour of Lord Roxburgh's See also:

• MARRIAGE

marriage in 1615 . Meanwhile had appeared, in 16o5, Certain Small Poems, with the tragedy of Philotas; the latter was a study, in the same See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style as Cleopatra, written some five years earlier . This See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama brought its author into difficulties, as Philotas, with whom he expressed some sympathy, was taken to represent See also:

• ESSEX
• ESSEX, ARTHUR CAPEL
• ESSEX, EARLS OF
• ESSEX, KINGDOM OF
• ESSEX, ROBERT DEVEREUX
• ESSEX, ROBERT DEVEREUX, 2ND2 EARL OF (1566-1601)
• ESSEX, WALTER DEVEREUX, IST2 EARL OF (1541–1576)

Essex . In 1607, under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of Certaine small I4'orkes heretofore divulged by Samuel Daniel, the poet issued a revised version of all his works except Delia and the Civil Wars . In 1609 the Civil Wars had been completed in eight books . In 1612 Daniel published a prose See also:

• HISTORY

History of See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, from the earliest times down to the end of the reign of See also:

• EDWARD

Edward III . This work afterwards continued, and published in 1617, was very popular with See also:

• DRAYTON, MICHAEL (1563-1631)

Drayton's contemporaries . The See also:

• SECTION
• SECTION (Lat. sectio, cutting, secare, to cut)

section dealing with William the Conqueror was published in 1692 as being the work of Sir See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• RALEIGH
• RALEIGH, SIR WALTER (c. 1552-1618)

Raleigh, apparently without sufficient grounds . Daniel was made a See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

gentleman-extraordinary and See also:

• GROOM

groom of the chamber to Queen Anne, See also:

• SINECURE (Lat. sine cura, without care)

sinecure offices which offered no hindrance to an active See also:

• LITERARY

literary career .

He was now acknowledged as one of the first writers of the time . Shakespeare, See also:

• SELDEN, JOHN (1584–1654)

Selden and See also:

• CHAPMAN (from O. Eng. ceap, and Mid. Eng. ,heap, to barter, cf. " Cheapside " in London, and Ger. Kaufmann)
• CHAPMAN, GEORGE (? 1559–1634)

Chapman are named among the few intimates who were permitted to intrude upon the seclusion of a See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

garden-See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house in Old See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke's, where, See also:

• FULLER, ANDREW (1954-1815)
• FULLER, GEORGE (1822—1884)
• FULLER, M
• FULLER, MARGARET, MARCHIONESS
• FULLER, MELVILLE WESTON (1833-1910)
• FULLER, THOMAS (16o8-1661)
• FULLER, WILLIAM (1670--c. 1717)

Fuller tells us, he would " See also:

• LIE, JONAS LAURITZ EDEMIL (1833—1908)
• LIE, MARIUS SOPHUS (1842–1899)

lie hid for some months together, the more retiredly to enjoy the See also:

• COMPANY

company of the See also:

• MUSES, THE (Gr. Mo6o-at, the thinkers)

Muses, and then would appear in public to See also:

• CON

con-verse with his See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends." See also:

• LATE

Late in See also:

• LIFE

life Daniel threw up his titular posts at court and retired to a See also:

• FARM

farm called " The See also:

• RIDGE (a word. common to many Teutonic languages, meaning " back," whether of a man or an animal, cf. German Rucke)
• RIDGE, WILLIAM PETT (1864- )

Ridge," which he rented at See also:

• BECKINGTON (or BEKYNTON), THOMAS (c. 1390-1465)

Beckington, near See also:

• DEVIZES

Devizes in See also:

• WILTSHIRE [WILTS]

Wiltshire . Here he died on the 14th of See also:

• OCTOBER

October 1619 . The poetical writings of Daniel are very numerous, but in spite of the eulogies of all the best critics, they were See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long neglected . This is the more singular since, during the 18th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century, when so little Elizabethan literature was read, Daniel retained his poetical See also:

• PRESTIGE

prestige . In later times See also:

• COLERIDGE, HARTLEY (1796-1849)
• COLERIDGE, JOHN DUKE COLERIDGE, 1ST BARON
• COLERIDGE, SAMUEL TAYLOR (1772-1834)
• COLERIDGE, SARA (1802–1852)
• COLERIDGE, SIR JOHN TAYLOR (1790-1876)

Coleridge, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• LAMB (a word common to Teutonic languages; cf. Ger. Lamm)
• LAMB, CHARLES (1775–1834)

Lamb and others expended some of their most genial criticisms on this poet . Of his multifarious works the sonnets are now, perhaps, most read . They depart from the See also:

• ITALIAN

Italian See also:

• SONNET (Ital. Sonetto, dim. of Suono, Fr. Sonnet)

sonnet See also:

• FORM (Lat. forma)

form in closing with a See also:

• COUPLET

couplet, as is the See also:

• CASE
• CASE, JOHN (d. 1600)

case with most of the sonnets of See also:

• SURREY
• SURREY, EARLDOM OF
• SURREY, HENRY HOWARD, EARL OF (1518?-1547)

Surrey and See also:

• WYAT, SIR THOMAS (1503—1542)
• WYAT, SIR THOMAS (d. 1554)

Wyat, but they have a See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace and tenderness all their own . Of a higher order is The Complaint of Rosamond, a soliloquy in which the See also:

• GHOST (a word common to the W. Teutonic languages; O.E. vest, Dutch, 'geest, Ger. Geist)

ghost of the murdered woman appears and bewails her See also:

• FATE

fate in stanzas of exquisite pathos . Among the Epistles to Distinguished Persons will be found some of Daniel's noblest stanzas and most polished verse . The See also:

• EPISTLE

epistle to See also:

• LUCY, RICHARD DE (d. 1179)

Lucy, countess of See also:

• BEDFORD

Bedford, is remarkable among those as being composed in genuine terza rima, till then not used in English . Daniel was particularly fond of a four-lined See also:

• STANZA (Low Lat. stantia, Ital. stantia or stanza)

stanza of See also:

• SOLEMN (Lat. sollemnis, sollemnis, less correctly solennis, yearly, annual; from sollus = totus, whole, entire, Gr. Mos., and annus, year)

solemn alternately rhyming iambics, a form of verse distinctly misplaced in his dramas .

These, inspired it would seem by like attempts of the countess of Pembroke's, are hard and frigid; his pastorals are far more pleasing; and Hymen's Triumph is perhaps the best of all his dramatic See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing . An See also:

• EXTRACT (from Lat. extrahere, to draw out)

extract from this masque is given in Lamb's Dramatic Poets, and it was highly praised by Coleridge . In elegiac verse he always excelled, but most of all in his touching address To the See also:

• ANGEL

Angel Spirit of the Most Excellent Sir Philip Sidney . We must not neglect to quote Musophilus among the most characteristic writings of Daniel . It is a See also:

• DIALOGUE

dialogue between a courtier and a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of letters, and is a See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general defence of learning, and in particular of poetic learning as an See also:

• INSTRUMENT (Lat. instrumentum, from insincere, to build up, furnish, arrange, prepare)

instrument in the See also:

• EDUCATION

education of the perfect courtier or man of See also:

• ACTION

action . It is addressed to See also:

• FULKE, WILLIAM (1538-1589)

Fulke Greville, and written, with much sententious See also:

• MELODY (Gr. ,ueXw3ia, a choral song, from name, tune, and gi6i, song)

melody, in a sort of terza rima, or, more properly, ottava rima with the couplet omitted . Daniel was a great reformer in verse, and the introducer of several valuable novelties . It may be broadly said of his style that it is full, easy and stately, without being very animated or splendid . It attains a high See also:

• AVERAGE

average of general excellence, and is content with level flights . As a gnomic writer Daniel approaches Chapman, but is far more musical and coherent . He is wanting in See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

fire and See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion, but he is pre-eminent in scholarly grace and See also:

• TENDER

tender, mournful See also:

• REVERIE

reverie . Daniel's works were edited by A .

B . See also:

• GROSART, ALEXANDER BALLOCH (1827-1899)

Grosart in 1885–1896 . (E .