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JOHANN HEINRICH VON DANNECKER (1758-1841) , See also: German sculptor, was See also: born at See also: Stuttgart, where his See also: father was employed in the stables of the duke of See also: Wurttemberg, on the 15th of See also: October 1758
.
The boy was entered in the military school at the age of thirteen, but after two years he was allowed to take his own taste for See also: art
.
We find him at once associating with the See also: young sculptors Scheffauer and Le Jeune, the painters Guibal and Harper, and also with Schiller, and the musician Zumsteeg
.
His busts of some of these are See also: good; that of Schiller is well known
.
In his eighteenth See also: year he carried off the prize at the Concours with his See also: model of See also: Milo of See also: Crotona
.
On this the duke made him sculptor to the palace (178o), and for some See also: time he was employed on See also: child-angels and See also: caryatides for the decoration of the reception rooms
.
In 1783 he See also: left for See also: Paris with Scheffauer, and placed himself under See also: Pajou
.
His See also: Mars, a sitting figure sent home to Stuttgart, marks this See also: period; and we next find him, still travel-See also: ling with his friend, at See also: Rome in 1785, where he settled down to See also: work hard for five years
.
Goethe and Herder were then in Rome and became his See also: friends, as well as See also: Canova, who was the See also: hero of the See also: day, and who had undoubtedly a See also: great authoritative influence on his See also: style
.
His marble statues of See also: Ceres and Bacchus were done at this time
.
These are now in the Residenz-schloss, at Stuttgart
.
On his return to Stuttgart, which he never afterwards quitted except for See also: short trips to Paris, Vienna and Zurich, the See also: double influence of his admiration for Canova and his study of the See also: antique is apparent in his See also: works
.
The first was a girl lamenting her dead See also: bird, which See also: pretty See also: light See also: motive was much admired
.
Afterwards, See also: Sappho, in marble for the Lustschloss, and two offering-bearers for the Jagdschloss; See also: Hector, now in the museum, not in marble; the complaint of Ceres, from Schiller's poem; a statue of Christ, worthy of mention for its See also: nobility, which has been skilfully engraved by See also: Amsler; See also: Psyche; kneeling See also: water-nymph; Love, a favourite he had to repeat
.
These stock subjects with sculptors had freshness of treatment; and the See also: Ariadne, done a little later, especially had a charm of novelty which has made it a See also: European favourite in a reduced See also: size
.
It was repeated for the banker Von Bethmann in See also: Frankfort, and it now appears the See also: ornament of the Bethmann Museum
.
Many of the illustrious men of the time were modelled by him
.
The See also: original marble of Schiller is now at See also: Weimar; after the poet's See also: death it was again modelled in See also: colossal size
.
See also: Lavater, Metternich, Countess Stephanie of See also: Baden, General Benkendorf and others are much prized
.
Dannecker was director of the Gallery of Stuttgart, and received many See also: academic and other distinctions
.
His death in 1841 was preceded by a period of See also: mental failure
.
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