See also:CHARLES See also:GILES BRIDLE See also:DAUBENY (1795-1867)
, See also:English chemist, botanist and geologist, was the third son of the Rev
.
See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James See also:Daubeny, and was See also:born at Stratton in See also:Gloucestershire on
encouragement of his admirers in See also:England made up for the disappointment, and the See also:sale of his picture to a Royal Academician greatly pleased him
.
In 187o–1871 he again visited See also:London, and subsequently See also:- HOLLAND
- HOLLAND, CHARLES (1733–1769)
- HOLLAND, COUNTY AND PROVINCE OF
- HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
- HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
- HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
- HOLLAND, JOSIAH GILBERT (1819-1881)
- HOLLAND, PHILEMON (1552-1637)
- HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
- HOLLAND, SIR HENRY, BART
Holland, where he painted a number of See also:river scenes with windmills
.
In 1874, having returned to See also:Paris, he See also:fell See also:ill, and from that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time until he died (on the 19th of See also:February 1878) his See also:work won less distinction than before
.
In 1904 the See also:municipality of Auvers-sur-See also:Oise decided to erect a See also:bronze See also:monument to See also:Daubigny's memory
.
Daubigny's finest pictures were painted between 1864 and 1874, and these for the most See also:part consist of carefully completed landscapes with trees, river and a few ducks
.
It has curiously been said, yet with some See also:appearance of truth, that when Daubigny liked his pictures himself he added another See also:duck or two, so that the number of ducks often indicates greater or less See also:artistic quality in his pictures
.
One of his sayings was, " The best pictures do not sell," as he frequently found his finest achievements little understood
.
Yet although during the latter part of his See also:life he was considered a highly successful painter, the See also:money value of his pictures since his See also:death has increased nearly tenfold
.
Daubigny is chiefly preferred in his See also:riverside pictures, of which he painted a See also:great number, but although there are two large landscapes by Daubigny in the Louvre, neither is a river view
.
They are for that See also:reason not so typical as many of his smaller Oise and See also:Seine pictures
.
The See also:works of Daubigny are, like See also:Corot's, to be found in many See also:modern collections
.
His most ambitious canvases are: " See also:Spring-time" (1857), in the Louvre; "Borde de la Cure, See also:Morvan" (1864); "VillervillesurMer" (1864); "Moonlight" (1865) ; "Andresysur Oise" (1868); and "Return of the See also:Flock—Moonlight" (1878)
.
His followers and pupils were his scn Karl (who sometimes painted so well that his works are occasionally mistaken for those of his See also:father, though in few cases do they equal his father's mastery), See also:Oudinot, Delpy and Damoye
.
See Fred Henriet, C
.
Daubigny et son oeuvre (Paris, 1878); D
.
Croal See also:Thomson, The See also:Barbizon School of Painters (London, 189o) ; J
.
W
.
Mollett, Daubigny (London, 1890) ; J
.
See also:Claretie, Peintres et sculpteurs contemporains: Daubigny (Paris, 1882); See also:Albert See also:Wolff, La Capitale de fart: Ch
.
See also:Francois Daubigny (Paris, 1881)
.
(D
.
C
.
End of Article: 
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