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SIR JOHN DAVIES (1569-1626)

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Originally appearing in Volume V07, Page 865 of the 1911 Encyclopedia Britannica.
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SIR See also:JOHN See also:DAVIES (1569-1626)  , See also:English philosophical poet, was baptized on the 16th of See also:April 1569, at Tisbury, See also:Wiltshire, where his parents lived at the See also:manor-See also:house of Chicksgrove . He was educated at See also:Winchester See also:College, and became a commoner of See also:Queen's College, See also:Oxford, in 1585 . In 1588 he entered the See also:Middle See also:Temple, and was called to the See also:bar in 1545 . In his See also:general onslaught on literature in 1599 the See also:archbishop of See also:Canterbury ordered to be burnt the notorious and now excessively rare See also:volume, All See also:Ovid's Elegies, 3 Bookes, by C . M . Epigrams by J . D . (Middleburgh, 1598 ?), which contained See also:posthumous See also:work by See also:Marlowe . The epigrams by See also:Davies, although not devoid of wit, were coarse enough to deserve their See also:fate . It is probable that they were earlier in date of See also:composition than the charming fragment entitled See also:Orchestra (1596), written in praise of dancing . The poet, in the See also:person of Antinotis, tries to induce See also:Penelope to See also:dance by arguing that all harmonious natural processes partake of the nature of a conscious and well-ordered dance . He closes his See also:argument by foreshadowing in a magic See also:mirror the See also:revels of the See also:court of Cynthia (See also:Elizabeth) .

Orchestra was dedicated to the author's " very friend, See also:

Master See also:Richard See also:Martin," but in the next See also:year the See also:friends quarrelled, and Davies was expelled from the society for having struck Martin with a cudgel in the See also:hall of the Middle Temple . He spent the year after his See also:expulsion at Oxford in the composition of his philosophical poem on the nature of the soul and its See also:immortality—Nosce teipsum (1599) . The See also:style of the work was entirely novel; and the See also:stanza in which it was written—the decasyllabic See also:quatrain with alternate rhymes—had never been so effectively handled . Its force, eloquence and ingenuity, the orderly and lucid arrangement of its See also:matter, See also:place it among the finest of English didactic poems . In 1599 he also published a volume of twenty-six graceful acrostics on the words Elisabetha See also:Regina, entitled See also:Hymns to See also:Astraea . He produced no more See also:poetry except his contributions to See also:Francis See also:Davison's Poetical Rhapsody (16o8) . These were two dialogues which had been written as entertainments for the queen, and " Yet other Twelve Wonders of the See also:World," satirical epigrams on the courtier, the divine, the maid, &c., and " A Hymn in praise of See also:Music." Ten sonnets to See also:Philomel are signed J . D., and are assigned to Davies (Poetical Rhapsody, ed . A . H . Bullen, 189o) . In 16ot Davies was restored to his position at the bar, after making his apologies to Martin, and in the same year he sat for Corfe See also:Castle in See also:parliament .

See also:

James I. received the author of Nosce teipsum with See also:great favour, and sent him (1603) to See also:Ireland as See also:solicitor-general, conferring the See also:honour of See also:knighthood upon him in the same year . In 16o6 he was promoted to be See also:attorney-general for Ireland, and created See also:serjeant-at-arms . Of the difficulties in the way of the See also:prosecution of his work, and his untiring See also:industry in overcoming them, there is abundant See also:evidence in his letters to See also:Cecil preserved in the See also:State Papers on Ireland . One of his See also:chief aims was to establish the See also:Protestant See also:religion firmly in Ireland, and he took strict See also:measures to enforce the See also:law for attendance at See also:church . With the same end in view he took an active See also:part in the " See also:plantation " of See also:Ulster . In 1612 he published his See also:prose Discoverie of the true causes why Ireland was never entirely subdued untill the beginning of his Majestie's hap See also:pie raigne.l In the same year he entered the Irish parliament as member for See also:Fermanagh, and was elected See also:speaker after a See also:scene of disorder in which the 1 Edited by See also:Henry See also:Morley in his Ireland under Elizabeth and James I . (189o) . See also:Catholic nominee, See also:Sir See also:John Everard, who had been installed, was forcibly ejected . In the capacity of speaker he delivered an excellent address reviewing previous Irish parliaments . He resigned his Irish offices in 1619, and sat in the English parliament of 1621 for See also:Newcastle-under-Lyme . With Sir See also:Robert See also:Cotton he was one of the founders of the Society of Antiquaries . He was appointed See also:lord chief See also:justice in 1626, but died suddenly (See also:December .

8th) before he could enter on the See also:

office . He had married (1609) Eleanor Touchet, daughter of See also:George, See also:Baron See also:Audley . She See also:developed eccentricity, verging on madness, and wrote several fanatical books on prophecy . In 1615 Davies published at See also:Dublin Le Primer Discours See also:des Cases et Matters in Ley resolues et adjudges en See also:les Courts del See also:Roy en test Realme (reprinted 1628) . He issued an edition of his poems in 1622 . His prose publications were mainly posthumous . The Question concerning Impositions, See also:Tonnage, Poundage . was printed in 1656, and four of the tracts See also:relating to Ireland, with an See also:account of Davies and his services to that See also:country, were edited by G . See also:Chalmers in 1786 . His See also:works were edited by Dr A . B . See also:Grosart (3 vols . 1869-1876), with a full See also:biography, for the See also:Fuller Worthies Library .

He is not to be confounded with another poet, JOHN DAVIES of See also:

Hereford (1565?–1618), among whose numerous volumes of See also:verse may be mentioned Mirum in modum (1602), Microcosmus (1603), The See also:Holy Roode (1609), Wittes See also:Pilgrimage (c . 161o), The See also:Scourge of Folly (c . 1611), The See also:Muses See also:Sacrifice (1612) and Wittes See also:Bedlam (1607) ; his Scourge of Folly contains verses addressed to many of his See also:con-temporaries, to See also:Shakespeare among others; he also wrote A Select Second See also:Husband for Sir See also:Thomas See also:Overbury's Wife (1616), and The See also:Writing Schoolmaster (earliest known edition, 1633) ; his works were collected by Dr A . B . Grosart (2 vols., 1873) for the See also:Chertsey Worthies Library .

End of Article: SIR JOHN DAVIES (1569-1626)
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SIR LOUIS HENRY DAVIES (1845— )

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