BOGUMIL See also:

• BOGUMIL DAWISON (1818-1872)

DAWISON (1818-1872)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• WARSAW
• WARSAW (Polish Warszawa, Ger. Warschau, Fr. Varsovie)

Warsaw, of Jewish parents, and at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of nineteen went on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage . In 1839 he received an See also:

• APPOINTMENT, POWER OF

appointment to the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at See also:

• LEMBERG (Pol. Lwdw, Lat. Leopolis)

Lemberg in See also:

• GALICIA (Ger. Galizien; Pol. Halicz)
• GALICIA (the ancient Gallaecia or Callaecia, KaMauci,a or KaXau da)

Galicia . In 1847 he played at See also:

• HAMBURG

Hamburg with marked success, was from 1849 to 1854 a member of the See also:

• BURG

Burg theatre in See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, and then became connected with the See also:

• DRESDEN

Dresden See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court theatre . In 1864 he was given a See also:

• LIFE

life engagement, but resigned his appointment, and after starring through See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany visited the See also:

• UNITED

United States in 1866 . He died in Dresden on the 1st of See also:

• FEBRUARY

February 1872 . See also:

• DAWISON, BOGUMIL (1818-1872)

Dawison was considered in Germany an actor of a new type; a leading critic wrote that he and See also:

• MARIE

Marie See also:

• SEEBACH, MARIE (183o-1897)

Seebach swept like fresh See also:

• GALES (mod. Calvi)

gales over dusty tradition, and brushing aside the monotony of declamation gave to their roles more See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character and vivacity than had hitherto been known on the German stage." His See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief parts were See also:

• MEPHISTOPHELES

Mephistopheles, See also:

• FRANZ, ROBERT (1815-1892)

Franz See also:

• MOOR

Moor, See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

Mark Antony, See also:

• HAMLET

Hamlet, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles V., See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard III. and See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• LEAR, EDWARD (1812-1888)

Lear .