See also:

• ELIE

ELIE See also:

• ELIE DELAUNAY (1828-1891)
• DELAUNAY, LOUIS ARSENE (1826-1903)

DELAUNAY (1828-1891)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• NANTES
• NANTES, EDICT OF

Nantes and studied under See also:

• FLANDRIN, JEAN HIPPOLYTE (1809-1864)

Flandrin and at the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts . He worked in the classicist manner of See also:

• INGRES, JEAN AUGUSTE DOMINIQUE (178o-1867)

Ingres until, after winning the Prix de See also:

• ROME
• ROME (Roma)

Rome, he went to See also:

• ITALY
• ITALY (Italia)

Italy in 1856, and abandoned the ideal of Raphaelesque perfection for the sincerity and severity of the quattrocentists . As a pure and See also:

• FIRM

firm draughtsman he stands second only to Ingres . After his return from Rome he was entrusted with many important commissions for decorative paintings, such as the frescoes in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of St See also:

• NICHOLAS
• NICHOLAS (1841– )
• NICHOLAS (or NICLAES), HENRY (or HENDRIK) (c. 1501-C. 158o)
• NICHOLAS, SIR EDWARD (1593-1669)
• NICHOLAS, ST

Nicholas at Nantes; the three panels of " See also:

• APOLLO (Gr. 'A2r6XXwv,'Airkkhwv)

Apollo," " See also:

• ORPHEUS

Orpheus " and " See also:

• AMPHION

Amphion" at the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• OPERA (Italian for " work ")

opera-See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house; and twelve paintings for the See also:

• GREAT

great See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of the See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

council of See also:

• STATE
• STATE, GREAT OFFICERS OF

state in the Palais Royal . His " Scenes from the See also:

• LIFE

Life of St See also:

• GENEVIEVE, or GENOVEFA, ST (c. 422-512)

Genevieve," which he. designed for the See also:

• PANTHEON (Lat. pantheum or pantheon; Gr. srav& ov, all-holy, from re, s, all, and Oeor god)

Pantheon, remained unfinished at his See also:

• DEATH

death . The Luxembourg Museum has his famous " See also:

• PLAGUE (in Gr. Xotµos; in Lat. pestis, pestilentia)

Plague in Rome " and a nude figure of " See also:

• DIANA

Diana "; and the Nantes Museum, the " See also:

• LESSON (through Fr. lecon from Lat. lectio, reading; legere, to read)

Lesson on the See also:

• FLUTE

Flute." In the last See also:

• DECADE (from Gr. Oka, ten)

decade of his life he achieved great popularity as a portrait painter .