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See also:DEPUTY (through the Fr. from a See also:Late See also:Lat. use of deputare, to cut off, allot; putare having the See also:original sense of to See also:trim, See also:prune)
, one appointed to See also:act or govern instead of another; one who exercises an See also:office in another See also:man's right, a substitute; in representative See also:government a member of an elected chamber
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In See also:general, the See also:powers and duties of a See also:deputy are those of his See also:principal (see also See also:REPRESENTATION), but the extent to which he may exercise them is dependent upon the See also:power delegated to him
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He may be authorized to exercise the whole of his principal's office, in which See also:case he is a general deputy, or to act only in some particular See also:matter or service, when he is termed a See also:special deputy
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In the See also:United See also:Kingdom various officials are specifically empowered by See also:statute to appoint deputies to act for them under certain circumstances
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Thus a clerk of the See also:peace, in case of illness, incapacity or See also:absence, may. appoint a See also:fit See also:person to act as his deputy
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While See also:judges of the supreme See also:court cannot act by deputy, See also:county court judges and recorders can, in cases of illnessor unavoidable absence, appoint deputies
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So can registrars of county courts and returning See also:officers at elections
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DE QUINCEY, See also:
At thirteen he wrote See also:Greek with ease; at fifteen he not only composed Greek verses in lyric See also:measures, but could converse in Greek fluently and without embarrassment; one of his masters said of him, " that boy could harangue an Athenian See also:mob better than you or I could address an English one." Towards the See also:close of his fifteenth year he visited See also:Ireland, with a See also:companion of his own See also:age, See also:Lord See also:Westport, the son of Lord Altamont, an Irish peer, and spent there in See also:residence and travel some months of the summer and autumn of the year 1800,-
being a spectator at See also:Dublin of " the final ratification of the See also:bill which united Ireland to See also:Great See also:Britain." On his return to See also:England, his See also:mother having now settled at St See also: Here also, in 1816, he married See also:Margaret See also:Simpson, the " dear M " of whom a charming glimpse is accorded to the reader of the Confessions; his family came to be five sons and three daughters . For about a year and a See also:half he edited the Westmoreland See also:Gazette . He left Grasmere for London in .the early See also:part of 182o . The See also:Lambs received him with great kindness and introduced him to the proprietors of the London Magazine . It was in this See also:journal in 1821 that the Confessions appeared . De Quincey also contributed to See also:Blackwood, to See also:Knight's Quarterly Magazine, and later to Tait's Magazine . His connexion with Blackwood took him to See also:Edinburgh in 1828, and he lived there for twelve years, contributing from time to time to the Edinburgh See also:Literary Gazette . His wife died in 1837, and the family eventually settled at Lasswade, but from this time De Quincey spent his time in lodgings in various places, staying at one place until the See also:accumulation of papers filled the rooms, when he left them in See also:charge of the landlady and wandered elsewhere . After his wife's See also:death he gave way for the See also:fourth time in his life to the opium See also:habit, but in 1844 he reduced his daily quantity by a tremendous effort to six grains, and never again yielded . He died in Edinburgh on the 8th of See also:December 1859, and is buried in the See also:West See also:Churchyard . During nearly fifty years De Quincey lived mainly by his See also:pen . His patrimony seems never to have been entirely exhausted, and his habits and tastes were See also:simple and inexpensive; but he was reckless in the use of money, and had debts and pecuniary difficulties of all sorts . There was, indeed, his associates affirm, an See also:element of See also:romance even in his impecuniosity, as there was in everything about him; and the See also:diplomatic and other devices by which he contrived to keep clear of clamant creditors, while scrupulously fulfilling many obligations, often disarmed animosity, and converted annoyance into amusement . The famous Confessions of an English Opium Eater was published in a small See also:volume in 1822, and attracted a very remarkable degree of See also:attention, not simply by its See also:personal disclosures, but by the extraordinary power of its See also:dream-See also:painting . No other literary man of his time, it has been remarked, achieved so high and universal a reputation from such merely fugitive efforts . The only See also:works published separately (not in See also:periodicals) were a novel, Klosterheim (1832), and The See also:Logic of See also:Political See also:Economy (1844) . After his works were brought together, De Quincey's reputation was not merely maintained, but extended . For range of thought and topic, within the limits of pure literature, no like amount of material of such equality of merit proceeded from any eminent writer of the day . However profuse and discursive, De Quincey is always polished, and generally exact—a See also:scholar, a wit, a man of the world and a philosopher, as well as a genius . He looked upon letters as a See also:noble and responsible calling; in his See also:essay on See also:Oliver See also:Goldsmith he claims for literature the See also:rank not only of a See also:fine See also:art, but of the highest and most potent of fine arts; and as such he himself regarded and practised it . He See also:drew a broad distinction between " the literature of knowledge and the literature of power," asserting that the See also:function of the first is to See also:teach, the function of the second to move,—maintaining that the meanest of authors who moves has pre-See also:eminence over all who merely teach, that the literature of knowledge must perish by supersession, while the literature of power is " triumphant for ever as See also:long as the See also:language exists in which it speaks." It is to this class of See also:motive literature that De Quincey's own works essentially belong; it is by virtue of that vital element of power that .they have emerged from the rapid oblivion of periodicalism, and live in the minds of later generations . But their power is weakened by their volume . De Quincey fully defined his own position and claim to distinction in the See also:preface to his collected works . These he divides into three classes:—" first, that class which proposes primarily to amuse the reader," such as the Narratives, Autobiographic Sketches, &c.; " second, papers which address themselves purely to the understanding as an insulated See also:faculty, or do so primarily," such as the essays on Essenism, the Caesars, See also:Cicero, &c.; and finally, as a third class, " and, in virtue of their aim, as a far higher class of compositions," he ranks those " modes of impassioned See also:prose ranging under no precedents that I am aware of in any literature," such as the Confessions and Suspiria de Profundis .
The high claim here asserted has been questioned; and short and isolated examples of eloquent See also:apostrophe, and highly wrought imaginative description, have been cited from See also: But political and economic problems largely exercised his thoughts, and his See also:historical sketches show that he is constantly alive to their interpenetrating influence . The same may be said of his See also:biographies, notably of his remarkable See also:sketch of Dr See also:Parr . Neither politics nor See also:economics, however, exercised an absorbing influence on his mind,—they were simply provinces in the vast domain of universal speculation through which he ranged " with unconfined wings." How wide and varied was the region he traversed a glance at the titles of the papers which make up his collected—or more properly, selected—works (for there was much matter of evanescent See also:interest not reprinted) sufficiently shows . Some things in his own See also:line he has done perfectly; he has written many pages of magnificently mixed See also:argument, See also:irony, See also:humour and eloquence, which, for sustained brilliancy, richness, subtle force and purity of style and effect, have simply no See also:parallels; and he is without peer the See also:prince of dreamers . The use of opium no doubt stimulated this remarkable faculty of reproducing in skilfully selected phrase the See also:grotesque and shifting forms of that " cloudland, gorgeous See also:land," which opens to the See also:sleep-closed See also:eye . To the appreciation of De Quincey the reader must bring an imaginative faculty somewhat akin to his own—a certain general culture, and large knowledge of books, and men and things . Otherwise much of that slight and delicate allusion that gives point and colour and See also:charm to his writings will be missed; and on this See also:account the full enjoyment and comprehension of De Quincey must always remain a luxury of the literary and intellectual . But his skill in narration, his rare pathos, his wide sympathies, the pomp of his dream-descriptions, the exquisite playfulness of his lighter See also:dissertations, and his abounding though delicate and subtle humour, commend him to a larger class . Though far from being a professed humorist—a See also:character he would have shrunk from—there is no more See also:expert worker in a sort of half-veiled and elaborate humour and irony than De Quincey; but he employs those resources for the most part secondarily . Only in one instance has he given himself up to them unreservedly and of set purpose, namely, in the famous " Essay on See also:Murder considered as one of the Fine Arts," published in Blackwood,—an effort which, admired and admirable though it be, is also, it must be allowed, somewhat strained . His style, full and flexible, pure and polished, is peculiarly his own; yet it is not the style of a mannerist,—its charm is, so to speak, latent; the form never obtrudes; the See also:secret is only discoverable by See also:analysis and study . It consists simply in the reader's assurance of the writer's complete mastery over all the infinite applicability and resources of the English language .
Hence involutions and parentheses, " See also:cycle on See also:epicycle," evolve themselves into a stately clearness and See also:harmony; and sentences and paragraphs, loaded with See also:suggestion, See also:roll on smoothly and musically, without either fatiguing or cloying—rather, indeed, to the surprise as well as delight of the reader; for De Quincey is always ready to indulge in feats of style, witching the world with that sort of noble See also:horsemanship which is as graceful as it is daring
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It has been complained that, in spite of the apparently full confidences of the Confessions and Autobiographic Sketches, readers are left in See also:comparative See also:ignorance, biographically speaking, of the man De Quincey
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Two passages in his Confessions afford sufficient clues to this See also:mystery
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In one he describes himself " as framed for love and all See also:gentle affections," and in another confesses to the " besetting infirmity " of being " too much of an eudaemonist." " I hanker," he says, " too much after a See also:state of happiness, both for myself and others; I cannot See also:face misery, whether my own or not, with an eye of sufficient firmness, and am little capable of surmounting See also:present See also:pain for the See also:sake of any recessionary benefit." His sensitive disposition dictated the ignoring in his writings of traits merely personal to himself, as well as his ever-recurrent resort to opium as a See also:doorway of See also:escape from present See also:ill; and prompted those habits of seclusion, and that apparently capricious See also:abstraction of himself from the society not only of his friends, but of his own, family, in which he from time to time persisted
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He confessed to occasional accesses of an almost irresistible impulse to flee to the labyrinthine shelterof some great See also:city like London or See also:Paris,—there to dwell golitary amid a multitude, buried by day in the See also:cloister-like recesses of mighty See also:libraries, and stealing away by night to some obscure lodging
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Long See also:indulgence in seclusion, and in habits of study the most lawless possible in respect of See also:regular See also:hours or any considerations of See also:health or comfort,—the habit of working as pleased himself without regard to the divisions of night or day, of times of sleeping or waking, even of the slow procession of the seasons, had latterly so disinclined him to the restraints, however slight, of See also:ordinary social intercourse, that he very seldom submitted to them
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On such rare occasions, however, as he did appear, perhaps at some simple See also:meal with a favoured friend, or in later years in his own small but refined domestic circle, he was the most charming of guests, hosts or companions
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A short and fragile, but well-proportioned See also:frame; a shapely and compact See also:head; a face beaming with intellectual See also:light, with rare, almost feminine beauty of feature and complexion; a fascinating See also:courtesy of manner; and a fulness, swiftness and elegance of silvery speech,—such was the irresistible " mortal mixture of See also:earth's See also:mould " that men named De Quincey
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He possessed in a high degree what See also: It was impossible to See also:deal with or See also:judge De Quincey by ordinary See also:standards—not even his publishers did so . Much no doubt was forgiven him, but all that needed forgiveness is covered by the kindly See also:veil of time, while his merits as a See also:master in English literature are still gratefully acknowledged.' [BIBLIOGRAPHY.—III 1'853 De Quincey began to prepare an edition of his works, Selections See also:Grave and See also:Gay . Writings Published and Unpublished (14 vols., Edinburgh, 1853–186o), followed by a second edition (1863–1871) with notes by James See also:Hogg and two additional volumes ; a further supplementary volume appeared in 1878 . The first comprehensive edition, however, was printed in See also:America (See also:Boston, 20 vols., 1850–1855) ; and the " See also:Riverside " edition (Boston and New See also:York, 12 vols., 1877) is still See also:fuller . The See also:standard English edition is The Collected Writings of Thomas De Quincey (14 vols., Edinburgh, 1889–189o), edited by See also:David See also:Masson, who also wrote his See also:biography (1881) for the " English Men of Letters " See also:series . The Uncollected Writings of Thomas De Quincey (London, 2 vols., 1890) contains a preface and annotations by James Hogg; The See also:Posthumous Writings of Thomas De Quincey (2 vols., 1891–1893) were edited by A . H . Japp (" H . A . Page "), who wrote the standard biography, Thomas De Quincey: his Life and Writings (London, 2 vols., 2nd ed., 1879), and De Quincey Memorials (2 vols., 1891) . See also Arvede Barine, Nevroses (Paris, 1898); See also:Sir L . See also:Stephen, Hours in a Library; H .
S
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See also:Salt, De Quincey (1904) ; and De Quincey and his Friends (1895), a collection edited by James Hogg, which includes essays by Dr See also: |
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