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ANTOINETTE DU LIGIER DE LA GARDE DESHOULIERES (1638–1694) , French poet, wasSee also: born in See also: Paris on the 1st of See also: January 1638
.
She was the daughter of Melchior du Ligier, sieur de la Garde, maitre d'hotel to the queens See also: Marie de' See also: Medici and See also: Anne of See also: Austria
.
She received a careful and very See also: complete See also: education, acquiring a knowledge of Latin, See also: Spanish and See also: Italian, and studying See also: prosody under the direction of the poet See also: Jean Hesnault
.
At the age of thirteen she married Guillaume de Boisguerin, seigneur Deshoulieres, who followed the See also: prince of Conde as See also: lieutenant-colonel of one of his regiments to See also: Flanders about a See also: year after the See also: marriage
.
Madame Deshoulieres returned for a See also: time to the See also: house of her parents, where she gave herself to writing See also: poetry and studying the philosophy of Gassendi
.
She rejoined her See also: husband at See also: Rocroi, near Brussels, where, being distinguished for her See also: personal beauty, she became the See also: object of embarrassing attentions on the See also: part of the prince of Conde
.
Having made herself obnoxious to the See also: government by her urgent demand forthe arrears of her husband's pay, she was imprisoned in the chateau of Wilworden
.
After a few months she was freed by her husband, who attacked the chateau at the See also: head of a small See also: band of soldiers
.
An amnesty having been proclaimed, they returned to See also: France, where Madame Deshoulieres soon became a conspicuous personage at the See also: court of See also: Louis XIV. and in
See also: literary society
.
She won the friendship and admiration of the most eminent literary men of the age—some of her more zealous flatterers even going so far as to See also: style her the tenth muse and the French See also: Calliope
.
Her poems were very numerous, and included specimens of nearly all the minor forms, odes, eclogues, idylls, elegies, chansons, See also: ballads, madrigals, &c
.
Of these the idylls alone, and only some of them, have stood the test of time, the others being entirely forgotten
.
She wrote several dramatic See also: works, the best of which do not rise to mediocrity
.
Her friend-See also: ship for Corneille made her take sides for the Phedre of Pradon against that of Racine
.
Voltaire pronounced her the best of See also: women French poets; and her reputation with her contemporaries is indicated by her election as a member of the See also: Academy of the Ricovrati of See also: Padua and of the Academy of See also: Arles
.
In 1688 a pension of 2000 livres was bestowed upon her by the See also: king, and she was thus relieved from the poverty in which she had long lived
.
She died in Paris on the 17th
See also: February 1694
.
Complete See also: editions of her works were published at Paris in 1695, 1747, &c
.
These include a few poems by her daughter, See also: Antoine Therese Deshoulieres (1656–1718), who inherited her talent
.
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