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See also: British musician, dramatist, novelist, actor and See also: song-writer, the son of a parish clerk, was See also: born at Southampton on or before the 4th of See also: March 1745, and was the youngest of a
See also: family of eighteen
.
His parents designing him for the See also: church, he was sent to Winchester; but his love of
See also: music early diverted his thoughts from the clerical profession
.
After receiving some instruction from the organist of Winchester See also: cathedral, where he was a chorister from 1756 to 1759, he went to See also: London at the age of fifteen
.
Here he was placed in a music warehouse in Cheapside, but he soon abandoned this employment to become a singing actor at Covent Garden
.
On the 21st of May 1762 his first See also: work, an operetta entitled The Shepherd's Artifice, with words and music by himself, was produced at this theatre
.
Other See also: works followed, his reputation being firmly established by the music to the See also: play of The Padlock, produced at See also: Drury Lane under See also: Garrick's management in 1768, the composer himself taking the See also: part of Mungo with conspicuous success
.
He continued for some years to be connected with Drury Lane, both as composer and as actor, and produced during this See also: period two of his best known works, The Waterman (1774) and The Quaker (1775)
.
A See also: quarrel with Garrick led to the termination of his engagement
.
In The Comic Mirror he ridiculed prominent contemporary figures through the See also: medium of a puppet show
.
In 1782 he became jointmanager of the Royal circus, afterwards known as the Surrey theatre
.
In three years he lost this position owing to a quarrel with his partner
.
His See also: opera Liberty See also: Hall, containing the successful songs " Jock Ratlin," " The Highmettled Racer," and " The Bells of Aberdovey," was produced at Drury Lane theatre on the 8th of
See also: February 1785
.
In 1788 he sailed for the See also: East Indies, but the vessel having put in to Torbay in stress of weather, he changed his mind and returned to London
.
In a musical variety entertainment called The Oddities, he succeeded in winning marked popularity with a number of songs that included "'Twas in the See also: good See also: ship `Rover'," "Saturday See also: Night at See also: Sea," "I sailed from the See also: Downs in the ` See also: Nancy,' " and the immortal " Tom Bowling," written on the See also: death of his eldest See also: brother, Captain See also: Thomas
See also: Dibdin, at whose invitation he had planned his visit to See also: India
.
A series of monodramatic entertainments which he gave at his theatre, Sans Souci, in See also: Leicester Square, brought his songs, music and recitations more prominently into See also: notice, and permanently established his fame as a lyric poet
.
It was at these entertainments that he first introduced many of those sea-songs which so powerfully influenced the See also: national spirit
.
The words breathe the See also: simple See also: loyalty and dauntless courage that are the See also: cardinal virtues of the British sailor, and the music was appropriate and naturally melodious
.
Their effect in stimulating and ennobling the spirit of the See also: navy during the war with See also: France was so marked as to See also: call for See also: special acknowledgment
.
In 1803 Dibdin was rewarded by See also: government with a pension of £200 a See also: year, of which he was only for a See also: time deprived under the ad-ministration of See also: Lord See also: Grenville
.
During this period he opened a music See also: shop in the Strand, but the venture was a failure
.
Dibdin died of paralysis in London on the 25th of See also: July 1814
.
Besides his Musical Tour through See also: England (1788), his Professional See also: Life, an autobiography published in 1803, a See also: History of the Stage (1795), and several smaller works, he wrote upwards of 1400 songs and about See also: thirty dramatic pieces
.
He also wrote the following novels: The Devil (1785); Hannah See also: Hewitt (1792); The Younger Brother (1793)
.
An edition of his songs by G
.
See also: Hogarth (1843) contains a memoir of his life
.
His two sons, See also: Charles and Thomas
See also: John Dibdin (q.v.), whose works are often confused with those of their
See also: father, were also popular dramatists in their See also: day
.
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