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DOLCE, LUDOVICO, or See also: Italian writer, was a native of Venice, and belonged to a See also: family of honourable tradition but decadent See also: fortune
.
He received a See also: good See also: education, and early undertook the task of maintaining himself by his See also: pen
.
See also: Translations from See also: Greek and Latin epics, satires, histories, plays and See also: treatises on language and See also: art. followed each other in rapid succession, till the whole number amounted to upwards of seventy See also: works
.
But he is now mainly memorable as the author of Marianna, a tragedy from the See also: life of See also: Herod, which was recast in French by See also: Tristan and by Voltaire, and still keeps a place on the stage
.
Four licentious comedies, Il Ragazzo (r54i), Il Capitano (1545), Il Marito (156o), Il Ruffiano (i56o), and seven of See also: Seneca's tragedies See also: complete the See also: list of his dramatic efforts
.
In one epic--to translate the title-page--" he has marvellously reduced into ottava rima and See also: united into one narrative the stories of the Iliad and the Aerieid "; in another he devotes See also: thirty-nine cantos to a certain Primaleone, son of Palmerius; in a third he celebrates the first exploits of Count Orlando; and in a See also: fourth he sings of the See also: Paladin Sacripante
.
A life of the emperor See also: Charles V. and a similar account of
See also: Ferdinand I., published respectively in 156o and 1;566, are his chief
See also: historical productions; and among his minor treatises it is enough to mention the Osservazioni sulla lingua volgare (1550) ; the Dialogo See also: delta picture (1557); and the Dialogo nel quale si ragiona del modo di accrescar la memoria (1552)
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