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DOOR (corresponding to the Gr. Bbpa,. See also: wood, See also: metal or See also: stone
.
The earliest records are those represented in the paintings of the
See also: Egyptian tombs, in which they are shown as single or See also: double doors, each in a single piece of wood
.
In See also: Egypt, where the See also: climate is intensely dry, there would be no fear of their warping, but in other countries it would be necessary to See also: frame them, which according to See also: Vitruvius (iv
.
6.) was done with See also: stiles (scapi) and rails (impages) : the spaces enclosed being filled with panels (tympana) let into grooves made in the stiles and rails
.
The stiles were the vertical boards, one of which, tenoned or hinged, is known as the See also: hanging See also: stile, the other as the See also: middle or meeting stile
.
The See also: horizontal See also: cross pieces are the top See also: rail, bottom rail, and middle or intermediate rails
.
The most See also: ancient doors were in See also: timber, those made for See also: King
See also: Solomon's See also: temple being in See also: olive wood (1 See also: Kings vi
.
31-35), which were carved and overlaid with gold
.
The doors dwelt upon in See also: Homer would appear to have been cased in See also: silver or See also: brass
.
Besides olive wood, See also: elm, See also: cedar, See also: oak and See also: cyprus were used
.
All ancient doors were hung by pivots at the top and bottom of the hanging stile which worked in sockets in the lintel and cill, the latter being always in some hard stone such as See also: basalt or granite
.
Those found at See also: Nippur by Dr Hilprecht, dating from 2000 B.c.. were in dolorite
.
The tenons of 419 brilliancy to the not uncommon passages of See also: noble perspicacity
.
To the odd terminology of See also: Donne's poetic philosophy See also: Dryden gave the name of " See also: metaphysics," and See also: Johnson, borrowing the
See also: suggestion, invented the title of the " metaphysical school " to describe, not Donne only, but all the amorous and philosophical poets who succeeded him, and who employed a similarly fantastic language, and who affected odd figurative inversions
.
Izaak Walton's See also: Life, first published in 164o, and entirely recast in 1659, has been constantly reprinted
.
The best edition of Donne's Poems was edited by E
.
K
.
See also: Chambers in 1896
.
His See also: prose See also: works have not been collected
.
In 1899 Edmund Gosse published in two volumes The Life and Letters of See also: John Donne, for the first
See also: time revised and collected
.
(E
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