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HOLGER HENRIK HERBOLDT DRACHMANN (1846-1908) , Danish poet and dramatist, son of Dr A . G . Drachmann, a physician ofSee also: Copenhagen, whose See also: family was of See also: German ex-See also: traction, was See also: born in Copenhagen on the 9th of See also: October 1846
.
Owing to the early See also: death of his See also: mother, who was a Dane, the See also: child was See also: left much to his own devices
.
He soon See also: developed a fondness for semi-poetical performances, and loved to organize among his companions heroic See also: games, in. which he himself took such parts as those of See also: Tordenskjold and Niels Juul
.
His studies were belated, and he did not enter the university until 1865, leaving it in 1866 to become a student in the See also: Academy of See also: Fine Arts
.
From 1866 to 1870 he was learning, under Professor Sorensen, to become a marine painter, and not without success
.
But about the latter date he came under the influence of Georg See also: Brandes, and, without abandoning See also: art, he began to give himself more and more to literature
.
At various periods he travelled very extensively in See also: England, Scotland, See also: France, See also: Spain and See also: Italy, and his See also: literary career began by his sending letters about his journeys to the Danish See also: newspapers
.
After returning home, he settled for some See also: time in the See also: island of See also: Bornholm, See also: painting seascapes
.
He now issued his earliest See also: volume of poems, Digte (1872), and joined the See also: group of See also: young See also: Radical writers who gathered under the banner of Brandes
.
Drachmann was unsettled, and still doubted whether his real strength See also: lay in the pencil or in the See also: pen
.
By this time he had enjoyed a surprising experience of See also: life, especially among sailors, fishermen, students and artists, and the issues of the Franco-German War and the French Commune had persuaded him that a new and glorious era was at See also: hand
.
His volume of lyrics, Daempede Melodier (" Muffled Melodies," 1875), proved that Drachmann was a poet with a real vocation, and he began to produce books in See also: prose and verse with See also: great rapidity
.
Ungt Bled (" Young See also: Blood," 1876) contained three realistic stories of contemporary life
.
But he returned to his true See also: field in his magnificent Sange ved
See also: Havel; Venezia (" Songs of the See also: Sea; Venice," 1877), and won the passionate admiration of his countrymen by his prose See also: work, with interludes in verse, called Derovre fra Graensen (" Over the Frontier there," 1877), a series of impressions made on Drachmann by a visit to the scenes of the war with See also: Germany
.
During the succeeding years he was a great traveller, visiting most of the See also: principal countries of the See also: world, but particularly familiarizing himself, by protracted voyages, with the sea and with the life of See also: man in maritime places
.
In 1879 he published Ranker og Roser (" Tendrils and See also: Roses "), amatory lyrics of a very high See also: order of melody, in which he showed a great advance in technical art
.
To the same See also: period belongs Paa Somands Tro og Love (" On the Faith and Honour of a Sailor," 1878), a volume of See also: short stories in prose
.
It was about this time that Drachmann broke with Brandes and the Radicals, and set himself at the See also: head of a sort of " nationalist " or popular-Conservative party in See also: Denmark
.
He continued to celebrate the life of the fishermen and sailors in books, whether in prose or verse, which were the most popular of their See also: day
.
See also: Paul og Virginie and Lars Kruse (both 1879); Osten for Sol og vesten for Maone (" See also: East of the See also: Sun and See also: Moon," 188o); Puppe og Sommerfugl (" Chrysalis and Butterfly," 1882); and Strandby Folk (1883) were among these
.
In 1882 Drachmann published his fine See also: translation, or paraphrase, of See also: Byron's See also: Don .Tuan
.
In 1885 his romantic See also: play called Der See also: var en Gang (" Once upon a Time ") had a great success on the boards of the Royal theatre, Copenhagen; and his tragedies of Volund Smed (" See also: Wayland the See also: Smith ") and Brav-Karl (1897) made him the most popular playwright of Denmark
.
He published in 1894 a volume of exquisitely fantastic Melodramas in rhymed verse, a collection which contains some of Drachmann's most perfect work . His novel Med den brede Pensel (" With a Broad See also: Brush," 1887) was followed in 1890 by Forskrevet, the See also: history of a young painter, Henrik Gerhard, and his revolt against his bourgeois surroundings
.
With this novel is closely connected Den hellige Ild (" The Sacred Fire," 1899), in which Drachmann speaks in his own See also: person
.
There is practically no See also: story in this autobiographical volume, which abounds in lyrical passages
.
In 1899 he produced his romantic play called Gurre; in 1900 a brilliant lyrical drama, Hallfred Vandraadeskjald; and in 1903, Det grbnne Haab
.
He died in Copenhagen on the 14th of See also: January 1908
.
See an article by K
.
Gjellerup in Dansk Biografisk Lexikon vol. iv
.
(Copenhagen, 189o)
.
(E
.
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