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WILLIAM DRUMMOND (1585-1649)

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Originally appearing in Volume V08, Page 601 of the 1911 Encyclopedia Britannica.
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WILLIAM See also:DRUMMOND (1585-1649)  , called " of See also:Hawthorn-den;" Scottish poet, was See also:born at Hawthornden, near See also:Edinburgh, on the 13th of See also:December 1585 . His See also:father, See also:John See also:Drummond, was the first See also:laird of Hawthornden; and his See also:mother was Susannah See also:Fowler, See also:sister of See also:William Fowler (q.v.)., poet and courtier . Drummond received his See also:early See also:education at the high school of Edinburgh, and graduated in See also:July 16o5 as M.A. of the recently founded university of Edinburgh . His father was a See also:gentleman See also:usher at the See also:English See also:court (as he had been at the Scottish court from 1590) and William, in a visit to See also:London in 1606, describes the festivities in connexion with the visit of the See also:king of See also:Denmark . Drummond spent two years at See also:Bourges and See also:Paris in the study of See also:law; and, in 16o9, he was again in See also:Scotland, where, by the See also:death of his father in the following See also:year, he became laird of Hawthornden at the early See also:age of twenty-four . The See also:list of books he read up to, this See also:time is preserved in his own See also:handwriting . It indicates a strong preference for imaginative literature, and shows that he was keenly interested in contemporary See also:verse . His collection (now in the library of the university of Edinburgh) contains many first See also:editions of the most famous productions of the age . On finding himself his own See also:master, Drummond naturally abandoned law for the See also:muses; " for," says his biographer in 1711, " the delicacy of his wit always run on the pleasantness and usefulness of See also:history, and on the fame and softness of See also:poetry." Ii 1612 began his See also:correspondence with See also:Sir William See also:Alexander of Menstrie, afterwards See also:earl of See also:Stirling (q.v.), which ripened into a See also:life-See also:long friendship after Drummond's visit to Menstrie in 1614: Drummond's first publication appeared in 1613, an See also:elegy on the death of See also:Henry, See also:prince of See also:Wales, called Teares on the Death of Meliades (Moeliades, 3rd edit . 1614) . The poem shows the See also:influence of See also:Spenser's and See also:Sidney's pastoralism . In the same year he published an See also:anthology of the elegies of See also:Chapman, See also:Wither and others, entitled See also:Mausoleum, or The Choisest Flowres of the Epitaphs .

In 1616, the year of See also:

Shakespeare's death, appeared Poems: Amorous, Funerall, Divine,' Pastorali: in Sonnets, Songs, Sextains, Madrigals, being substantially the See also:story of his love for See also:Mary See also:Cunningham of Barns, who was about to become his wife when she died in 1615 . The poems See also:bear marks of a See also:close study of Sidney, and of the See also:Italian poets . He sometimes translates See also:direct from the Italian, especially from See also:Marini . Forth Feasting: A Panegyricke to the King's Most Excellent Majestie (1617), a poem written in heroic couplets of remarkable facility, celebrates See also:James's visit to Scotland in that year . In 1618 Drummond began a correspondence with See also:Michael See also:Drayton . The two poets continued to write at intervals for thirteen years, the last See also:letter being dated in the year of Drayton's death . The latter had almost been persuaded by his " dear Drummond" to See also:print the later books of Poly-Olbian at See also:Hart's Edinburgh See also:press . In the See also:winter of 1618-1619, Drummond had included See also:Ben See also:Jonson in his circle of See also:literary See also:friends, and at See also:Christmas 1618 was honoured with a visit of a fortnight or more from the dramatist . The See also:account of their conversations, long supposed to be lost, was discovered in the See also:Advocates' Library, Edinburgh, by See also:David See also:Laing, and was edited for the Shakespeare Society in 1842 and printed by See also:Gifford & Cunningham . The conversations are full of literary See also:gossip, and embody Ben's See also:opinion of himself and of his See also:host, whom he frankly told that " his verses were too much of the schooles, and were not after the fancie of the time," and again that he " was too See also:good and See also:simple, and that oft a See also:man's modestie made a See also:fool of his witt." But the publication of what was obviously intended merely for a private See also:journal has given Jonson an undeserved reputation for harsh judgments, a.nd has See also:cast blame on Drummond for blackening his See also:guest's memory . In 1623 appeared the poet's See also:fourth publication, entitled See also:Flowers of See also:Sion: By William Drummond of Hawthornedenne: to which is adjoyned his Cypresse See also:Grove . From 1625 till 1630 Drummond was probably for the most See also:part engaged in travelling on the See also:Continent .

In 1627, however, he seems to have been See also:

home for a See also:short time, as, in that year, he appears in the entirely new See also:character of the holder of a patent for the construction of military See also:machines, entitled "Litera Magistri Gulielmi Drummond de Fabrica Machinarum Militarium, See also:Anno 1627." The same year, 1627, is the date of Drummond's munificent See also:gift (referred to above) of about 50o volumes to the library of the university of Edinburgh . In 163o Drummond again began to reside permanently at Hawthornden, and in 1632 he married See also:Elizabeth See also:Logan, by whom he had five sons and four daughters . In 1633 See also:Charles made his See also:coronation-visit to Scotland; and Drummond's See also:pen was employed in See also:writing congratulatory speeches and verses . As Drummond preferred See also:Episcopacy to See also:Presbytery, and was an extremely loyal subject, he supported Charles's See also:general policy, though he protested against the methods employed to enforce it . When See also:Lord See also:Balmerino was put on his trial on the See also:capital See also:charge of retaining in his See also:possession a See also:petition regarded as a See also:libel on the king's See also:government, Drummond in an energetic " Letter " (1635) urged the injustice and folly of the proceedings . About this time a claim by the earl of See also:Menteith to the earldom of Strathearn, which was based on the assertion that See also:Robert III., See also:husband of Annabella Drummond, was illegitimate, roused the poet's See also:pride of See also:blood and prompted him to prepare an See also:historical See also:defence of his See also:house . Partly to please his kinsman the earl of See also:Perth, and partly to satisfy his own curiosity, the poet made researches in the See also:genealogy of the See also:family . This investigation was the real See also:secret of Drummond's See also:interest in Scottish history; and so we find that he now began his History of Scotland during the Reigns of the Five Jameses, a See also:work which did not appear till 1655, and is remarkable only for its good literary See also:style . His next work was called forth by the king's enforced submission to the opposition of his Scottish subjects . It is entitled See also:Irene: or a Remonstrance for See also:Concord, Amity, and Love amongst His See also:Majesty's Subjects (1638), and embodies Drummond's See also:political creed of submission to authority as the only logical See also:refuge from See also:democracy, which he hated . In 1639 Drummond had to sign the See also:Covenant in self-See also:protection, but was uneasy under the See also:burden, as several political squibs by him testify . In 1643 he published latagaxia: or a Defence of a Petition tendered to• the Lords of the See also:Council of Scotland by certain Noblemen and Gentlemen, a political pamphlet in support of those royalists in Scotland who wished to espouse the king's cause against the English See also:parliament .

Phoenix-squares

Its burden is an invective on the intolerance of the then dominant Presbyterian See also:

clergy . His later See also:works may be described briefly as royalist See also:pamphlets, written with more or less caution, as the times required . Drummond took the part of See also:Montrose; and a letter from the Royalist See also:leader in 1646 acknowledged his services . He also wrote a pamphlet, " A Vindication of the Hamiltons," supporting the claims of the See also:duke of See also:Hamilton to See also:lead the Scottish See also:army which was to See also:release Charles I . It is said that Drummond's See also:health received a severe See also:shock when See also:news was brought of the king's See also:execution . He died on the 4th of December 1649 . He was buried in his See also:parish See also:church of Lasswade . Drummond's most important works are the Cypresse Grove and the poems . The Cypresse Grove exhibits See also:great See also:wealth of See also:illustration, and an extraordinary command of musical English . It is an See also:essay on the folly of the fear of death . " This globe of the See also:earth," says he, " which seemeth huge to us, in respect of the universe, and compared with that wide See also:pavilion of See also:heaven; is less than little, of no sensible quantity, and but as a point." This is one of Drummond's favourite moods; and he uses constantly in his poems such phrases as " the All," " this great All." Even in such of his poems as may be called more distinctively See also:Christian, this philosophic conception is at work . A noteworthy feature in Drummond's poetry, as in that of his courtier contemporaries Ayton (q.v.), Lord Stirling and others, is that it manifests no characteristic Scottish See also:element, but owes its See also:birth and See also:inspiration rather to the English and Italian masters .

Drummond was essentially a follower of Spenser, but, amid all his sensuousness, and even in those lines most conspicuously beautiful, there is a dash of See also:

melancholy thoughtfulness—a tendency deepened by the death of his first love, Mary Cunningham . Drummond was called " the Scottish See also:Petrarch "; and his sonnets, which are the expression of a genuine See also:passion, stand far above most of the confemporary Petrarcan imitations . A remarkable See also:burlesque poem Polemo-Middinia inter Vitarvam et Nebernam (printed anonymously in 1684) has been persistently, and with good See also:reason, ascribed to him . It is a See also:mock-heroic See also:tale, in See also:dog-Latin, of a See also:country See also:feud on the Fifeshire lands of his old friends the Cunninghams . Drummond's Poems, with Cypresse Grove, the History, and a few of the See also:minor tracts, were collected in 1656 and edited by See also:Edward See also:Phillips, See also:Milton's See also:nephew . The Works of William Drummond, of Hawthornden (1711), edited by See also:Bishop See also:Sage and See also:Thomas See also:Ruddiman, contains a life by the former, and some of the poet's letters . A handsome edition of the Poems was printed by the See also:Maitland See also:Club in 1832 . Later editions are by See also:Peter Cunningham (1833), by William R . Turnbull in The Library of Old Authors " (1856), and by W . C . See also:Ward (1894) for " The Muses' Library." The See also:standard See also:biography of Drummond is by David See also:Masson (1873) . Extracts from the Hawthornden See also:MSS. preserved in the Library of the Society of Antiquaries of Scotland were printed by David Laing in A rchaeologia Scotica, vol. iv .

End of Article: WILLIAM DRUMMOND (1585-1649)
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