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See also: born at Nogent-sur-See also: Seine on the 18th of See also: July 1829
.
He studied See also: law to please his See also: family, and See also: art to please himself, and finally adopted the latter, and placed himself under See also: Toussaint
.
After studying at the 1 See also: cole See also: des See also: Beaux-Arts, See also: Dubois went to See also: Rome
.
His first contributions to the See also: Paris See also: Salon (186o) were busts of " The Countess de B." and " A See also: Child." For his first ,statues, " St See also: John the Baptist " and "
See also: Narcissus at the See also: Bath " (1863), he was awarded a medal of the second class
.
The statue of " The Infant St John," which had been modelled in Florence in 186o, was exhibited in Paris in See also: bronze, and was acquired by the Luxemburg
.
"A Florentine See also: Singer of the Fifteenth Century," one of the most popular statuettes in See also: Europe, was shown in 1865; " The Virgin and Child " appeared in the Paris Universal See also: Exhibition in 1867; " The See also: Birth of See also: Eve " was produced in 1873, and was followed by striking busts of See also: Henner, Dr See also: Parrot, See also: Paul Baudry, See also: Pasteur, Gounod and See also: Bonnat, remark-able alike for See also: life, vivacity, likeness, refinement and subtle handling
.
The chief See also: work of Paul Dubois was " The See also: Tomb of General Lamoriciere " in the See also: cathedral of See also: Nantes, a brilliant masterpiece conceived in the See also: Renaissance spirit, with allegorical figures and See also: groups representing Warlike Courage, Charity, Faith and Meditation, as well as bas-reliefs and enrichments; the two first-named See also: works were separately exhibited in the Salon of 1877
.
The medallions represent Wisdom, Hope, See also: Justice, Force, Rhetoric, Prudence and See also: Religion
.
The statue of the " See also: Constable See also: Anne de Montmorency " was executed for See also: Chantilly, and that of " See also: Joan of Arc " (1889) for the See also: town of See also: Reims
.
The See also: Italian influence which characterized the earlier work of Dubois disappeared as his own individuality became clearly asserted
.
As a painter he restricted himself mainly to See also: portraiture
.
" My See also: Children " (1876) being probably his most noteworthy achievement
.
His drawings and copies after the Old Masters are of See also: peculiar excellence: they include " The Dead Christ " (after See also: Sebastian del Piombo) and " See also: Adam and Eve " (after See also: Raphael)
.
In 1873 Dubois was appointed keeper of the Luxemburg Museum
.
He succeeded Guillaume as director of the 1 cole des Beaux-Arts, 1878, and Perraud as member of the Academie des Beaux-Arts
.
Twice at the Salon he obtained the medal of honour (1865 and 1876), and once at the Universal Exhibition (1878)
.
He also won numerous other distinctions, and was appointed See also: grand See also: cross of the See also: Legion of Honour
.
He was made a member of several See also: European orders, and in 1895 was elected an honorary See also: foreign academician of the Royal See also: Academy of See also: London
.
He died at Paris in 1905
.
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