See also:

• DUET (an adaptation of the Ital. duetto, from Lat. duo, two)

DUET (an See also:

• ADAPTATION (from Lat. adaptare. to fit to)

adaptation of the Ital. duetto, from See also:

• LAT

Lat. duo, two)  , a See also:

• TERM

term in See also:

• MUSIC

music for a See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition for two performers, both either vocal or instrumental . The term is not properly applied to a composition for one See also:

• VOICE (Fr. voix, from Lat. vox)

voice and one See also:

• INSTRUMENT (Lat. instrumentum, from insincere, to build up, furnish, arrange, prepare)

instrument, the latter being regarded as an See also:

• ACCOMPANIMENT (i.e. that which " accompanies ")

accompaniment, though in the See also:

• MODERN

modern See also:

• EVOLUTION

evolution of this latter See also:

• FORM (Lat. forma)

form of composition it often has the same See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . Both parts must be of equal importance; if one is subordinated to the other it becomes an accompaniment and the See also:

• WORK

work ceases to be a See also:

• DUET (an adaptation of the Ital. duetto, from Lat. duo, two)

duet . Instrumental duets are written either for two different See also:

• INSTRUMENTS

instruments, such as See also:

• MOZART, WOLFGANG AMADEUS1 (1756–1791)

Mozart's duets for See also:

• VIOLIN

violin and piano, or for two similar instruments .