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JULES See also: Barbizon See also: group of romantic landscape painters
.
If See also: Corot stands for the lyric and See also: Rousseau for the epic aspect of the
See also: poetry of nature, See also: Dupre is the exponent of her tragic and dramatic aspects
.
He was the son of a See also: porcelain manufacturer, and started his career in his See also: father's See also: works, whence he went to his See also: uncle's See also: china factory at Sevres
..
After studying for some See also: time under Diebold, a painter of See also: clock faces, he had to pass through a See also: short See also: period of privation, until he attracted the See also: attention of a wealthy See also: patron, who came to his studio and bought all the studies on the walls at the price demanded by the artist—2o francs apiece
.
Dupre exhibited first at the See also: Salon in 1831, and three years later was awarded a second-class medal
.
In the same See also: year he came to See also: England, where he was deeply impressed by the See also: genius of See also: Constable
.
From him he learnt how to express See also: movement in nature; and the See also: district of Southampton and See also: Plymouth, with its wide, unbroken expanses of See also: water, sky and ground, gave him See also: good opportunities for studying the tempestuous motion of See also: storm-clouds and the movement of foliage driven by the See also: wind
.
He received the See also: cross of the See also: Legion of Honour in 1848
.
Dupre's colour is sonorous and resonant; the subjects for which he showed marked preference are dramatic
sunset effects and stormy skies and seas
.
See also: Late in See also: life he changed his See also: style and gained appreciably in largeness of handling and arrived at greater simplicity in his colour harmonies
.
Among his chief works are the " See also: Morning " and " Evening " at the Louvre, and the early " See also: Crossing the See also: Bridge " in the See also: Wallace Collection
.
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