JULES See also:

• JULES DUPRE (1812-1889)

DUPRE (1812-1889)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was one of the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief members of the See also:

• BARBIZON

Barbizon See also:

• GROUP

group of romantic landscape painters . If See also:

• COROT

Corot stands for the lyric and See also:

• ROUSSEAU, JACQUES (1633-1693)
• ROUSSEAU, JEAN BAPTISTE (1671-1741)
• ROUSSEAU, JEAN JACQUES (1712-1778)
• ROUSSEAU, PIERRE ETIENNE THEODORE (1812–1867); French painter of the Barbizon school, was born in Paris on the 15th of April 1812, of a bourgeois family which included one or two artists. At first he received a business training, but soon displayed aptitu

Rousseau for the epic aspect of the See also:

• POETRY

poetry of nature, See also:

• DUPRE, JULES (1812-1889)

Dupre is the exponent of her tragic and dramatic aspects . He was the son of a See also:

• PORCELAIN

porcelain manufacturer, and started his career in his See also:

• FATHER

father's See also:

• WORKS

works, whence he went to his See also:

• UNCLE

uncle's See also:

• CHINA

china factory at Sevres .. After studying for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time under Diebold, a painter of See also:

• CLOCK

clock faces, he had to pass through a See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of privation, until he attracted the See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention of a wealthy See also:

• PATRON

patron, who came to his studio and bought all the studies on the walls at the See also:

• PRICE
• PRICE, BARTHOLOMEW (1818–1898)
• PRICE, BONAMY (1807-1888)
• PRICE, RICHARD (1723-1791)

price demanded by the artist—2o francs apiece . Dupre exhibited first at the See also:

• SALON

Salon in 1831, and three years later was awarded a second-class See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal . In the same See also:

• YEAR

year he came to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, where he was deeply impressed by the See also:

• GENIUS (from Lat. genere, gignere)

genius of See also:

• CONSTABLE (0. Fr. connestable, Fr. connetable, Med. Lat. comestabilis, conestabilis, constabularius, from the Lat. comes stabuli, count of the stable)
• CONSTABLE, ARCHIBALD (1774-1827)
• CONSTABLE, HENRY (1562-1613)
• CONSTABLE, JOHN (1776-1837)
• CONSTABLE, SIR MARMADUKE (c. 1455-1518)

Constable . From him he learnt how to See also:

• EXPRESS (through the French from the past participle of the Lat. exprimere, to press out, by transference used of representing objects in painting or sculpture, or of thoughts, &c. in words)

express See also:

• MOVEMENT

movement in nature; and the See also:

• DISTRICT

district of See also:

• SOUTHAMPTON
• SOUTHAMPTON, EARL OF
• SOUTHAMPTON, HENRY WRIOTHESLEY, 3RD EARL OF (1J73—1624)

Southampton and See also:

• PLYMOUTH
• PLYMOUTH, EARLS OF

Plymouth, with its wide, unbroken expanses of See also:

• WATER

water, See also:

• SKY (M. Eng. skie, cloud; O. Eng. skua, shade; connected with an Indo-European root sku, cover, whence " scum," Lat. obscurus, dark, &c.)

sky and ground, gave him See also:

• GOOD, JOHN MASON (1764-1827)

good opportunities for studying the tempestuous See also:

• MOTION (Lat. motio, from movere, to move)
• MOTION, LAWS OF

motion of See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

storm-clouds and the movement of foliage driven by the See also:

• WIND
• WIND (a common Teut. word, cognate with Skt. vats, Lat. ventus, cf. " weather," to be of course distinguished from to " wind," to coil or twist, O.Eng. windan, cf. "wander," "wend," &c.)

wind . He received the See also:

• CROSS

cross of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 1848 . Dupre's See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour is sonorous and resonant; the subjects for which he showed marked preference are dramatic sunset effects and stormy skies and seas . See also:

• LATE

Late in See also:

• LIFE

life he changed his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style and gained appreciably in largeness of handling and arrived at greater simplicity in his colour harmonies . Among his chief works are the " See also:

• MORNING

Morning " and " Evening " at the Louvre, and the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early " See also:

• CROSSING

Crossing the See also:

• BRIDGE

Bridge " in the See also:

• WALLACE, ALFRED RUSSEL (1823— )
• WALLACE, LEWIS [LEW] (1827—1905)
• WALLACE, SIR RICHARD
• WALLACE, SIR WILLIAM (c. 1270-1305)
• WALLACE, WILLIAM (1768-1843)
• WALLACE, WILLIAM (1844-1897)
• WALLACE, WILLIAM VINCENT (1814-1865)

Wallace Collection .