See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• DYCE, ALEXANDER (1798–1869)
• WILLIAM DYCE (1806–1864)

DYCE (1806–1864)  , See also:

• BRITISH

British painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• ABERDEEN
• ABERDEEN, GEORGE GORDON, 1ST EARL O (1637-1720)
• ABERDEEN, GEORGE HAMILTON GORDON, 4TH EARL

Aberdeen, where his See also:

• FATHER

father, a See also:

• FELLOW

fellow of the Royal Society, was a physician of some repute . He attended Marischal See also:

• COLLEGE (Collegium)

College, took the degree of M.A. at sixteen years of See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age, and was destined for one of the learned professions . Showing a turn for See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design instead, he studied in the school of the Royal Scottish See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in See also:

• EDINBURGH

Edinburgh, then as a probationer (not a full student) in the Royal Academy of See also:

• LONDON

London, and thence, in 1825, he proceeded to See also:

• ROME
• ROME (Roma)

Rome, where he spent nine months . He returned to Aberdeen in 1826, and painted several pictures; one of these, " Bacchus nursed by the See also:

• NYMPHS

Nymphs of Nysa," was exhibited in 1827 . In the autumn of that See also:

• YEAR

year he went back to See also:

• ITALY
• ITALY (Italia)

Italy, showing from the first a strong sympathy with the earlier masters of the Florentine and allied See also:

• SCHOOLS

schools . A " Virgin and See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

Child " which he painted in Rome in 1828 was much noticed by See also:

• OVERBECK, JOHANN FRIEDRICH (1789-1869)

Overbeck and other See also:

• FOREIGN

foreign artists . In 1829 See also:

• DYCE, ALEXANDER (1798–1869)
• DYCE, WILLIAM (1806–1864)

Dyce settled in Edinburgh, taking at once a See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank in his profession, and showing considerable versatility in subject-See also:

• MATTER

matter . Portrait-See also:

• PAINTING

painting for some years occupied much of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time; and he was particularly prized forlikenesses of ladies and See also:

• CHILDREN, LAW RELATING TO

children . In See also:

• FEBRUARY

February 1837 he was appointed See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of the school of design of the See also:

• BOARD (O. Eng. bord)

Board of Manufactures, Edinburgh . In the same year he published a pamphlet on the management of schools of this description, which led to his See also:

• TRANSFER (from Lat. transferre, to bear across, carry over)

transfer from Edinburgh, after eighteen months' service there, to London, as See also:

• SUPERINTENDENT

superintendent and secretary of the then recently established school of design at See also:

• SOMERSET, EARLS AND DUKES OF
• SOMERSET, EDMUND BEAUFORT, DUKE OF (c. 1404–1455)
• SOMERSET, EDWARD SEYMOUR, DUKE OF (c. 1506–1552)
• SOMERSET, LORD ROBERT EDWARD HENRY (1776-1842)
• SOMERSET, ROBERT CARR (or KER), EARL OF (e. 1590-1645)

Somerset See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House . Dyce was sent by the Board of See also:

• TRADE (O. Eng. trod, footstep, from tredan, to tread; in M. Eng. the forms teed, trod and trade appear, the last in the sense of a beaten track)
• TRADE, BOARD OF

Trade to the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

continent to examine the organization of foreign schools; and a See also:

• REPORT (O.Fr. report or raport, modern rapport, from O.Fr. reporter, mod. rap porter, Lat. reportare, to bring back, in poetical use only, of bringing back an account, news, &c.)

report which he eventually printed, 184o, led to a remodelling of the London See also:

• ESTABLISHMENT (0. Fr. establissement, Fr. etablissement, late Norm. Fr. establishement, from O. Fr. establir, Fr. etablir, Lat. stabilire, to make stable)

establishment . In 1842 he was made a member of the See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

council and inspector of provincial schools, a See also:

• POST

post which he resigned in 1844 .

In this latter year, being appointed See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of See also:

• FINE

fine See also:

• ART

art in See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King's College, London, he delivered a remarkable lecture, The Theory of the Fine Arts . In 1835 he had been elected an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal Scottish Academy; this See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour he relinquished upon settling in London, and he was then made an honorary R.S.A . In 1844 he became an associate, in 1848 a full member, of the London Royal Academy; he also was elected a member of the Academy of Arts in See also:

• PHILADELPHIA

Philadelphia . He was active in the deliberations of the Royal Academy, and it is said that his See also:

• TONGUE (O. Eng. lunge)

tongue was the dread of the urbane See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

President, See also:

• SIR

Sir See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• EASTLAKE, SIR CHARLES LOCK (1793-1865)

Eastlake, for Dyce was keen in speech as in visage; it was on his proposal that the class of retired Academicians was established . In See also:

• JANUARY

January 185o . Dyce married Jane, daughter of Mr See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• BRAND, JOHN (1744-1806)
• BRAND, SIR JOHN HENRY (1823-1888)

Brand, of See also:

• BEDFORD

Bedford See also:

• HILL
• HILL (0. Eng. hyll; cf. Low Ger. hull, Mid. Dutch hul, allied to Lat. celsus, high, collis, hill, &c.)
• HILL, A
• HILL, AARON (1685-175o)
• HILL, AMBROSE POWELL
• HILL, DANIEL HARVEY (1821-1889)
• HILL, DAVID BENNETT (1843–1910)
• HILL, GEORGE BIRKBECK NORMAN (1835-1903)
• HILL, JAMES J
• HILL, JOHN (c. 1716-1775)
• HILL, MATTHEW DAVENPORT (1792-1872)
• HILL, OCTAVIA (1838– )
• HILL, ROWLAND (1744–1833)
• HILL, SIR ROWLAND (1795-1879)

Hill, See also:

• SURREY
• SURREY, EARLDOM OF
• SURREY, HENRY HOWARD, EARL OF (1518?-1547)

Surrey . He died at See also:

• STREATHAM

Streatham on the 14th of February 1864, leaving two sons and two daughters . Dyce was one of the most learned and accomplished of British painters-one of the highest in aim, and most consistently self-respecting in workmanship . His finest productions, the frescoes in the robing-See also:

• ROOM

room in the Houses of See also:

• PARLIAMENT (Anglo-Lat. parliamentum, Fr. parlement, from parler, to speak)

Parliament, did honour to the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country and time which produced them . Generally, however, there is in Dyce's See also:

• WORK

work more of earnestness, right conception, and See also:

• GRAVE

grave, sensitive, but rather restricted See also:

• POWERS, HIRAM (1805-1873)

powers of realization, than of See also:

• AUTHENTIC (from Gr. aOO 'rns, one who does a thing himself)

authentic greatness . He has See also:

• ELEVATION

elevation, draughtsmanship, expression, and on occasion fine See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour; along with all these, a certain leaning on precedent, and castigated semi-conventionalized type of See also:

• FORM (Lat. forma)

form and treatment, which bespeak rather the scholarly than the originating mind in art . The following are among his See also:

• PRINCIPAL

principal or most interesting See also:

• WORKS

works (oil pictures, unless otherwise stated) .

1829: " The Daughters of See also:

• JETHRO (or JETHER, Exod. iv. 18)

Jethro defended by See also:

• MOSES (Gr. Mwvo c, Mcoo-i3s)
• MOSES, ASSUMPTION OF

Moses "; " Puck." 183o: " The See also:

• GOLDEN

Golden Age "; " The See also:

• INFANT (in early forms enfaunt, enfant, through the Fr. enfant, from Lat. infans, in, not, and fans, the present participle of fari, to speak)

Infant See also:

• HERCULES
• HERCULES (0. Lat. Hercoles, Hercles)

Hercules strangling the Serpents" (now in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, Edinburgh);" See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ crowned with Thorns." 1835: " A Dead Christ " (large See also:

• LUNETTE (French diminutive of lune, moon)

lunette altarpiece) . 1836: " The Descent of See also:

• VENUS

Venus," from See also:

• BEN (from Old Eng. bennan, within)

Ben See also:

• JONSON

Jonson's See also:

• TRIUMPH (triumphus)

Triumph of Love; " The See also:

• JUDGMENT

Judgment of See also:

• SOLOMON, ODES OF
• SOLOMON, PSALMS OF

Solomon," See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize See also:

• CARTOON (Ital. cartone, pasteboard)

cartoon in See also:

• TEMPERA (the Italian term), or DISTEMPER

tempera for See also:

• TAPESTRY

tapestry (National Gallery, Edinburgh) . 1837: " Francesca da See also:

• RIMINI

Rimini " (National Gallery, Edinburgh) . 1838, and again 1846: " The Madonna and Child." 1839: " See also:

• DUNSTAN, SAINT (924 or 925-g88)

Dunstan separating See also:

• EDWY (EADWIG)

Edwy and Elgiva." 1844: " See also:

• JOASH, or JEHOASH (Heb. " Yahweh is strong, or bath given ")

Joash See also:

• SHOOTING

shooting the Arrow of Deliverance " (the finest perhaps of the oil-paintings) . 185o: " The See also:

• MEETING (from " to meet," to come together, assemble, 0. Eng. metals ; cf. Du. moeten, Swed. mota, Goth. gamotjan, &c., derivatives of the Teut. word for a meeting, seen in O. Eng. Wit, moot, an assembly of the people; cf. witanagemot)

Meeting of See also:

• JACOB
• JACOB, JOHN (1812-1858)

Jacob and See also:

• RACHEL (1821-1858)

Rachel." 1851: " King See also:

• LEAR, EDWARD (1812-1888)

Lear and the See also:

• FOOL (O. Fr. fol, modern fou, foolish, from a Late Latin use of follis, bellows, a ball filled with air, for a stupid person, a jester, a wind-bag)

Fool in the See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

Storm." 1855: " Christabel." 1857: " See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian's first See also:

• ESSAY, ESSAYIST (Fr. essai, Late Lat. exagium, a weighing or balance; exigere, to examine; the term in general meaning any trial or effort)

essay in Colouring." 1859: " The Good Shepherd." 186o: " . St See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John bringing See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

Home his Adopted See also:

• MOTHER

Mother "; " Pegwell See also:

• BAY

Bay" (a See also:

• COAST (from Lat. costa, a rib, side)

coast See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene of remarkably See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute detail, showing the painter's partial See also:

• ADHESION (from Lat. adhaerere, to adhere)

adhesion to the " pre-Raphaelite " See also:

• MOVEMENT

movement) . 1861: " See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• HERBERT (FAMILY)
• HERBERT, GEORGE (1593-1633)
• HERBERT, HENRY WILLIAM
• HERBERT, SIR THOMAS (1606-1682)

Herbert at Bemerton." Dyce executed some excellent cartoons for stained See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass:—that for the choristers' window, See also:

• ELY
• ELY, RICHARD THEODORE (1854— )

Ely See also:

• CATHEDRAL

Cathedral, and that for a vast window at See also:

• ALNWICK

Alnwick in memory of a See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• NORTHUMBERLAND
• NORTHUMBERLAND, EARLS AND DUKES OF
• NORTHUMBERLAND, JOHN DUDLEY, VISCOUNT LISLE, EARL OF WARWICK
• NORTHUMBERLAND, JOHN NEVILLE, EARL OF (c. 1430-1471)

Northumberland; the design of " See also:

• PAUL
• PAUL (PAULUS)

Paul rejected by the See also:

• JEWS
• JEWS (Heb. Y8hudi, man of Judah; Gr. 'Iovbaiot; Lat. Judaei)

Jews," now at See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• KENSINGTON

Kensington, belongs to the latter . In See also:

• FRESCO (Ital. for cool, " fresh ")

fresco-painting his first work appears to have been the " See also:

• CONSECRATION (Lat. consecrallo, from con and sacrare, " to make sacred ")

Consecration of See also:

• ARCHBISHOP (Lat. archiepiscopus, from Gr. apxceatorcoros)

Archbishop See also:

• PARKER, JOHN HENRY (1806-1884)
• PARKER, JOSEPH (183o-1902)
• PARKER, MARTIN (c. 1600-c. 1656)
• PARKER, MATTHEW (1504-1575)
• PARKER, SAMUEL (164o-1688)
• PARKER, SIR GILBERT (1862— )
• PARKER, SIR HYDE, BART
• PARKER, THEODORE (1810-186o)

Parker," painted in See also:

• LAMBETH

Lambeth See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace . In one of the See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall competitions for the decoration of the Houses of Parliament, he displayed two heads from this See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition; and it is related that the See also:

• GREAT

great See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German fresco-painter See also:

• CORNELIUS
• CORNELIUS, CARL AUGUST PETER (1824-1874)
• CORNELIUS, PETER VON (1784–1867)

Cornelius, who had come over to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England to give See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice, with a prospect of himself taking the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief direction of the pictorial See also:

• SCHEME (Lat. schema, Gr. oxfjya, figure, form, from the root axe, seen in exeiv, to have, hold, to be of such shape, form, &c.)

scheme, told the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince See also:

• CONSORT (Lat. consors, a companion)

consort frankly that the See also:

• ENGLISH

English ought not to be asking for him, when they had such a painter of their own as Mr Dyce . The cartoon by Dyce of the " See also:

• BAPTISM

Baptism of Ethelbert " was approved and commissioned for the House of Lords, and is the first of the works done there, 1846, in fresco . In 1848 he began his great frescoes in the Robing-room—subjects from the See also:

• LEGEND (through the French from the med. Lat. legenda, things to be read, from legere, to read)

legend of King See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur, exhibiting chivalric virtue . The whole room was to have been finished in eight years; but See also:

• ILL

ill-See also:

• HEALTH

health and other vexations trammelled the artist, and the See also:

• SERIES (a Latin word from serere, to join)

series remains uncompleted .

The largest picture figures " Hospitality, the See also:

• ADMISSION

admission of Sir Tristram into the fellowship of the See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

Round Table." Then follow—" See also:

• RELIGION
• RELIGION, FOLKLORE, CUSTOM

Religion," the See also:

• VISION (from Lat. videre, to see), or SIGHT

Vision of Sir Galahad and his Companions; " Generosity," Arthur unhorsed, and spared by the See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

Victor; " See also:

• COURTESY (O. Fr. curtesie, later courtoisie)

Courtesy," Sir Tristram harping to la Belle Yseult; " See also:

• MERCY (adapted from Fr. merci, Lat. merces, reward)
• MERCY (or MERCI), FRANZ, FREIHERR VON

Mercy," Sir Gawaine's See also:

• VOW (Lat. votum, vow, promise: cf. VOTE)

Vow . The frescoes of sacred subjects in All See also:

• SAINTS, BATTLE OF THE

Saints' See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, London; of " See also:

• COMUS (from sd p.os, revel, or a company of revellers)

Comus," in the summer-house of See also:

• BUCKINGHAM
• BUCKINGHAM, EARLS, MARQUESSES AND DUKES OF
• BUCKINGHAM, FIRST DUKE
• BUCKINGHAM, GEORGE VILLIERS, 1ST DUKE 0E1
• BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE 0E1 (1628-1687)
• BUCKINGHAM, HENRY STAFFORD, 2ND DUKE OF3 (1454-1483)
• BUCKINGHAM, JAMES SILK (1786-1855)

Buckingham Palace; and of " See also:

• NEPTUNE
• NEPTUNE (Lat. NEPTUNUS)

Neptune and Britannia," at See also:

• OSBORNE

Osborne House, are also by this painter . Dyce was an elegant See also:

• SCHOLAR, SCHOLARSHIP

scholar in more ways than one . In 1828 he obtained the See also:

• BLACKWELL, THOMAS (1701-1757)

Blackwell prize at Aberdeen for an essay on See also:

• ANIMAL
• ANIMAL (Lat. animalis, from anima, breath, soul)

animal See also:

• MAGNETISM
• MAGNETISM, TERRESTRIAL

magnetism . In 1843-1844 he published an edition of the See also:

• BOOK

Book of See also:

• COMMON

Common See also:

• PRAYER (from Lat. precari, entreat; Ital. pregaria, Fr. priere)
• PRAYER, BOOK OF COMMON

Prayer, with a dissertation on Gregorian See also:

• MUSIC

music, and its See also:

• ADAPTATION (from Lat. adaptare. to fit to)

adaptation to English words . He founded the Motett Society, for revival of See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient church-music, was a fine organist, and composed a " non nobis " which has appropriately been sung at Royal Academy banquets . His last considerable See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing See also:

• RELATING

relating to his own art was published in 1853, The National Gallery: its Formation and Management . See See also:

• REDGRAVE, RICHARD (1804-1888)

Redgrave's See also:

• DICTIONARY

Dictionary of Artists (1878), and Dictionary of National See also:

• BIOGRAPHY (from the Gr. (3ios, life, and yp&4 , writing)

Biography . (W . M .