See also:

• SIR

SIR See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• LOCK (from the O. Eng. loc.; the word appears, in different forms, in many Teutonic languages, but with such various meanings as " hole," Ger. Loch, " lid," Swed. lock, &c.; probably the original was a root meaning " to enclose ")
• LOCK, MATTHIAS

LOCK See also:

• SIR CHARLES LOCK EASTLAKE (1793-1865)

EASTLAKE (1793-1865)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 17th of See also:

• NOVEMBER (Lat. novem, nine)

November 1793 at See also:

• PLYMOUTH
• PLYMOUTH, EARLS OF

Plymouth, where his See also:

• FATHER

father, a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of uncommon gifts but of indolent temperament, was See also:

• SOLICITOR

solicitor to the See also:

• ADMIRALTY, HIGH COURT OF

admiralty and See also:

• JUDGE (Lat. judex, Fr. juge)

judge See also:

• ADVOCATE (Lat. advocatus, from advocare, to summon, especially in law to call in the aid of a counsel or witness, and so generally to summon to one's assistance)

advocate of the admiralty See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court . See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles was educated (like See also:

• SIR

Sir See also:

• JOSHUA, BOOK OF

Joshua See also:

• REYNOLDS, JOHN FULTON (182o-1863)
• REYNOLDS, SIR JOSHUA (1723-1792)
• REYNOLDS, WALTER (d. 1327)

Reynolds) at the Plympton See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

grammar-school, and in See also:

• LONDON

London at the See also:

• CHARTERHOUSE

Charterhouse . Towards 1809, partly through the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of his See also:

• FELLOW

fellow-Devonian See also:

• HAYDON, BENJAMIN ROBERT (1786-1846)

Haydon, of whom he became a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil, he determined to be a painter; he also studied in the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy school . In 1813 he exhibited in the See also:

• BRITISH

British Institution his first picture, a See also:

• WORK

work of considerable See also:

• SIZE

size, " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ restoring See also:

• LIFE

life to the Daughter of Jairus." In 1814 he was commissioned to copy some of the paintings collected by See also:

• NAPOLEON

Napoleon in the Louvre; he returned to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England in 1815, and practised portrait-See also:

• PAINTING

painting at Plymouth . Here he saw Napoleon a See also:

• CAPTIVE (from Lat. capere, to take)

captive on the " See also:

• BELLEROPHON, or BELLEROPHONTES

Bellerophon "; from a See also:

• BOAT (0. Eng. bdt; the true etymological connexion with Dutch and Ger. boot, Fr. bateau, Ital. battello presents great difficulties; Celtic forms are from O. Eng.)

boat he made some sketches of the See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

emperor, and he afterwards painted, from these sketches and from memory, a life-sized full-length portrait of him (with some of his See also:

• OFFICERS

officers) which was pronounced a See also:

• GOOD, JOHN MASON (1764-1827)

good likeness; it belongs to the See also:

• MARQUESS (1760-1842)
• MARQUESS, or MARQUIS (Fr. marquis, Ital. marchese; from med. Lat. marchio, marchisus, i.e. comes marchiae, " count of the March ")

marquess of See also:

• LANSDOWNE
• LANSDOWNE, WILLIAM PETTY FITZMAURICE, 1ST MARQUESS OF (1737-18o5)

Lansdowne . In 1817 See also:

• EASTLAKE, SIR CHARLES LOCK (1793-1865)

Eastlake went to See also:

• ITALY
• ITALY (Italia)

Italy; in 1819 to See also:

• GREECE

Greece; in 1820 back to Italy, where he remained altogether fourteen years, chiefly in See also:

• ROME
• ROME (Roma)

Rome and in See also:

• FERRARA

Ferrara . In 1827 he exhibited at the Royal Academy his picture of the Spartan Isidas, who (as narrated by See also:

• PLUTARCH
• PLUTARCH (Gr. llXoi rapxos) (c. A.D. 46–120)

Plutarch in the life of Agesilaus), rushing naked out of his See also:

• BATH
• BATH, THOMAS THYNNE
• BATH, WILLIAM

bath, performed prodigies of valour against the Theban See also:

• HOST

host . This was the first work that attracted much See also:

• NOTICE

notice to the name of Eastlake, who in consequence obtained his See also:

• ELECTION
• ELECTION (from Lat. eligere, to pick out)

election as A.R.A.; in 1830, when he returned to England, he was chosen R.A . In 185o he succeeded See also:

• SHEE, SIR MARTIN ARCHER (1770-1850)

Shee as See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of the Royal Academy, and was knighted . See also:

• PRIOR (from Lat. prior—former, and hence superior, through O. Fr. priour)
• PRIOR, MATTHEW (1664-1721)

Prior to this, in 1841, he had been appointed secretary to the royal See also:

• COMMISSION (from Lat. commissio, committere)

commission for decorating the Houses of See also:

• PARLIAMENT (Anglo-Lat. parliamentum, Fr. parlement, from parler, to speak)

Parliament, and he retained this See also:

• POST

post until the commission was dissolved in 1862 . In 1843 he was made keeper of the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, a post which he resigned in 1847 in consequence of an unfortunate See also:

• PURCHASE

purchase that roused much animadversion, a portrait erroneously ascribed to See also:

• HOLBEIN, HANS

Holbein; in 1855, director of the same institution, with more extended See also:

• POWERS, HIRAM (1805-1873)

powers . During his directorship he See also:

• PURCHASED

purchased for the gallery 155 pictures, mostly of the See also:

• ITALIAN

Italian See also:

• SCHOOLS

schools .

He became also a D.C.L. of See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, F.R.S., a See also:

• CHEVALIER, ALBERT (1861– )
• CHEVALIER, MICHEL (1806-1879)
• CHEVALIER, ULYSSE (1841– )

chevalier of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour, and member of various See also:

• FOREIGN

foreign See also:

• ACADEMIES

academies . In 1849 he married See also:

• MISS

Miss See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth See also:

• RIGBY, RICHARD (1722–1788)

Rigby, who had already then become known as a writer (Letters from the Baltic, 1841; Livonian Tales, 1846; The Jewess, 1848) and as a contributor to the Quarterly See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

Review . See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady Eastlake (1809-1893) had for some years been interested in See also:

• ART

art subjects, and after her See also:

• MARRIAGE

marriage she naturally devoted more See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention to them, translating See also:

• WAAGEN, GUSTAV FRIEDRICH (1794-1868)
• WAAGEN, WILHELM HEINRICH (1841–1900)

Waagen's Treasures of Art in See also:

• GREAT

Great See also:

• BRITAIN (Gr. Hperavuml vi7vot, Bperravia; Lat. Britannia, rarely Britannia)

Britain (1854-1857), and completing Mrs See also:

• JAMESON (or JAMESONE), GEORGE (c. 1587–1644)
• JAMESON, ANNA BROWNELL (1794-1860)
• JAMESON, LEANDER STARR (1853– )
• JAMESON, ROBERT (1774-1854)

Jameson's See also:

• HISTORY

History of our See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord in See also:

• WORKS

Works of Art . In 1865 Sir Charles Eastlake See also:

• FELL
• FELL, JOHN (1625-1686)

fell See also:

• ILL

ill at See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan; and he died at See also:

• PISA
• PISA, COUNCIL OF (1409)

Pisa on the 24th of See also:

• DECEMBER (Lat. decent, ten)

December in the same See also:

• YEAR

year . Lady Eastlake, who survived him for many years, continued to See also:

• PLAY

play an active See also:

• PART

part as a writer on art (Five Great Painters, 1883, &c.), and had a large circle of See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends among the most interesting men and See also:

• WOMEN

women of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day . In 188o she published a See also:

• VOLUME

volume of Letters from See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France describing events in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris during 1789), written by her father, See also:

• EDWARD

Edward Rigby (1747-1821), a distinguished See also:

• NORWICH
• NORWICH, GEORGE GORING, EARL OF (1583?-1663)

Norwich See also:

• DOCTOR (Lat. for " teacher ")

doctor who was known also for his See also:

• PRACTICAL

practical See also:

• INTEREST

interest in See also:

• AGRICULTURE
• AGRICULTURE (from Lat. ages, field, and colere, to cultivate)
• AGRICULTURE, BOARD OF

agriculture, and who is said to have made known the flying See also:

• SHUTTLE (O. Eng. shitel, &c.; from the same word as " shoot ")

shuttle to Norwich manufacturers . As a painter, Sir Charles Eastlake was See also:

• GENTLE (through the Fr. gentil, from Lat. gentilis, belonging to the same gens, or family)

gentle, harmonious, diligent and correct; lacking See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

fire of invention or of See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution; eclectic, without being exactly imitative; influenced rather by a love of ideal See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace and beauty than by any marked See also:

• BENT
• BENT (E1. BENI)
• BENT, JAMES THEODORE (1852–1897)

bent of individual See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power or vigorous originality . Among his See also:

• PRINCIPAL

principal works (which were not numerous, 51 being the See also:

• TOTAL

total exhibited in the Academy) are: 1828, " Pilgrims arriving in sight of Rome " (repeated in 1835 and 1836, and perhaps on the whole his chef-d'oeuvre); 1829, " See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• BYRON, HENRY JAMES (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

Byron's See also:

• DREAM (from a root dreug, connected with Germ. trugen, to deceive)

Dream " (in the See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate Gallery); 1834, the " See also:

• ESCAPE (in mid. Eng. eschape or escape, from the O. Fr. eschapper, modern echapper, and escaper, low Lat. escapium, from ex, out of, and cappa, cape, cloak; cf. for the sense development the Gr. iichueoOat, literally to put off one's clothes, hence to sli

Escape of See also:

• FRANCESCO
• FRANCESCO, 210

Francesco di See also:

• CARRARA
• CARRARA, or CARRARESI

Carrara " (a duplicate in the Tate Gallery); 1841, " Christ Lamenting over See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem " (See also:

• DITTO (from the Lat. dictum, something said, Ital. detto, aforesaid)

ditto) ; 1843, " Hagar and See also:

• ISHMAEL (a Hebrew name meaning " God hears ")

Ishmael "; 1845, " See also:

• COMUS (from sd p.os, revel, or a company of revellers)

Comus "; 1849, " See also:

• HELENA
• HELENA, ST (c. 247-c. 327)

Helena "; 1851, " Ippolita Torelli "; 1853, " Violante "; 1855, " See also:

• BEATRICE

Beatrice." These See also:

• FEMALE

female heads, of a refined semi-ideal quality, with something of Venetian glow of tint, are the most satisfactory specimens of Eastlake's work to an artist's See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye . He was an accomplished and judicious See also:

• SCHOLAR, SCHOLARSHIP

scholar in matters of art, and published, in 184o, a See also:

• TRANSLATION

translation of See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe's Theory of See also:

• COLOURS, MILITARY

Colours; in 1847 (his See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• LITERARY

literary work) Materials for a History of Oil-Painting, especially valuable as regards the Flemish school; in 1848, Contributions to the Literature of the See also:

• FINE

Fine Arts (a second See also:

• SERIES (a Latin word from serere, to join)

series was edited by Lady Eastlake in 1870, and accompanied by a Memoir from her See also:

• PEN (Lat. penna, a feather, pen)

pen); in 1851 and 1855, translated See also:

• EDITIONS

editions of Kugler's History of the Italian School of Painting, and Handbook of Painting (new edition, by Lady Eastlake, 1874) . See W . Cosmo See also:

• MONKHOUSE, WILLIAM COSMO (1840—1901)

Monkhouse, Pictures by Sir Charles Eastlake, with See also:

• BIOGRAPHICAL

biographical and See also:

• CRITICAL (in alphabetical order of authors)

critical See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

Sketch (1875) . (W .

M .