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JOHANN See also: German composer of See also: church
See also: music, was See also: born at See also: Muhlhausen on the Unstrut, Prussia, in 1553, At the age of eighteen he went to See also: Munich, where he became the pupil of Orlando See also: Lasso
.
In his See also: company See also: Eccard is said to have visited See also: Paris, but in 1574 we find him again at Muhlhausen, where he resided for four years, and edited, together with Johann von Burgk, his first master, a collection of sacred songs, called Crepundia sacra Helmboldi (1577)
.
Soon afterwards he obtained an See also: appointment as musician in the See also: house of See also: Jacob See also: Fugger, the Augsburg banker
.
In 1583 he became assistant conductor, and in 1599 conductor, at See also: Konigsberg, to Georg See also: Friedrich, See also: margrave of See also: Brandenburg-Anspach, the See also: administrator of Prussia
.
In 16o8 he was called by the elector See also: Joachim Friedrich to Berlin as chief conductor, but this See also: post he held only for three years, owing to his premature See also: death at Konigsberg in 1611
.
Eccard's See also: works consist exclusively of vocal compositions, such as songs, sacred cantatas and chorales for four or five, and sometimes for seven, eight, or even nine voices
.
Their polyphonic structure is a marvel of See also: art, and still excites the admiration of musicians
.
At the same See also: time his works are See also: instinct with a spirit of true religious feeling
.
His setting of the beautiful words " Ein' feste See also: Burg ist unser Gott " is still regarded by the Germans as their representative See also: national hymn
.
Eccard and his school are inseparably connected with the See also: history of the See also: Reformation
.
Of Eccard's songs a See also: great many collections are extant; see K
.
G
.
A. von Winterfeld, Der Evangelische Kirchengesang (1843); Daring (Choralkunde, p . 47) . |
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