See also:

• AUGUSTUS (a name 1 derived from Lat. augeo, increase, i.e. venerable, majestic, Gr. Ee0avr6s)

AUGUSTUS See also:

• LEOPOLD (M.H. Ger. Liupolt; O.H. Ger. Liupald, from hut, Mod. Ger. Leute, " people," and paid, " bold," i.e. " bold for the people ")

LEOPOLD See also:

• EGG (O.E. aeg, cf. Ger. Ei, Swed. aegg, and prob. Gr. u,ov, Lat. ovum)
• AUGUSTUS LEOPOLD EGG (1816-1863)

EGG (1816-1863)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 2nd of May 2816 in See also:

• LONDON

London, where his See also:

• FATHER

father carried on business as a See also:

• GUN

gun-maker . He had some schooling at See also:

• BEXLEY
• BEXLEY, NICHOLAS VANSITTART, BARON (1766-1851)

Bexley, and was not at first intended for the See also:

• ARTISTIC

artistic profession; but, developing a See also:

• FACULTY (through the French, from the Lat. facultas, ability to do anything, from facilis, easy, facere, to do; another form of the word in Lat. facilitas, facility, ease, keeps the original meaning)

faculty in this See also:

• LINE

line, he entered in 1834 the See also:

• DRAWING

drawing class of Mr Sass, and in 1836 the school of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . His first exhibited picture appeared in 1837 at the See also:

• SUFFOLK
• SUFFOLK, CHARLES BRANDON, 1ST DUKE OF (c. 1484–'545)
• SUFFOLK, EARLS AND DUKES OF
• SUFFOLK, THOMAS HOWARD, 1ST EARL OF (1561-1626)
• SUFFOLK, WILLIAM DE LA POLE

Suffolk See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery . In 1838 he began exhibiting in the Academy, his subject being a " See also:

• SPANISH

Spanish Girl "; altogether he sent twenty-seven See also:

• WORKS

works to this institution . In 1848 he became an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate and in 186o a full member of the Academy: he had considerable means, apart from his profession . In 1857 he took a leading See also:

• PART

part in selecting and arranging the See also:

• MODERN

modern paintings in the See also:

• ART

Art-Treasures See also:

• EXHIBITION

Exhibition in See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester . His constitution being naturally frail, he went in 1853, with See also:

• DICKENS, CHARLES JOHN HUFFAM (1812-187o)

Dickens and See also:

• WILKIE, SIR DAVID (1785–1841)

Wilkie See also:

• COLLINS, ANTHONY (1676-1729)
• COLLINS, JOHN CHURTON (1848-1908)
• COLLINS, MORTIMER (1827-1876)
• COLLINS, WILLIAM (1721-1759)
• COLLINS, WILLIAM (1787–1847)
• COLLINS, WILLIAM WILKIE (1824–1889)

Collins, to See also:

• ITALY
• ITALY (Italia)

Italy for a See also:

• SHORT, FRANCIS JOB (1857– )

short trip, and in 1863 he visited See also:

• ALGERIA
• ALGERIA (Algerie)

Algeria . Here he benefited so far as his chronic See also:

• LUNG

lung-disease was concerned; but exposure to a See also:

• COLD (in O. Eng. cald and ceald, a word coming ultimately from a root cognate with the Lat. gelu, gelidus, and common in the Teutonic languages, which usually have two distinct forms for the substantive and the adjective, cf. Ger. Kolte, kalt, Dutch koude

cold See also:

• WIND
• WIND (a common Teut. word, cognate with Skt. vats, Lat. ventus, cf. " weather," to be of course distinguished from to " wind," to coil or twist, O.Eng. windan, cf. "wander," "wend," &c.)

wind while out See also:

• RIDING

riding brought on an attack of See also:

• ASTHMA (Gr. avBµa, gasping, whence lio-Ogaivw, I gasp for breath)

asthma, from which he died on the 26th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1863 at See also:

• ALGIERS (Fr. Alger, Arab. Jezair, i.e. The Islands)

Algiers, near which See also:

• CITY (through Fr. cite, from Lat. civitas)

city his remains were buried . See also:

• EGG (O.E. aeg, cf. Ger. Ei, Swed. aegg, and prob. Gr. u,ov, Lat. ovum)
• EGG, AUGUSTUS LEOPOLD (1816-1863)

Egg was a gifted and well-trained painter of genre, chiefly in the way of See also:

• HISTORICAL

historical See also:

• ANECDOTE (from av-, privative, and isSLSwµu, to give out or publish)

anecdote, or of compositions from the poets and novelists . Among his See also:

• PRINCIPAL

principal pictures may be named: 1843, the " Introduction of See also:

• SIR

Sir Piercie Shaf ton and See also:

• HALBERT, HALBERD

Halbert Giendinning" (from See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott's Monastery); 1846, "See also:

• BUCKINGHAM
• BUCKINGHAM, EARLS, MARQUESSES AND DUKES OF
• BUCKINGHAM, FIRST DUKE
• BUCKINGHAM, GEORGE VILLIERS, 1ST DUKE 0E1
• BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE 0E1 (1628-1687)
• BUCKINGHAM, HENRY STAFFORD, 2ND DUKE OF3 (1454-1483)
• BUCKINGHAM, JAMES SILK (1786-1855)

Buckingham Rebuffed "; 1848, " See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth discovers she is no longer See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young "; 185o, " See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter the See also:

• GREAT

Great See also:

• SEES

sees Catharine for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time "; 1854, " See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles I. raising the See also:

• STANDARD
• STANDARD, BATTLE OF THE

Standard at See also:

• NOTTINGHAM
• NOTTINGHAM, CHARLES HOWARD, 1ST EARL OF1 (1536-1624)
• NOTTINGHAM, EARLS OF

Nottingham " (a study); 1855, the " See also:

• LIFE

Life and See also:

• DEATH

Death of Buckingham "; 1857 and 1858, two subjects from See also:

• THACKERAY, WILLIAM MAKEPEACE (1811-1863)

Thackeray's Esmond; 1858, " Past and See also:

• PRESENT

Present, a triple picture of a faithless wife "; 1859, the " See also:

• NIGHT

Night before See also:

• NASEBY

Naseby "; 186o, his last exhibited See also:

• WORK

work, the See also:

• DINNER

Dinner See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

Scene from The Taming of the See also:

• SHREW

Shrew . The See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate Gallery contains one of his earlier pictures, Patricio entertaining two Ladies, from the Diable boiteux; it was painted in 2844 . Egg was rather below the See also:

• MIDDLE

middle height, with dark See also:

• HAIR (a word common to Teutonic languages)

hair and a handsome well-formed See also:

• FACE (from Lat. fades, derived either from facere, to make, or from a root fa-, meaning " appear "; cf. Gr. cbatvstv)

face; the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head of Peter the Great (in the picture of Peter and Catharine, which may be regarded as his best work, along with the Life and Death of Buckingham) was studied, but of course considerably modified, from his own countenance .

He was manly, See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind-hearted, pleasant, and very genial and serviceable among See also:

• BROTHER

brother-artists; social and com-panionable, but holding mainly aloof from fashionable circles . As an actor he had uncommon See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent . He appeared among Dickens's See also:

• COMPANY

company of amateurs in 2852 in See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• LYTTON, EDWARD GEORGE EARLE LYTTON, BULWERLYTTON, 1ST BARON (1803-1873)
• LYTTON, EDWARD ROBERT

Lytton's See also:

• COMEDY

comedy Not so See also:

• BAD, BCD

Bad as we Seem, and afterwards in Wilkie Collins's Frozen Deep, playing the humorous part of See also:

• JOB

Job Want .