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EBENEZER See also:ELLIOTT (1781–1849)
, See also:English poet, the " See also:corn-See also:law rhymer," was See also:born at Masborough, near See also:Rotherham, See also:York-See also:shire, on the 17th of See also:
He took an active See also:part in the Chartist agitation, but withdrew his support when the agitation for the See also:repeal of the corn laws was removed from the Chartist See also:programme
.
The fervour of his See also:political convictions effected a See also:change in the See also:style and See also:tenor of his See also:verse
.
The Corn-Law Rhymes (3rd ed., 1831), inspired by a fierce hatred of in-See also:justice, are vigorous, See also:simple and full of vivid description
.
In 1833—1835 he published The Splendid See also:Village; Corn-Law Rhymes, and other Poems (3 vols.), which included " The Village See also:Patriarch " (1829), " The Ranter," an unsuccessful See also:drama, " Keronah," and other pieces
.
He contributed verses from See also:time to time to See also:Tait's See also:Magazine and to the Sheffield and Rotherham See also:Independent
.
In the meantime he had been successful in business, but he remained the sturdy See also:champion of the poor
.
In 1837 he again lost a See also:great See also:deal of money
.
This misfortune was also ascribed to the corn laws
.
He retired in 1841 with a small See also:fortune and settled at Great See also:Houghton, near See also:Barnsley, where he died on the 1st of See also:December 1849
.
In 1850 appeared two volumes of More See also:Prose and Verse by the Corn-Law Rhymer
.
Elliott lives by his determined opposition to the " See also:bread-tax," as he called it, and his poems on the subject are saved from the See also:common See also:fate of political See also:poetry by their transparent sincerity and passionate earnestness
.
An See also:article by See also:
Carlyle was attracted by Elliott's homely sincerity and genuine See also:power, though he had small See also:opinion of his political See also:philosophy, and lamented his lack of See also:humour and of the sense of proportion
.
He thought his poetry too imitative, detecting not only the truthful severity of See also:Crabbe, but a " slight bravura dash of the See also:fair tuneful See also:Hemans." His descriptions of his native See also:county reveal See also:close observation and a vivid See also:perception of natural beauty
.
See an obituary See also:notice in the See also:Gentleman's Magazine (Feb
.
1850)
.
Two See also:biographies were published in 185o, one by his son-in-law, See also: |
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