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ELLORA , a See also: village of See also: India in the native See also: state of Hyderabad, near the city of See also: Daulatabad, famous for its See also: rock temples, which
divided into three distinct series, the Buddhist, the Brahmanical and the Jain, and are arranged almost chronologically
.
The most splendid of the whole series is the See also: Kailas, a perfect See also: Dravidian See also: temple, See also: complete in all its parts, characterized by Fergusson as one of the most wonderful and interesting monuments of architectural See also: art in India
.
It is not a See also: mere interior chamber cut in the rock, but is a See also: model of a complete temple such as might have been erected on the plain
.
In other words, the rock has been cut away externally as well as internally
.
First the See also: great sunken See also: court measuring 276 ft. by 154 ft. was hewn out of the solid trap-rock of the hillside, leaving the rock mass of the temple wholly detached in a cloistered court like a See also: colossal See also: boulder, save that a rock See also: bridge once connected the upper storey of the temple with the upper See also: row of galleried See also: chambers surrounding three sides of the court
.
Colossal elephants and obelisks stand on either See also: side of the open mandapam, or See also: pavilion, containing the sacred bull; and beyond rises the monolithic Dravidian temple to See also: Siva, 90 ft. in height, hollowed into See also: vestibule, chamber and image-cells, all lavishly carved
.
See also: Time and earthquakes have weathered and broken away bits of the great monument, and Moslem zealots strove to destroy the carved figures, but these defects are hardly noticed
.
The temple was built by See also: Krishna I., See also: Rashtrakuta, See also: king of Malkhed in 760-783
.
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