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JUAN DEL See also: Spanish drama, was See also: born in 1469 near Salamanca probably at Encinas
.
On leaving the university of Salamanca he became a member of the See also: household of the second duke of Alva
.
In 1492 the poet entertained his See also: patron with a dramatic piece, the Triunfo de la lama, written to commemorate the fall of See also: Granada
.
In 1496 he published his Cancionero, a collection of dramatic and lyrical poems
.
Some years afterwards he visited See also: Rome, attracted the See also: attention of See also: Alexander VI. by his skill in
See also: music, and was appointed choirmaster
.
About 1518 See also: Encina took orders, and made a pilgrimage to Jerusalem, where he said his first mass
.
Since 1509 he had held a See also: lay canonry at See also: Malaga; in 1519 he was appointed See also: prior of Leon and is said to have died at Salamanca about 1533
.
His Cancionero is preceded by a See also: prose See also: treatise (Arte de trobar) on the condition of the poetic See also: art in See also: Spain
.
His fourteen dramatic pieces mark the transition from the purely ecclesiastical to the secular stage
.
The Aucto del Repel6n and the Egloga de Fileno dramatize the adventures of shepherds; the latter, like Pldcida y Vitoriano, is strongly influenced by the See also: Celestina
.
The intrinsic See also: interest of Encina's plays is slight, but they are important from the See also: historical point of view, for the lay pieces See also: form a new departure, and the devout eclogues prepare the way for the autos of the 17th century
.
Moreover, Encina's
lyrical poems are remarkable for their intense sincerity and
devout See also: grace
.
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