See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE See also:

• GEORGE ENGLEHEART (1752-1829)

ENGLEHEART (1752-1829)  , See also:

• ENGLISH

English See also:

• MINIATURE

miniature painter, the See also:

• GREAT

great See also:

• RIVAL

rival of See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard See also:

• COSWAY, RICHARD (c. 1742-1821)

Cosway, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• KEW

Kew in See also:

• OCTOBER

October 1752, and received his See also:

• ARTISTIC

artistic training first under See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George Barret, R.A., and then under See also:

• SIR

Sir See also:

• JOSHUA, BOOK OF

Joshua See also:

• REYNOLDS, JOHN FULTON (182o-1863)
• REYNOLDS, SIR JOSHUA (1723-1792)
• REYNOLDS, WALTER (d. 1327)

Reynolds . He started on his own See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account in 1773, and exhibited in that See also:

• YEAR

year at the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . He continued the active pursuit of his profession down to 1813, when he retired, and his See also:

• FEE

fee-See also:

• BOOK

book, still in existence, records the names of his sitters, and the amount paid for each portrait, proving that he painted 4853 miniatures during that See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of See also:

• THIRTY

thirty-nine years, and that his professional income for many years exceeded £1200 a year . During the greater See also:

• PART

part of his See also:

• LIFE

life he resided in See also:

• HERTFORD
• HERTFORD, EARLS AND MARQUESSES OF

Hertford See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, Mayfair, where he lived till he retired . He died at See also:

• BLACKHEATH

Blackheath in 1829, and was buried at Kew . He painted George III. twenty-five times, and had a very extensive circle of patrons, comprising nearly all the important persons connected with the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court . He made careful copies in miniature of many of the famous paintings executed by Sir Joshua Reynolds, and in some cases these constitute the only See also:

• INFORMATION (from Lat. informare, to give shape or form to, to represent, describe)

information we possess respecting portraits by Sir Joshua that are now missing . His fee-book, See also:

• COLOURS, MILITARY

colours, appliances and a large collection of his miniatures still remain in the See also:

• POSSESSION
• POSSESSION (Lat. possessio, possidere, to possess)

possession of his descendants . His See also:

• NEPHEW

nephew, See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• COX, DAVID (1783-1859)
• COX, JACOB DOLSON (1828-1900)
• COX, KENYON (1856– )
• COX, RICHARD (I3oo ?–1581)
• COX, SAMUEL (1826–1893)
• COX, SAMUEL HANSON (1793-1880)
• COX, SIR GEORGE WILLIAM (1827-1902)

COX DILLMAN See also:

• ENGLEHEART, GEORGE (1752-1829)

ENGLEHEART (1784-1862), also a miniature painter, entered George Engleheart's studio when he was but fourteen years of See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . He first exhibited at the Royal Academy in 18o1, and sent in altogether 157 See also:

• WORKS

works . He was a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of substantial means, and in his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time a very popular painter, but his See also:

• HEALTH

health See also:

• BROKE, or BROOKE, ARTHUR (d. 1563)
• BROKE, SIR PHILIP BOWES VERE, BART

broke down when he was See also:

• FORTY

forty-four years old, and he had to relinquish the pursuit of his profession . He lived at Tunbridge See also:

• WELLS
• WELLS, CHARLES JEREMIAH (1798?–1879)
• WELLS, DAVID AMES (1828—1898)
• WELLS, HERBERT GEORGE (1866— )
• WELLS, SIR THOMAS SPENCER, 1ST BART

Wells for some years and died there in 1862 .

See George Engleheart, by G . C . See also:

• WILLIAMSON, ALEXANDER WILLIAM (1824–1904)
• WILLIAMSON, SIR JOSEPH (1633–1701)
• WILLIAMSON, WILLIAM CRAWFORD (18r6–1895)

Williamson and H . L . D . Engle-See also:

• HEART
• HEART, LUNG

heart .(1902) . (G . C .