See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

ANTONIO ENRIQUEZ See also:

• GOMEZ, DIOGO (DIEGO) (ff. 1440-1482)

GOMEZ (c. 16o1-c. 1661)  , See also:

• SPANISH

Spanish dramatist, poet and novelist of Portuguese-Jewish origin, was known in the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• PART

part of his career as Enrique Enriquez de Paz . See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

Born at See also:

• SEGOVIA

Segovia, he entered the See also:

• ARMY
• ARMY (from Fr. armee, Lat. armata)

army, obtained a captaincy, was suspected of See also:

• HERESY

heresy, fled to See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France about 1636, assumed the name of See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio Enriquez See also:

• GOMEZ, DIOGO (DIEGO) (ff. 1440-1482)

Gomez, and became majordomo to See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIII., to whom he dedicated Luis See also:

• DODO (from the PortugueseDhudo, a simpleton)

dodo de Dios ci See also:

• ANNA
• ANNA (Hindustani ana)
• ANNA, BALDASARRE

Anna (See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, 1645) . Some twelve years later he removed to See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam, avowed his See also:

• CONVERSION (Lat. conversio, from convertere, to turn or ,change)

conversion to Judaism, and was burned in effigy at See also:

• SEVILLE
• SEVILLE (Span. Sevilla, Lat. Ispalis or Hispalis, Moorish Ishbiliya)

Seville on the 14th of See also:

• APRIL

April 1660 . He is supposed to have returned to France, and to have died there in the following See also:

• YEAR

year . Three of his plays, El Gran Cardenal de Espana, See also:

• DON
• DON (anc. Tanais)

don Gil de See also:

• ALBORNOZ, GIL ALVAREZ DE

Albornoz, and the two parts of Fernan Mendez See also:

• PINTO
• PINTO, ANIBAL (1825–1884)
• PINTO, FERNAO MENDES (1509–1583)

Pinto were received with See also:

• GREAT

great See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

applause at See also:

• MADRID

Madrid about 1629; in 1635 he contributed a See also:

• SONNET (Ital. Sonetto, dim. of Suono, Fr. Sonnet)

sonnet to See also:

• MONTALBAN, JUAN PEREZ DE (1602–1638)

Montalban's collection of See also:

• POSTHUMOUS

posthumous panegyrics on Lope de See also:

• VEGA, GARCILASO DE LA
• VEGA, GARCILASO DE LA (1503-1536)

Vega, to whose dramatic school Enriquez Gomez belonged . The Academias morales de See also:

• LAS

las Musas, consisting of four plays (including A lo que obliga el honor, which recalls See also:

• CALDERON, RODRIGO (d. 1621), COUNT OF OLIVA AND MARQUES DE LAS SIETE IGLESIAS

Calderon's Medico de su honra), was published at See also:

• BORDEAUX

Bordeaux in 1642; La Torre de Babilonia, containing the two parts of Fernan Mendez Pinto, appeared at See also:

• ROUEN

Rouen in 1647; and in the See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface to his poem, El See also:

• SAMSON (1135-1211)
• SAMSON (cf. Heb. shemesh, " sun ")
• SAMSON, JOSEPH ISIDORE (1793-1871)

Samson Nazareno (Rouen, 1656), Enriquez Gomez gives the titles of sixteen other plays issued, as he alleges, at Seville . There is no See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

foundation for the theory that he wrote the plays ascribed to Fernando de Zarate . His dramatic See also:

• WORKS

works, though effective on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, are disfigured by extravagant incidents and preciosity of diction . The latter defect is likewise observable in the mingled See also:

• PROSE

prose and See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse of La Culpa del primer peregrino (Rouen, 1644) and the dialogues entitled Politico See also:

• ANGELICA

Angelica (Rouen, 1647) . Enriquez Gomez is best represented by El Siglo Pitagorico y See also:

• VIDA, MARCO GIROLAMO (c. 1489-1566)

Vida de don Gregorio Guadana (Rouen, 1644), a striking See also:

• PICARESQUE

picaresque novel in prose and verse which is still reprinted .