|
See also: Greek comic poet, was See also: born
in the See also: island of Cos
.
Early in See also: life he went to See also: Megara in See also: Sicily, and after its destruction by See also: Gelo (484) removed to Syracuse, where he spent the rest of his life at the See also: court of See also: Hiero, and died at the age of ninety or (according to a statement in Lucian, Macrobii, 25) ninety-seven
.
A brazen statue was set up in his honour by the inhabitants, for which See also: Theocritus composed an inscription (Epigr
.
17)
.
See also: Epicharmus was the chief representative of the Sicilian or Dorian See also: comedy
.
Of his See also: works 35 titles and a
few fragments have survived
.
In the city of tyrants it would have been dangerous to See also: present comedies like those of the Athenian stage, in which attacks were made upon the authorities
.
Accordingly, the comedies of Epicharmus are of two kinds, neither of them calculated to give offence to the ruler
.
They are either mythological travesties (resembling the satyric drama of Athens) or character comedies
.
To the first class belong the See also: Busiris, in which Heracles is represented as a voracious See also: glutton; the See also: Marriage of See also: Hebe, remarkable for a lengthy See also: list of dainties
.
The second class dealt with different classes of the population (the sailor, the See also: prophet, the boor, the parasite)
.
Some of the plays seem to have bordered on the See also: political, as The Plunderings, describing the devastation of Sicily in the See also: time of the poet
.
A See also: short fragment has been discovered (in the Rainer papyri) from the `OSvvvebs airr6poXos, which told how Odysseus got inside Troy in the disguise of a See also: beggar and obtained valuable information
.
Another feature of his works was the large number of excellent sentiments expressed in a brief proverbial See also: form; the Pythagoreans claimed him as a member of their school, who had forsaken the study of philosophy for the writing of comedy
.
See also: Plato (Theaetetus,152 E) puts him at the See also: head of the masters of comedy, coupling his name with See also: Homer and, according to a remark in See also: Diogenes Laertius, Plato was indebted to Epicharmus for much of his philosophy
.
See also: Ennius called his didactic poem on natural philosophy Epicharmus after the comic poet
.
The metres employed by Epicharmus were See also: iambic trimeter, and especially trochaic and anapaestic tetrameter
.
The See also: plot of the plays was See also: simple, the See also: action lively and rapid; hence they were classed among the fabulae motoriae (stirring, bustling), as indicated in the well-known See also: line of Horace (Epistles, ii
.
1
.
58):
" Plautus ad exemplar See also: Siculi properare Epicharmi."
Epicharmus is the subject of articles in Suidas and Diogenes Laertius (viii
.
3)
.
See A
.
O
.
Lorenz, Leben and Schriften See also: des Koers E
.
(with account of the Doric drama and fragments, 1864) ; J .See also: Girard, Etudes sur la poesie grecque (1884) ; Kaibel in Pauly-Wissowa's Realencyclop6.die, according to whom Epicharmus was a Siceliot; for the See also: papyrus fragment, See also: Blass in Jahrbiicher fur Philologie, cxxxix., 1889
.
|
|
|
[back] EPICENE (from the Gr. i rixocvos, common) |
[next] EPICTETUS (born c. A.D. 6o) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.