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ERARD , S$BASTIEN (1752–1831), French manufacturer of musicalSee also: instruments, distinguished especially for the improvements he made upon the harp and the pianoforte, was See also: born at Strassburg on the 5th of See also: April 1752
.
While a boy he showed See also: great aptitude for See also: practical See also: geometry and architectural See also: drawing, and in the workshop of his See also: father, who was an See also: upholsterer, he found opportunity for the early exercise of his See also: mechanical ingenuity
.
When he was sixteen his father died, and he removed to See also: Paris where he obtained employment with a harpsichord maker
.
Here his remarkable constructive skill, though it speedily excited the jealousy of his master and procured his dismissal', almost equally soon attracted the See also: notice of musicians and musical instrument makers of See also: eminence
.
Before he was twenty-five he set up in business for himself, his first workshop being a See also: room in the hotel of the duchesse de See also: Villeroi, who gave him warm encouragement
.
Here he constructed in 178o his first pianoforte, which was also one of the first manufactured in See also: France
.
It quickly secured for its maker such a reputation that he was soon overwhelmed with commissions, and finding assistance necessary, he sent for his See also: brother, See also: Jean See also: Baptiste, in conjunction with whom he established in the rue de Bourbon, in the See also: Faubourg St Germain, a piano manufactory, which in a few years became one of the most celebrated in See also: Europe
.
On the outbreak of the Revolution he went to See also: London where he established a factory
.
Returning to Paris in 1796, -he soon afterwards introduced See also: grand pianofortes, made in the See also: English. fashion, with improvements of his own
.
In 18o8 he again visited London, where, two years later, he produced his first See also: double-See also: movement harp
.
He had previously made various improvements in the manufacture of harps, but the new instrument was an immense advance upon anything he had before produced, and obtained such a reputation that for some See also: time he devoted himself exclusively to its manufacture
.
It has been said that in the See also: year following his invention he made harps to the value of £25,000
.
In 1812 he returned to Paris, and continued to devote himself to the further perfecting of the two instruments with which his name is associated . In 1823 he crowned his See also: work by producing his See also: model grand pianoforte with the double escapement
.
Erard died at Passy, on the 5th of See also: August 1831
.
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