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ALONSO DE ERCILLA Y ZUNIGA (1533-1595) , See also: Spanish soldier and poet, was See also: born in See also: Madrid on the 7th of See also: August 1533
.
In 1548 he was appointed page to the heir-apparent, afterwards See also: Philip II
.
In this capacity Ercilla visited
See also: Italy, See also: Germany and the See also: Netherlands, and was See also: present in 1554 at the See also: marriage of his master to Mary of See also: England
.
Hearing that an expedition was preparing to subdue the See also: Araucanians of Chile, he joined the adventurers
.
He distinguished himself in the ensuing See also: campaign; but, having quarrelled with a comrade, he was condemned to See also: death in 1558 by his general, Garcia Hurtado de See also: Mendoza
.
The See also: sentence was commuted to imprisonment, but Ercilla was speedily released and fought at the See also: battle of Quipeo (14th of See also: December 1558)
.
He returned to See also: Spain in 1562, visited Italy, See also: France, Germany, Bohemia, and in 1570 married Maria de Bazan, a lady distantly connected with the See also: Santa Cruz See also: family; in 1571 he was made knight of the See also: order of See also: Santiago, and in 1578 he was employed by Philip II. on a See also: mission to Saragossa
.
He complained of living in poverty but See also: left a modest See also: fortune, and was obviously disappointed at not being offered the See also: post of secretary of See also: state
.
His See also: principal See also: work is La Araucana, a poem based on the events of the See also: wars in which he had been engaged
.
It consists of three parts, of which the first, composed in Chile and published in 1569, is a versified narrative adhering strictly to historic fact; the second, published in 1578, is en-cumbered with visions and other romantic machinery; and the third, which appeared in 1589-1590, contains, in addition to the subject proper, a variety of episodes mostly irrelevant
.
This so-called epic lacks symmetry, and has been over-praised by Cervantes and Voltaire; but it is written in excellent Spanish, and is full of vivid rhetorical passages
.
An analysis of the poem was given by See also: Hayley in his Essay on Epic See also: Poetry (1782)
.
A See also: good biography precedes the Morceaux choisis (See also: Paris, 1900) by See also: Jean Ducamin
.
ERCKMANN-CHATRIAN, the joint names of two French writers whose collaboration made their work that of, so to speak, one See also: personality
.
SMILE ERCKMANN (1822—1899) was born on the 20th of May 182 2 at Phalsbourg, and See also: Louis GRATIEN
See also: CHARLES ALEXANDRE CHATRIAN (1826—189o) on the 18th of December 1826 at Soldatenthal,
See also: Lorraine
.
In 1847 they began to write together, and continued doing so till 1889
.
Chatrian died in 1890 at Villemomble near Paris, and Erckmann at See also: Luneville in 1899
.
The See also: list of their publications is a long one, ranging from the Histoires et contes fantastiques (1849; reprinted from the temocrate du Rhin), L'Illustre Docteur See also: Mat/thus (1859), Madame Therese (1863), L'Ami Fritz (1864), Histoire d'un conscrit de 1813 (1864), See also: Waterloo (1865), Le Blocus (1867), Histoire d'un paysan
..
(4 vols., 1868-1870), L'Histoire du plebiscite (1872), to Le Grandpere Lebigue (188o) ; besides dramas like Le Juif polonais (1869) and See also: Les Rantzau (1882)
.
Without any See also: special See also: literary claim, their stories are distinguished by simplicity and genuine descriptive power, particularly in the battle scenes and in connexion with Alsatian peasant See also: life
.
They are marked by a genuine democratic spirit, and by real patriotism, which See also: developed after 187o into hatred of the Germans
.
The authors attacked militarism by depicting the horrors of war in the plainest terms
.
See also J
.
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