EUPHRANOR  , of See also:

• CORINTH
• CORINTH, ISTHMUS OF

Corinth (See also:

• MIDDLE

middle of the 4th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century B.C.), the only See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek artist who excelled both as a sculptor and as a painter . In See also:

• PLINY, THE ELDER
• PLINY, THE YOUNGER

Pliny we have lists of his See also:

• WORKS

works; among the paintings, a See also:

• CAVALRY (Fr. cavalerie, Ger. Kavallerie or Reiterei, derived ultimately from late Lat. caballus, horse)

cavalry See also:

• BATTLE

battle, a See also:

• THESEUS

Theseus, and the feigned madness of See also:

• ODYSSEUS (in Latin Ulixes, incorrectly written Ulysses)

Odysseus; among the statues, See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, Leto with her See also:

• CHILDREN, LAW RELATING TO

children See also:

• APOLLO (Gr. 'A2r6XXwv,'Airkkhwv)

Apollo and See also:

• ARTEMIS

Artemis, See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip and See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander in chariots . Unfortunately we are unable among existing statues to identify any which are copies from works of Euphranor (but see a See also:

• SERIES (a Latin word from serere, to join)

series of attributions by Six in Jahrbuch, 1909, 7 loll.) . He appears to have resembled his contemporary See also:

• LYSIPPUS

Lysippus, notably in the See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention he paid to symmetry, in his preference for bodily forms slighter than those usual in earlier See also:

• ART

art, and in his love of heroic subjects . He wrote a See also:

• TREATISE

treatise on proportions .