EUPHRONIUS  , the most noted of the See also:

• GROUP

group of See also:

• GREAT

great See also:

• VASE
• VASE (through Fr. from Lat. vas, a vessel, pl. vasa, of which the singular vasum is rarely found; the ultimate root is probably was-, to cover, seen in Lat: vestis, clothing, Eng. " vest," Gr. to-th c, and also in " wear," of garments)

vase-painters, who lived in See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens in the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of the See also:

• PERSIAN
• PERSIAN, SYRIAN, EGYPTIAN AND TURKISH

Persian See also:

• WARS

wars, and worked upon red-figured vases (see See also:

• GREEK
• GREEK, ETRUSCAN AND

GREEK See also:

• ART

ART and See also:

• CERAMICS, or KERAMICS (Gr. KEpapos, earthenware)

CERAMICS) . There is a monograph by W . See also:

• KLEIN, JULIUS LEOPOLD (1810–1876)

Klein dealing with the artist . As all the great paintings of See also:

• GREECE

Greece have disappeared, we are obliged to See also:

• TRUST

trust to the designs on vases for our knowledge of Greek See also:

• DRAWING

drawing and See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . Euphronius is stiff and archaic in See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, but his subjects are varied, his groupings See also:

• ORIGINAL

original and striking, and his mastery of the See also:

• LINE

line decided . In their way, the vases which he painted will hold their own in comparison with those of any nation; for simplicity, truthfulness and See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm they can scarcely be matched .