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See also: Italian See also: antiquary, was See also: born in 1618 at See also: Urbino in See also: Umbria
.
He studied See also: law at See also: Cagli and Urbino, where he took the degree of See also: doctor at the age of eighteen
.
While in See also: Rome he attracted the See also: notice of See also: Cardinal Lorenzo Imperiali, who employed him successively as treasurer and auditor of the papal legation in See also: Spain, where he remained thirteen years
.
Meanwhile, his favourite classical and antiquarian studies were not neglected; and on his return journey he made important observations of the See also: relics and monuments of
Spain, See also: France and See also: Italy
.
At Rome he was appointed See also: judge of appellation of the Capitol, which See also: post he See also: left to be auditor of the legation at Urbino
.
After three years he returned to Rome, on the invitation of Cardinal Carpegna, See also: vicar of Innocent XI., and devoted himself to antiquarian research, examining with minute care the monuments and inscriptions of the Campagna
.
He always rode a See also: horse which his See also: friends nicknamed Marco Polo," after the Venetian traveller
.
By Innocent XII. he was made keeper of the archives of the See also: castle St Angelo, a See also: charge which he retained till his See also: death
.
He died at Rome on the 7th of See also: January 1700
.
His collection of inscriptions and monuments was See also: purchased by Cardinal See also: Stoppani, and placed in the ducal palace at Urbino, where they may still be seen
.
His See also: work De Aquis et •Aquae-ductibus veteris Romae (168o), three See also: dissertations on the topography of See also: ancient See also: Latium, is inserted in Graevius's See also: Thesaurus, iv
.
(1677)
.
His interpretation of certain passages inSee also: Livy and other classical authors involved him in a dispute with Gronovius, which See also: bore a strong resemblance to that between See also: Milton and See also: Salmasius, Gronovius addressing See also: Fabretti as See also: Faber Rusticus, and the latter, in reply, speaking of Grunnovius and his titivilitia
.
In this controversy Fabretti used the pseudonym Iasitheus, which he afterwards took as his pastoral name in the See also: Academy of the Arcadians
.
His other See also: works, De Columna Trajani Syntagma (Rome, 1683), and Inscriptionum Antiquarum Explicatio (Rome, 1699), throw much See also: light on See also: Roman antiquity
.
In the former is to be found his explication of a bas-See also: relief, with inscriptions, now in the Capitol at Rome, representing the war and taking of Troy, known as the Iliac table
.
Letters and other shorter works of Fabretti are to be found in publications of the See also: time, as the Journal See also: des Savants
.
See Crescimbeni, Le Vite degli Arcadi illustri; Fabroni, Vitae Italorum, vi
.
174; Niceron, iv
.
372; J
.
Lainius, Memorabilia Italorum eruditione praestantium (Florence, 1742–1748)
.
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