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See also: English poet, translator of See also: Tasso, was See also: born at See also: Leeds, the second son of See also: Sir See also: Thomas
See also: Fairfax of See also: Denton (See also: father of the 1st Baron Fairfax of See also: Cameron)
.
His See also: legitimacy has been called in question, and the date of his See also: birth has not been ascertained
.
He is said to have been only about twenty years of age when he published his See also: translation of the Gerusalemme Liberata, which would place his birth about the See also: year 1580
.
He preferred a See also: life of study and retirement to the military service in which his See also: brothers were distinguished
.
He married a See also: sister of Walter Laycock, chief alnager of the See also: northern counties, and lived on a small estate at Fewston, See also: Yorkshire
.
There his See also: time was spent in his See also: literary pursuits, and in the See also: education of his See also: children and those of his elder See also: brother, Sir Thomas Fairfax, afterwards baron of Cameron
.
His translation appeared in 1600, Godfrey of Bulloigne, or the Recoverie of Ierusalem, done into English heroicall Verse by Edw
.
Fairefax, Gent., and was dedicated to the See also: queen
.
It was enthusiastically received
.
In the same year in which it was published extracts from it were printed in See also: England's See also: Parnassus
.
See also: Edward See also: Phillips, the See also: nephew of See also: Milton, in his Theatrum Poetarum, warmly eulogized the translation
.
Edmund Waller said he was indebted to it for the harmony of his numbers
.
It is said that it was See also: King
See also: James's favourite English poem, and that
See also: Charles I. entertained himself in prison with its pages
.
Fairfax employed the same number of lines and stanzas as his
See also: original, but within the limits of each stanza he allowed himself the greatest liberty
.
Other translators may give a more literal version, but Fairfax alone seizes upon the poetical and chivalrous character of the poem
.
He presented, says Mr See also: Courthope, " an idea of the chivalrous past of See also: Europe, as seen through the See also: medium of Catholic orthodoxy and classical humanism." The sweetness and melody of many passages are scarcely excelled even by Spenser
.
Fairfax made no other See also: appeal to the public
.
He wrote, however, a series of eclogues, twelve in number, the See also: fourth of which was published, by permission of the See also: family, in Mrs See also: Cooper's Muses' Library (1737)
.
Another of the eclogues and a Discourse on
See also: Witchcraft, as it was acted in the Family of Mr Edward Fairfax of Fuystone in the county of See also: York in 1621, edited from the original copy by See also: Lord Houghton, appeared in the Miscellanies of the Philobiblon Society (1858–1859)
.
Fairfax was a See also: firm believer in witchcraft
.
He fancied that two of his children had been bewitched, and he had the poor wretches whom he accused brought to trial, but without obtaining a conviction
.
Fairfax died at Fewston and was buried there on the 27th of See also: January 1635
.
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