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CHRISTOVAO DE SOUSA FALCAO (? 1512-1557)

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Originally appearing in Volume V10, Page 138 of the 1911 Encyclopedia Britannica.
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CHRISTOVAO DE SOUSA FALCAO (? 1512-1557), Portuguese poet, came of a noble family settled at Portalegre in the Alemtejo, which had originated with John Falcon or Falconet, one of the Englishmen who went to Portugal in 1386 in the suite of Philippa of Lancaster. His father, Joao Vaz de Almada Falcao, was an upright public servant who had held the captaincy of Elmina on the West African coast, but died, as he had lived, a poar man. There is a tradition that in boyhood Christovao fell in love with a beautiful child and rich heiress, D. Maria Brandao, and in 1526 married her clandestinely, but parental opposition prevented the ratification of the marriage. Family pride, it is said, drove the father of Christovao to keep his son under strict surveillance in his own house for five years, while the lady's parents, objecting to the youth's small means, put her into the Cistercian convent of Lorvao, and there endeavoured to wean her heart from him by the accusation that he coveted her fortune more than her person. Their arguments and the promise of a good match ultimately prevailed, and in 1534 D. Maria left the convent to marry D. Luis de Silva, captain of Tangier, while the broken-hearted Christovao told his sad story in some beautiful lyrics and particularly in the eclogue Chrisfal. He had been the disciple and friend of the poets Bernardim Ribeiro and SA de Miranda, and when his great disappointment came, Falcao laid aside poetry and entered on a diplomatic career. There is documentary evidence that he was employed at the Portuguese embassy ill Rome in 1542, but he soon returned to Portugal, and we find him at court again in 1548 and 1551. The date of his death, as of his birth, is uncertain. Such is the story accepted by Dr Theophilo Braga, the historian of Portuguese literature, but Senhor Guimaraes shows that the first part is doubtful, and, putting aside the testimony of a contemporary and grave writer, Diogo do Couto, he even denies the title of poet to Christovao Falcao, arguing from internal and other evidence that Chrisfal is the work of Bernardim Ribeiro; his destructive criticism is, however, stronger than his constructive work. The eclogue, with its 104 verses, is the very poem of saudade, and its simple, direct language and chaste and tender feeling, enshrined in exquisitely sounding verses, has won for its author lasting fame and a unique position in Portuguese literature. Its influence on later poets has been very considerable, and Camoens used several of the verses as proverbs. The poetical works of Christovao Falcao were published anonymously, owing, it is supposed, to their personal nature and allusions, and, in part or in whole, they have been often reprinted. There is a modern critical edition of Chrisfal and a Carta (letter) by A. Epiphanio da Silva Dias under the title Obras de Christov¢o Falco (Oporto, 1893), and one of the Cantigas and Esparsas by the same scholar appeared in the Revista Lusitana, vol. 4, pp. 142-179 (Lisbon, 1896), under the name Fragmento de um Cancioneiro do Seculo X VI. See Bernardim Ribeiro e o Bucolismo, by Dr T. Braga (Oporto, 1897), and Bernardim Ribeiro (0 Poeta Crisfal), by Delfim Guimaraes (Lisbon, 1908). (E. PR.)
End of Article: CHRISTOVAO DE SOUSA FALCAO (? 1512-1557)
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FALASHAS (i.e. exiles; Ethiopic falas, a stranger)
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ANTON REINHARD FALCK (1777–1843)

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