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TIENNE See also: born in See also: Paris
.
His parents were poor, and he was at first apprenticed to a See also: carpenter, but some of his See also: clay-figures, with the making of which he occupied his leisure See also: hours, attracted the See also: notice of the sculptor Lemoine, who made him his pupil
.
He found See also: time to study See also: Greek and Latin, and also wrote several brochures on See also: art
.
His See also: artistic productions are characterized by the same defects as his writings, for though manifesting consider-able cleverness and some power of See also: imagination, they display in many cases a false and fantastic taste, the result, most probably, of an excessive striving after originality
.
One of his most successful statues was one of See also: Milo of See also: Crotona, which secured his See also: admission to the membership of the See also: Academy of See also: Fine Arts in 1754
.
AE the invitation of the empress See also: Catherine he went in 1766 to St See also: Petersburg, where he executed a See also: colossal statue of See also: Peter the See also: Great in See also: bronze
.
In 1788 he became director of the French Academy of See also: Painting
.
Many of See also: Falconet's See also: works, being placed in churches, were destroyed at the time of the French Revolution
.
His " Nymphe descendant au bain " is in the Louvre
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Among his writings are Reflexions sur la sculpture (Paris, 1768), and Observations sur la statue de Marc-Aurele (Paris, 1771)
.
The whole were collected under the title of Euvres litteraires (6 vols., See also: Lausanne, 1781–1782 ; 3 vols., Paris, 1787)
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