SALVATORE See also:

• SALVATORE FARINA (1846– )

FARINA (1846– )  , See also:

• ITALIAN

Italian novelist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• SARDINIA (Gr. 'IXs'o"uva, from a fancied resemblance to a footprint in its shape, Ital. Sardegna)

Sardinia, and after studying See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law at See also:

• TURIN

Turin and See also:

• PAVIA (anc. Ticinum, q.v.)

Pavia devoted himself to a See also:

• LITERARY

literary See also:

• LIFE

life at See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan . See also:

• FARINA, SALVATORE (1846– )

Farina has often been compared as a sentimental humorist with See also:

• DICKENS, CHARLES JOHN HUFFAM (1812-187o)

Dickens, and his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing has given him a See also:

• SPECIAL

special See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in See also:

• MODERN

modern Italian fiction . His masterpiece is 11 Signor lo (188o), a delightful portrait of an egoist; See also:

• DON
• DON (anc. Tanais)

Don Chisciottino, Amore bendato, Capelli biondi, Oro nascosto, I ? Tesoro di Donnina, Amore a cent' occhi, Mio figlio, Il numero 13, are some of his other volumes .