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See also: English See also: church
See also: music, flourished during the 16th century
.
Very little is known about him
.
See also: Fetis gives 1530 as the date of his See also: birth, but on what authority does not appear
.
He became a gentleman of the See also: Chapel Royal in the reign of See also: Edward VI., but resigned his See also: post in 1564 on being appointed master of the See also: children of St See also: George's chapel, Windsor
.
In this capacity he presented a See also: play before the See also: queen at Shrovetide 1568, and again at See also: Christmas of the same See also: year, receiving on each occasion the sum of 6: 13: 4d
.
In See also: November 1569 he was reinstated as gentleman of the Chapel Royal
.
It is stated by See also: Hawkins (See also: History of Music, vol. iii
.
279) that See also: Farrant was also one of the clerks and organists of St George's chapel, Windsor, and that he retained these posts till his See also: death
.
Many of his compositions are printed in the collections of See also: Barnard and See also: Boyce
.
Among the most admired of them are a service in G minor, and the anthems " See also: Call to remembrance " and " Hide not thou thy face." It is doubtful whether Farrant is entitled to the See also: credit of the authorship of the beautiful See also: anthem " See also: Lord, for thy See also: tender mercies' See also: sake." No copy of the music under his name appeared in See also: print till 1800, although it had been earlier attributed to him
.
Some writers have named See also: John Hilton, and others
See also: Thomas Tallis, as the composer
.
From entries in the Old Check
See also: Book of the Chapel Royal (edited for the See also: Camden Society by Dr Rimbault) it appears that Farrant died, not in 1585, as Hawkins states, but on the 30th of November 1580 or 1581
.
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