See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• FARREN, ELIZABETH (c. 1759-1829)
• WILLIAM FARREN (1786-1861)

FARREN (1786-1861)  , See also:

• ENGLISH

English actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 13th of May 1786, the son of an actor (b . 1725) of the same name, who played leading roles from 1784 to 1795 at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden . His first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage was at See also:

• PLYMOUTH
• PLYMOUTH, EARLS OF

Plymouth at the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre Royal, then under the management of his See also:

• BROTHER

brother, in Love d la mode . His first See also:

• LONDON

London appearance was in 1818 at Covent Garden as See also:

• SIR

Sir See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter Teazle, a See also:

• PART

part with which his name is always associated . He played at Covent Garden every See also:

• WINTER, JOHN STRANGE
• WINTER, PETER (c. 1755-1825)

winter until 1828, and began in 1824 a See also:

• SERIES (a Latin word from serere, to join)

series of summer engagements at the Haymarket which also lasted some years . At these two theatres he played an immense variety of See also:

• COMEDY

comedy characters . From 1828 until 1837 he was at See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane, where he essayed a wider range, including Polonius and See also:

• CAESAR, GAIUS JULIUS (102—44 B.c.)
• CAESAR, SIR JULIUS (1557-1558-1636)

Caesar . He was again at Covent Garden for a few years, and next joined See also:

• BENJAMIN
• BENJAMIN, JUDAHPHILIP (1811-1884)

Benjamin See also:

• WEBSTER
• WEBSTER, ALEXANDER (1707-1784)
• WEBSTER, BENJAMIN NOTTINGHAM (1797-1882)
• WEBSTER, DANIEL (1782-1852)
• WEBSTER, JOHN (fl. 1602-1624)
• WEBSTER, NOAH (1758-1843)
• WEBSTER, THOMAS (1773-1844)
• WEBSTER, THOMAS (1800-1886)

Webster at the Haymarket, as stage-manager as well as actor . In 1843 at the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close of his performance of the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title-part in See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

Mark See also:

• LEMON
• LEMON, MARK (1809-1870)

Lemon's Old See also:

• PARR
• PARR, CATHERINE (1512-1548)
• PARR, SAMUEL (1747-1825)
• PARR, THOMAS (c. 1483—1635)

Parr, he was stricken with See also:

• PARALYSIS, or PALSY (from Gr. aapal,6a , to relax; Wycliffe has palesy, and another old form of the word is parlesy)

paralysis on the stage . He was, however, able to reappear the following See also:

• YEAR

year, and he remained at the Haymarket ten years more, though his acting never again reached its former level . For a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he managed the Strand, and, 1850-1853, was lessee of the Olympic . During his later years he confined himself to old men parts, in which he was unrivalled .

In 1855 he made his final appearance at the Haymarket, as See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord Ogleby in a See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene from the Clandestine See also:

• MARRIAGE

Marriage . He died in London on the 24th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1861 . In 1825 he had married the actress Mrs See also:

• FAUCIT, HELENA SAVILLE (1817-1898)

Faucit, See also:

• MOTHER

mother of See also:

• MISS

Miss See also:

• HELENA
• HELENA, ST (c. 247-c. 327)

Helena Saville Faucit (See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin), and he See also:

• LEFT

left two sons, See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry (1826–186o) and See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William (1825-1908), both actors . The former was the See also:

• FATHER

father of Ellen [Nellie] See also:

• FARREN, ELIZABETH (c. 1759-1829)
• FARREN, WILLIAM (1786-1861)

Farren (1848-1904), See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long famous for boy's parts in Gaiety musical burlesques, in the days of See also:

• EDWARD

Edward See also:

• TERRY, EDWARD
• TERRY, ELLEN ALICIA (1848– )

Terry and Fred See also:

• LESLIE
• LESLIE, CHARLES (1650-1722)
• LESLIE, CHARLES ROBERT (1794–1859)
• LESLIE, FRED [FREDERICK HOBSON] (1855–1892)
• LESLIE, SIR JOHN (1766-1832)
• LESLIE, THOMAS EDWARD CLIFFE (1827-1882)

Leslie . As See also:

• JACK

Jack See also:

• SHEPPARD, JOHN [JACK] (1702-1724)

Sheppard, and in similar roles, she had a unique position at the Gaiety, and was an unrivalled public favourite . From 1892 her See also:

• HEALTH

health failed, and her retirement, coupled with Fred Leslie's See also:

• DEATH

death, brought to an end the type of Gaiety See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque associated with them .