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FAUR See also: born at Pamiers on the 13th of May 1845
.
He studied at the school of sacred See also: music directed by Niedermeyer, first under Dietsch, and subsequently under See also: Saint.-Saens
.
He became " maitre de chapelle " at the See also: church of the Madeleine in 1877, and organist in 1896
.
His
See also: works include a See also: symphony in D minor (Op
.
40), two quartets for piano and strings (Opp
.
15 and 45), a suite for orchestra (Op
.
I2), See also: sonata for See also: violin and piano (Op
.
13), concerto for violin (Op
.
14), berceuse for violin, elegie for violoncello, See also: pavane for orchestra, incidental music for Alexandre See also: Dumas' Caligula and De Haraucourt's Shylock,
a See also: requiem, a cantata, The See also: Birth of See also: Venus, produced at the See also: Leeds festival in 1898, a quantity of piano music, and a large number of songs
.
See also: Faure occupies a place by himself among See also: modern French composers
.
He delights in the imprevu, and loves to wander through labyrinthine harmonies
.
There can be no denying the intense fascination and remarkable originality of his music
.
His muse is essentially aristocratic, and suggests the surroundings of the boudoir and the perfume of the hot- See also: house
.
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