FAUR See also:

• GABRIEL (Heb. SKns, man of God)

GABRIEL (1845– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Pamiers on the 13th of May 1845 . He studied at the school of sacred See also:

• MUSIC

music directed by Niedermeyer, first under Dietsch, and subsequently under See also:

• SAINT (lat. sanctus, " holy ")

Saint.-Saens . He became " maitre de chapelle " at the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of the Madeleine in 1877, and organist in 1896 . His See also:

• WORKS

works include a See also:

• SYMPHONY

symphony in D See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

minor (Op . 40), two quartets for piano and strings (Opp . 15 and 45), a See also:

• SUITE (Suite de pieces; Ordre; Partita)

suite for See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra (Op . I2), See also:

• SONATA (From Ital. sonare, to sound)

sonata for See also:

• VIOLIN

violin and piano (Op . 13), See also:

• CONCERTO (Lat. concertus, from certare, to strive, also con-fused with concentus)

concerto for violin (Op . 14), See also:

• BERCEUSE (Fr. for a " lullaby," from berceau, a cradle)

berceuse for violin, elegie for See also:

• VIOLONCELLO (Fr. violoncelle, Ger. Violoncell, Ital. violoncello)

violoncello, See also:

• PAVANE, PAVAN

pavane for orchestra, incidental music for See also:

• ALEXANDRE, NOEL (NATALIS ALEXANDER) (1639-1724)

Alexandre See also:

• DUMAS, ALEXANDRE
• DUMAS, ALEXANDRE [" DUMAS FILS"] (1824-1895)
• DUMAS, GUILLAUME MATHIEU, COUNT (1753-1837)
• DUMAS, JEAN BAPTISTE ANDRE (1800-1884)

Dumas' Caligula and De Haraucourt's Shylock, a See also:

• REQUIEM

requiem, a See also:

• CANTATA (Italian for a song or story set to music)

cantata, The See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

Birth of See also:

• VENUS

Venus, produced at the See also:

• LEEDS
• LEEDS, THOMAS OSBORNE

Leeds festival in 1898, a quantity of piano music, and a large number of songs . See also:

• FAURE, FRANCOIS FELIX (1841–18gg)

Faure occupies a See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place by himself among See also:

• MODERN

modern French composers . He delights in the imprevu, and loves to wander through labyrinthine harmonies . There can be no denying the intense See also:

• FASCINATION (from Lat. fascinare, to bewitch, probably connected with the Or. f3ao-Kaiveev, to speak ill of, to bewitch)

fascination and remarkable originality of his music .

His muse is essentially aristocratic, and suggests the surroundings of the boudoir and the perfume of the hot-See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house .