LIA See also:

• FELIX
• FELIX, ANTONIUS
• LIA FELIX (1830– )

FELIX (1830– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actress, was the third See also:

• SISTER

sister and the See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of the See also:

• GREAT

great See also:

• RACHEL (1821-1858)

Rachel . She had hardly been given any trial when, by See also:

• CHANCE (through the O. Fr. cheance, from the Late Lat. cadentia, things happening, from cadere, to fall out, happen; cf. " case ")

chance, she was called on to create the leading woman's See also:

• PART

part in Lamartine's See also:

• TOUSSAINT

Toussaint Louverture at the See also:

• PORTE, THE SUBLIME (Arab. babi-'ali, the high gate, through the French translation la sublime porte)

Porte St See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin on the 6th of See also:

• APRIL

April 1850 . The See also:

• PLAY

play did not make a See also:

• HIT

hit, but the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young actress was favourably noticed, and several important parts were immediately entrusted to her . She soon came to be recognized as one of the best comediennes in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . Rachel took Lia to See also:

• AMERICA

America with her to play second parts, and on returning to Paris she played at several of the See also:

• PRINCIPAL

principal theatres, although her See also:

• HEALTH

health compelled her to retire for several years . When she reappeared at the Gaiete in the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title-role of Jules See also:

• BARBIER, ANTOINE ALEXANDRE (1765–1825)
• BARBIER, HENRI AUGUSTE (1805-1882)
• BARBIER, LOUIS

Barbier's Jeanne d'Arc she had an enormous success .