CIRO See also:

• CIRO FERRI (1634-1689)
• FERRI, LUIGI (1826-1895)

FERRI (1634-1689)  , See also:

• ROMAN

Roman painter, the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• DISCIPLE

disciple and successor of Pietro da See also:

• CORTONA

Cortona . He was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in the Roman territory, studied under Pietro, to whom he became warmly attached, and, at an See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age a little past See also:

• THIRTY

thirty, completed the See also:

• PAINTING

painting of the ceilings and other See also:

• INTERNAL

internal decorations begun by his instructor in the Pitti See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace, See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence . He also co-operated in or finished several other See also:

• WORKS

works by Pietro, both in Florence and in See also:

• ROME
• ROME (Roma)

Rome, approaching near to his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style and his particular merits, but with less See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace of See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design and native vigour, and in especial falling See also:

• SHORT, FRANCIS JOB (1857– )

short of him in See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour . Of his own See also:

• INDEPENDENT

independent productions, the chief is an extensive See also:

• SERIES (a Latin word from serere, to join)

series of scriptural frescoes in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of S . Maria See also:

• MAGGIORE, LAGO (Lacus Verbanus of the Romans; Fr. Lac Majeur; Ger. Langensee)

Maggiore in See also:

• BERGAMO
• BERGAMO (anc. Bergomum)

Bergamo; also a painting (rated as See also:

• FERRI, CIRO (1634-1689)
• FERRI, LUIGI (1826-1895)

Ferri's best See also:

• WORK

work) of St See also:

• AMBROSE (AMBROISE), AUTPERT (d.' 778)
• AMBROSE (ANDREY SERTIS-KAMENSKIY) (1708-1771)
• AMBROSE (fl. 119o)
• AMBROSE, ISAAC (1604-1663/4)
• AMBROSE, SAINT (c. 340-307)

Ambrose healing a sick See also:

• PERSON, OFFENCES AGAINST THE

person, the See also:

• PRINCIPAL

principal altarpiece in thechurchof S . Ambrogio See also:

• DELTA (from the shape of the Gr. letter A, delta, originally used of the mouth of the Nile)

delta Massima in Rome . The paintings of the See also:

• CUPOLA (Ital., from Lat. cupula, small cask or vault, cupa, tub)

cupola of S . Agnese in the same See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital might See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank even higher than these; but this labour remained uncompleted at the See also:

• DEATH

death of Ferri, and was marred by the performances of his successor Corbellini . He executed also a large amount of See also:

• MISCELLANEOUS

miscellaneous designs, such as etchings and frontispieces for books; and he was an architect besides . Ferri was appointed to See also:

• DIRECT

direct the Florentine students in Rome, and Gabbiani was one of his leading pupils . As regards style, Ferri ranks as chief of the so-called Machinists, as opposed to the school founded by See also:

• SACCHI, ANDREA (c. 1600--1661)

Sacchi, and continued by Carlo Maratta . He died in Rome—his end being hastened, as it is said, by See also:

• MORTIFICATION

mortification at his recognized inferiority to Bacciccia in colour .