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See also: German painter, See also: born at See also: Spires, the son of a well-known archaeologist, was the leading classicist painter of the German 19th-century school
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He was the first to realize the danger arising from contempt of technique, that mastery of craftsmanship was needed to express even theloftiest ideas, and that an See also: ill-See also: drawn coloured See also: cartoon can never be the supreme achievement in See also: art
.
After having passed through the art See also: schools of See also: Dusseldorf and See also: Munich, he went to See also: Antwerp and subsequently to See also: Paris, where he benefited by the teaching of See also: Couture, and produced his first masterpiece, " See also: Hafiz at the Fountain " in 1852
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He subsequently worked at See also: Karlsruhe, Venice (where he See also: fell under the spell of the greatest school of colourists), See also: Rome and Vienna
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He was steeped n classic knowledge, and his figure compositions have the statuesque dignity and simplicity of See also: Greek art
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Disappointed with the reception given in Vienna to his design of " The Fall of the See also: Titans " for the ceiling of the Museum of Modelling, he went to live in Venice, where he died in 1880
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His See also: works are to be found at the leading public galleries of See also: Germany; See also: Stuttgart has his " Iphigenia "; Karlsruhe, the "See also: Dante at See also: Ravenna "; Munich, the " See also: Medea "; and Berlin, " The Concert," his last important picture
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