See also:

• ANTHONY, SAINT
• ANTHONY, SUSAN BROWNELL (1820-1906)

ANTHONY VANDYKE See also:

• COPLEY, JOHN SINGLETON (1737—1815)

COPLEY See also:

• ANTHONY VANDYKE COPLEY FIELDING (1787-1855)
• FIELDING, HENRY (1707-1754)
• FIELDING, WILLIAM STEVENS (1848– )

FIELDING (1787-1855)  , commonly called See also:

• COPLEY, JOHN SINGLETON (1737—1815)

Copley See also:

• FIELDING, ANTHONY VANDYKE COPLEY (1787-1855)
• FIELDING, HENRY (1707-1754)
• FIELDING, WILLIAM STEVENS (1848– )

Fielding, See also:

• ENGLISH

English landscape painter (son of a portrait painter), became at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• VARLEY, CORNELIUS (1781-1873)
• VARLEY, JOHN (1778-1842)

Varley . He took to See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour See also:

• PAINTING

painting, and to this he See also:

• CON

con-fined himself almost exclusively . In 18ro he became an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate exhibitor in the Water-colour Society, in 1813 a full member, and in 1831 See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of that See also:

• BODY

body . He also engaged largely in teaching the See also:

• ART

art, and made ample profits . His See also:

• DEATH

death took See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place at See also:

• WORTHING

Worthing in See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1855 . Copley Fielding was a painter of much elegance, See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste and accomplishment, and has always been highly popular with purchasers, without reaching very high in originality of purpose or of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style: he painted in vast number all sorts of views (occasionally in oil-colour) including marine subjects in large proportion . Specimens of his See also:

• WORK

work are to be seen in thewater-colour See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery of the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Museum; of See also:

• DATES

dates ranging from 1829 to 185o . Among the engraved specimens of his art is the See also:

• ANNUAL

Annual of See also:

• BRITISH

British Landscape Scenery, published in 1839 . (W . M .